Zdjęcie 1 z 5
Galeria
Zdjęcie 1 z 5
Masz taki przedmiot na sprzedaż?
Cindy Sherman: The Complete Untitled Film Stills (2003 HC) 1st Printing
US $129,95
Około478,98 zł
lub Najlepsza oferta
Stan:
“First edition, First printing. Like new, pages tight, unread. No marks or writing. Dust jacket has ”... Zobacz więcejinformacji o stanie
Bardzo dobry
Książka była czytana i nie wygląda jak nowa, ale jest nadal w doskonałym stanie. Okładka bez wyraźnych uszkodzeń. Jeśli jest to książka z twardą oprawą, posiada ona obwolutę (o ile taka była). Egzemplarz bez brakujących lub uszkodzonych stron, bez zagnieceń lub naderwań oraz bez podkreśleń/zaznaczeń tekstu lub notatek na marginesach. Na wewnętrznej stronie okładki możliwe wpisy lub oznaczenia właściciela. Minimalne ślady używania. Aby poznać więcej szczegółów i opis uszkodzeń lub wad, zobacz aukcję sprzedającego.
- Kup terazCindy Sherman: The Complete Untitled Film Stills (2003 HC) 1st Printing
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Wysyłka:
US $6,99 (około 25,76 zł) USPS Media MailTM.
Znajduje się w: Iowa City, Iowa, Stany Zjednoczone
Dostawa:
Szacowana między Cz, 7 sie a Wt, 12 sie do 94104
Zwroty:
Zwrot w ciągu 30 dni. Za wysyłkę zwrotną płaci sprzedawca.
Płatności:
Kupuj bez obaw
Sprzedawca ponosi pełną odpowiedzialność za wystawienie tej oferty sprzedaży.
Nr przedmiotu eBay: 156733412821
Parametry przedmiotu
- Stan
- Bardzo dobry
- Uwagi sprzedawcy
- Signed
- No
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Original Language
- English
- Intended Audience
- Adults
- Inscribed
- No
- Edition
- First Edition
- Vintage
- No
- Personalize
- No
- Type
- Photography
- Literary Movement
- Modernism
- Personalized
- No
- Features
- Dust Jacket, Illustrated, Protective Mylar Cover
- Country/Region of Manufacture
- Italy
- ISBN
- 9780870705076
O tym produkcie
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
0870705075
ISBN-13
9780870705076
eBay Product ID (ePID)
5974911
Product Key Features
Book Title
Cindy Sherman : the Complete Untitled Film Stills
Number of Pages
164 Pages
Language
English
Topic
Individual Photographers / General, Museums, Tours, Points of Interest, Collections, Catalogs, Exhibitions / General, General
Publication Year
2003
Illustrator
Yes
Genre
Travel, Photography
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
41.4 Oz
Item Length
10.9 in
Item Width
10 in
Additional Product Features
Intended Audience
Trade
LCCN
2003-109411
Dewey Edition
22
Grade From
College Freshman
Number of Volumes
1 vol.
Dewey Decimal
779/.24
Grade To
UP
Synopsis
Cindy Sherman's Untitled Film Stills , a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our personal identities and the role of the mass media in our lives. Sherman began making these pictures in 1977 when she was 23 years old. The first six were an experiment: fan-magazine glimpses into the life (or roles) of an imaginary blond actress, played by Sherman herself. The photographs look like movie stills--or perhaps publicity pix--purporting to catch the blond bombshell in unguarded moments at home. The protagonist is shown preening in the kitchen and lounging in the bedroom. Onto something big, Sherman tried other characters in other roles: the chic starlet at her seaside hideaway, the luscious librarian, the domesticated sex kitten, the hot-blooded woman of the people, the ice-cold sophisticate and a can-can line of other stereotypes. She eventually completed the series in 1980. She stopped, she has explained, when she ran out of clich s. Other artists had drawn upon popular culture but Sherman's strategy was new. For her the pop-culture image was not a subject (as it had been for Walker Evans) or raw material (as it had been for Andy Warhol) but a whole artistic vocabulary, ready-made. Her film stills look and function just like the real ones--those 8 x 10 glossies designed to lure us into a drama we find all the more compelling because we know it isn't real. In the Untitled Film Stills there are no Cleopatras, no ladies on trains, no women of a certain age. There are, of course, no men. The 69 solitary heroines map a particular constellation of fictional femininity that took hold in postwar America--the period of Sherman's youth and the starting point for our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. Although most of the characters are invented, we sense right away that we already know them. That twinge of instant recognition is what makes the series tick and it arises from Cindy Sherman's uncanny poise. There is no wink at the viewer, no open irony, no camp. In 1995, The Museum of Modern Art purchased the series from the artist, preserving the work in its entirety. This book marks the first time that the complete series will be published as a unified work, with Sherman herself arranging the pictures in sequence., The photobook that defined a generation: 69 black-and-white photographs in Cindy Sherman s seminal cinematic style, made between 1977 and 1980 Cindy Sherman's Untitled Film Stills , a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our personal identities and the role of the mass media in our lives. Sherman began making these pictures in 1977 when she was 23 years old. The first six were an experiment: fan-magazine glimpses into the life (or roles) of an imaginary blond actress, played by Sherman herself. The photographs look like movie stills--or perhaps publicity pix--purporting to catch the blond bombshell in unguarded moments at home. The protagonist is shown preening in the kitchen and lounging in the bedroom. Onto something big, Sherman tried other characters in other roles: the chic starlet at her seaside hideaway, the luscious librarian, the domesticated sex kitten, the hot-blooded woman of the people, the ice-cold sophisticate and a can-can line of other stereotypes. She eventually completed the series in 1980. She stopped, she has explained, when she ran out of clichés. Other artists had drawn upon popular culture but Sherman's strategy was new. For her the pop-culture image was not a subject (as it had been for Walker Evans) or raw material (as it had been for Andy Warhol) but a whole artistic vocabulary, ready-made. Her film stills look and function just like the real ones--those 8 x 10 glossies designed to lure us into a drama we find all the more compelling because we know it isn't real. In the Untitled Film Stills there are no Cleopatras, no ladies on trains, no women of a certain age. There are, of course, no men. The 69 solitary heroines map a particular constellation of fictional femininity that took hold in postwar America--the period of Sherman's youth and the starting point for our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. Although most of the characters are invented, we sense right away that we already know them. That twinge of instant recognition is what makes the series tick and it arises from Cindy Sherman's uncanny poise. There is no wink at the viewer, no open irony, no camp. In 1995, The Museum of Modern Art purchased the series from the artist, preserving the work in its entirety. This book marks the first time that the complete series will be published as a unified work, with Sherman herself arranging the pictures in sequence., The photobook that defined a generation: 69 black-and-white photographs in Cindy Sherman's seminal cinematic style, made between 1977 and 1980 Cindy Sherman's Untitled Film Stills , a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our personal identities and the role of the mass media in our lives. Sherman began making these pictures in 1977 when she was 23 years old. The first six were an experiment: fan-magazine glimpses into the life (or roles) of an imaginary blond actress, played by Sherman herself. The photographs look like movie stills--or perhaps publicity pix--purporting to catch the blond bombshell in unguarded moments at home. The protagonist is shown preening in the kitchen and lounging in the bedroom. Onto something big, Sherman tried other characters in other roles: the chic starlet at her seaside hideaway, the luscious librarian, the domesticated sex kitten, the hot-blooded woman of the people, the ice-cold sophisticate and a can-can line of other stereotypes. She eventually completed the series in 1980. She stopped, she has explained, when she ran out of clichés. Other artists had drawn upon popular culture but Sherman's strategy was new. For her the pop-culture image was not a subject (as it had been for Walker Evans) or raw material (as it had been for Andy Warhol) but a whole artistic vocabulary, ready-made. Her film stills look and function just like the real ones--those 8 x 10 glossies designed to lure us into a drama we find all the more compelling because we know it isn't real. In the Untitled Film Stills there are no Cleopatras, no ladies on trains, no women of a certain age. There are, of course, no men. The 69 solitary heroines map a particular constellation of fictional femininity that took hold in postwar America--the period of Sherman's youth and the starting point for our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. Although most of the characters are invented, we sense right away that we already know them. That twinge of instant recognition is what makes the series tick and it arises from Cindy Sherman's uncanny poise. There is no wink at the viewer, no open irony, no camp. In 1995, The Museum of Modern Art purchased the series from the artist, preserving the work in its entirety. This book marks the first time that the complete series will be published as a unified work, with Sherman herself arranging the pictures in sequence.
LC Classification Number
TR655
Opis przedmiotu podany przez sprzedawcę
O tym sprzedawcy
Miklo's Folly
100% opinii pozytywnych•Sprzedane przedmioty: 2,3 tys.
Zarejestrowany jako prywatny sprzedawcaW związku z tym prawa konsumenckie wynikające z przepisów EU o ochronie konsumentów nie obowiązują. W przypadku większości zakupów nadal obowiązuje Ochrona kupujących eBay. Dowiedz się więcejDowiedz się więcej
Opinie sprzedawcy (1 014)
- *****- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyExactly as described - perfect condition packaged with a nice note. Thank you so much!
- a***w (1785)- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyPerfect transaction. Thank you.
- n***m (5084)- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyWhitehead proof arrived safely and in fine condition. Thank You, Thank You!!
Miklo's Folly
100% opinii pozytywnych•Sprzedane przedmioty: 2,3 tys.
Zarejestrowany jako prywatny sprzedawcaW związku z tym prawa konsumenckie wynikające z przepisów EU o ochronie konsumentów nie obowiązują. W przypadku większości zakupów nadal obowiązuje Ochrona kupujących eBay. Dowiedz się więcejDowiedz się więcej
Opinie sprzedawcy (1 014)
- *****- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyExactly as described - perfect condition packaged with a nice note. Thank you so much!
- a***w (1785)- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyPerfect transaction. Thank you.
- n***m (5084)- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyWhitehead proof arrived safely and in fine condition. Thank You, Thank You!!