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Dear Mili Wilhelm Grimm Maurice Sendak hardcover dustjacket first edition 1988
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- Kup terazDear Mili Wilhelm Grimm Maurice Sendak hardcover dustjacket first edition 1988
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Wysyłka:
US $5,22 (około 19,24 zł) USPS Media MailTM.
Znajduje się w: Lancaster, California, Stany Zjednoczone
Zaoszczędź, korzystając z wysyłki łącznej
Dostawa:
Szacowana między Śr, 6 sie a Pt, 8 sie do 94104
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Nr przedmiotu eBay: 166933804523
Parametry przedmiotu
- Stan
- Narrative Type
- Fiction
- Vintage
- Yes
- ISBN
- 9780374317621
O tym produkcie
Product Identifiers
Publisher
Farrar, Straus & Giroux
ISBN-10
0374317623
ISBN-13
9780374317621
eBay Product ID (ePID)
28669
Product Key Features
Book Title
Dear Mili
Number of Pages
40 Pages
Language
English
Topic
Fairy Tales & Folklore / General, General, Girls & Women
Publication Year
1988
Illustrator
Yes, Sendak, Maurice
Genre
Juvenile Fiction
Format
Hardcover
Dimensions
Item Height
0.4 in
Item Weight
17.3 Oz
Item Length
9.4 in
Item Width
10.1 in
Additional Product Features
Intended Audience
Juvenile Audience
LCCN
88-081294
Reviews
In the Sendak world, stories unfold like dreams, where images connect emotionally and serendipitously, not by the logic imposed by grown-ups when they are awake. In much of his work, beauty and sorrow walk hand in hand . . . [Sendak's work gives] children the power to conquer through art and ingenuity, reminding parents of the complicated responsibility that requires them to be hopeful but realistic about the terrible wild things out there., Dear Mili is among Mr. Sendak's finest creations. If one hesitates to call him the foremost illustrator in contemporary America, or the most accomplished draftsman, it is only because those terms set too narrow a limit on the nature of his achievement. He is an artist, nothing less; an artist with a powerful vision., "Emotionally compelling . . . A variation on the themes of loss, separation and love . . . Sendak infuses it with images that are both nonsectarian and universal. Trees and roots in the valley of death become grasping, whitened bones scattered beneath an outline reminiscent of buildings at Auschwitz. The images are rich: dark clouds of war are etched with claws of yellow fire, and paradise is filled not only with music, but with lush flowers that burst, like those of Van Gogh or O'Keeffe, with passionate life . . . Contains unforgettable artwork of resonant power." - P ublishers Weekly " Dear Mili is among Mr. Sendak's finest creations. If one hesitates to call him the foremost illustrator in contemporary America, or the most accomplished draftsman, it is only because those terms set too narrow a limit on the nature of his achievement. He is an artist, nothing less; an artist with a powerful vision." -John Gross, The New York Times "In the Sendak world, stories unfold like dreams, where images connect emotionally and serendipitously, not by the logic imposed by grown-ups when they are awake. In much of his work, beauty and sorrow walk hand in hand . . . [Sendak's work gives] children the power to conquer through art and ingenuity, reminding parents of the complicated responsibility that requires them to be hopeful but realistic about the terrible wild things out there." - The New York Times, "Emotionally compelling . . . A variation on the themes of loss, separation and love . . . Sendak infuses it with images that are both nonsectarian and universal. Trees and roots in the valley of death become grasping, whitened bones scattered beneath an outline reminiscent of buildings at Auschwitz. The images are rich: dark clouds of war are etched with claws of yellow fire, and paradise is filled not only with music, but with lush flowers that burst, like those of Van Gogh or O'Keeffe, with passionate life . . . Contains unforgettable artwork of resonant power." -- Publishers Weekly " Dear Mili is among Mr. Sendak's finest creations. If one hesitates to call him the foremost illustrator in contemporary America, or the most accomplished draftsman, it is only because those terms set too narrow a limit on the nature of his achievement. He is an artist, nothing less; an artist with a powerful vision." -- John Gross, The New York Times "In the Sendak world, stories unfold like dreams, where images connect emotionally and serendipitously, not by the logic imposed by grown-ups when they are awake. In much of his work, beauty and sorrow walk hand in hand . . . [Sendak's work gives] children the power to conquer through art and ingenuity, reminding parents of the complicated responsibility that requires them to be hopeful but realistic about the terrible wild things out there." -- The New York Times, "Emotionally compelling . . . A variation on the themes of loss, separation and love . . . Sendak infuses it with images that are both nonsectarian and universal. Trees and roots in the valley of death become grasping, whitened bones scattered beneath an outline reminiscent of buildings at Auschwitz. The images are rich: dark clouds of war are etched with claws of yellow fire, and paradise is filled not only with music, but with lush flowers that burst, like those of Van Gogh or O'Keeffe, with passionate life . . . Contains unforgettable artwork of resonant power." - P ublishers Weekly " Dear Mili is among Mr. Sendak's finest creations. If one hesitates to call him the foremost illustrator in contemporary America, or the most accomplished draftsman, it is only because those terms set too narrow a limit on the nature of his achievement. He is an artist, nothing less; an artist with a powerful vision." -John Gross, The New York Times "In the Sendak world, stories unfold like dreams, where images connect emotionally and serendipitously, not by the logic imposed by grown-ups when they are awake. In much of his work, beauty and sorrow walk hand in hand . . . [Sendak's work gives] children the power to conquer through art and ingenuity, reminding parents of the complicated responsibility that requires them to be hopeful but realistic about the terrible wild things out there." - The New York Times, Emotionally compelling . . . A variation on the themes of loss, separation and love . . . Sendak infuses it with images that are both nonsectarian and universal. Trees and roots in the valley of death become grasping, whitened bones scattered beneath an outline reminiscent of buildings at Auschwitz. The images are rich: dark clouds of war are etched with claws of yellow fire, and paradise is filled not only with music, but with lush flowers that burst, like those of Van Gogh or O'Keeffe, with passionate life . . . Contains unforgettable artwork of resonant power.
Grade From
Kindergarten
Grade To
Second Grade
Synopsis
A New York Times bestseller, this long-lost Grimm fairy tale illustrated by Maurice Sendak is available again, On September 28, 1983, the discovery of a previously unknown tale by Wilhelm Grimm was reported on the front page of The New York Times . "After more than 150 years," the Times noted, "Hansel and Gretel, Snow-White, Rumpelstiltskin, and Cinderella will be joined by another Grimm fairy-tale character." The story of dear Mili was preserved in a letter Wilhelm Grimm wrote to a little girl in 1816, a letter that remained in her family's possession for over a century and a half. It tells of a mother who sends her daughter into the forest to save her from a terrible war. The child comes upon the hut of an old man, who gives her shelter, and she repays his kindness by serving him faithfully for what she thinks are three days. Actually, thirty years have passed, but Mili has remained safe, and with the old man's blessing there is still time for a tender reunion with her mother. As for the pictures that interpret Dear Mili --hailed by School Library Journal as "gorgeous"--they were a milestone in Maurice Sendak's career, the work of a master at the height of his powers.
LC Classification Number
PZ8.G883De 1988
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Zarejestrowany jako prywatny sprzedawcaW związku z tym prawa konsumenckie wynikające z przepisów EU o ochronie konsumentów nie obowiązują. W przypadku większości zakupów nadal obowiązuje Ochrona kupujących eBay. Dowiedz się więcejDowiedz się więcej
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