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Earthworks And Beyond: Comtemparary Art In the Landscape - Paperback - GOOD+
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“Pages are very nice. The cover is in good+ condition with not much wear.”
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Wysyłka:
US $6,72 (około 24,77 zł) USPS Media MailTM.
Znajduje się w: Davis, California, Stany Zjednoczone
Dostawa:
Szacowana między Śr, 6 sie a Pt, 8 sie do 94104
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Nr przedmiotu eBay: 156984106147
Ostatnia aktualizacja: 22-07-2025 01:46:58 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Dobry
- Uwagi sprzedawcy
- “Pages are very nice. The cover is in good+ condition with not much wear.”
- Brand
- Unbranded
- MPN
- Does not apply
- ISBN
- 9780789208811
O tym produkcie
Product Identifiers
Publisher
Abbeville Press, Incorporated
ISBN-10
0789208814
ISBN-13
9780789208811
eBay Product ID (ePID)
48674331
Product Key Features
Edition
4
Book Title
Earthworks and Beyond : Contemporary Art in the Landscape
Number of Pages
240 Pages
Language
English
Topic
Sculpture & Installation, Landscape, Buildings / Public, Commercial & Industrial, Aesthetics
Publication Year
2006
Illustrator
Yes
Features
Revised
Genre
Art, Philosophy, Architecture
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
13 Oz
Item Length
11.1 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-000576
Dewey Edition
21
Reviews
This thoughtful volume is very well illustrated and provides a context for understanding the achievements of a highly diverse range of artistic endeavor. . . . Highly recommended. -- Artforum John Beardsley is a superb guide to this burgeoning and sometimes baffling branch of the art world. . . . His observations have a polished simplicity and he fortifies his narrative with details that have eluded other writers. . . . Beardsley offers the best account of the earthworks movement yet published. -- Landscape Architecture Indispensable... By the time one reads the last chapter, "The Greening of Sculpture," one sees that the ancient role of artists as technologists and innovators has reopened in the relatively new tradition of earthworks and public sculpture... The complex field of contemporary site-specific sculpture gains clarity with the categories Beardsley outlines... Beardsleys' analysis is unpretentious, clear-eyed, and open. -- Rain Taxi Review of Books; Fall, 2006, ""Indispensable... By the time one reads the last chapter, 'The Greening of Sculpture,' one sees that the ancient role of artists as technologists and innovators has reopened in the relatively new tradition of earthworks and public sculpture... The complex field of contemporary site-specific sculpture gains clarity with the categories Beardsley outlines... Beardsleys' analysis is unpretentious, clear-eyed, and open."--Rain Taxi Review of Books", ""John Beardsley is a superb guide to this burgeoning and sometimes baffling branch of the art world. . . . His observations have a polished simplicity and he fortifies his narrative with details that have eluded other writers. . . . Beardsley offers the best account of the earthworks movement yet published."--Landscape Architecture"
Dewey Decimal
709/.04/076
Edition Description
Revised edition
Table Of Content
Introduction 1. Monument and Environment: The Avant-Garde, 1966-1976 2. The Ramble 3. Tradition and Antecedent 4. Beyond Earthworks: The Public Landscape 5. Beyond Earthworks: The New Urban Landscape 6. The Greening of Art 7. 21st Century Earthworks Notes Artists' Statements Locations of Selected Works Selected Bibliography Index
Synopsis
This invaluable volume now includes the most recent efforts by artists often in collaboration with architects and city planners to transform ravaged landscapes and desolate cityscapes into pleasure-giving parks and artworks. The book begins with an enlightening introduction tracing the historical roots of art in the landscape: Stonehenge, Indian mounds, cliff dwellings, park design from 18th-century England to modern-day golf courses. The opening chapter deals with such innovative artists as Robert Smithson, Nancy Holt, Walter De Maria, and Christo, who in the 1960s began to free their art from the confines of tradition by constructing monumental sculptures in the environment. The following chapters discuss their predecessors, peers, and successors, including Constantin Brancusi, Herbert Bayer, Richard Long, James Turrell, and many others. The final four chapters (chapter 7 is entirely new) explore at length the increasing involvement of artists in land reclamation and urban design, featuring projects by Michael Heizer, Nancy Holt, Mel Chin, Maya Lin, and many others., Updated and expanded to incorporate the most recent land art projects, Earthworks and Beyond (first published in 1984; 2nd edition, 1989; 3rd edition, 1998) is a perceptive and accessible survey of an influential art movement that developed during the 1960s and is still reshaping both remote and urban landscapes., This invaluable volume now includes the most recent efforts by artistsG often in collaboration with architects and city plannersG to transform ravaged landscapes and desolate cityscapes into pleasure-giving parks and artworks. The book begins with an enlightening introduction tracing the historical roots of art in the landscape: Stonehenge, Indian mounds, cliff dwellings, park design from 18th-century England to modern-day golf courses. The opening chapter deals with such innovative artists as Robert Smithson, Nancy Holt, Walter De Maria, and Christo, who in the 1960s began to free their art from the confines of tradition by constructing monumental sculptures in the environment. The following chapters discuss their predecessors, peers, and successors, including Constantin Brancusi, Herbert Bayer, Richard Long, James Turrell, and many others. The final four chapters (chapter 7 is entirely new) explore at length the increasing involvement of artists in land reclamation and urban design, featuring projects by Michael Heizer, Nancy Holt, Mel Chin, Maya Lin, and many others., Updated and expanded to incorporate the most recent land art projects, Earthworks and Beyond (first published in 1984; 2nd edition, 1989; 3rd edition, 1998) is a perceptive and accessible survey of an influential art movement that developed during the 1960s and is still reshaping both remote and urban landscapes. This invaluable volume now includes the most recent efforts by artists often in collaboration with architects and city planners to transform ravaged landscapes and desolate cityscapes into pleasure-giving parks and artworks. The book begins with an enlightening introduction tracing the historical roots of art in the landscape: Stonehenge, Indian mounds, cliff dwellings, park design from 18th-century England to modern-day golf courses. The opening chapter deals with such innovative artists as Robert Smithson, Nancy Holt, Walter De Maria, and Christo, who in the 1960s began to free their art from the confines of tradition by constructing monumental sculptures in the environment. The following chapters discuss their predecessors, peers, and successors, including Constantin Brancusi, Herbert Bayer, Richard Long, James Turrell, and many others. The final four chapters (chapter 7 is entirely new) explore at length the increasing involvement of artists in land reclamation and urban design, featuring projects by Michael Heizer, Nancy Holt, Mel Chin, Maya Lin, and many others.
LC Classification Number
N6494.E27B4 2006
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