The Next Thing: Art in the Twenty-first Century
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The Next Thing: Art in the Twenty-first Century
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Ostatnia aktualizacja: 10-01-2025 17:18:08 CET Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- ISBN
- 9781611474510
O tym produkcie
Product Identifiers
Publisher
Fairleigh Dickinson University Press
ISBN-10
1611474515
ISBN-13
9781611474510
eBay Product ID (ePID)
159958912
Product Key Features
Number of Pages
214 Pages
Language
English
Publication Name
Next Thing : Art in the Twenty-First Century
Publication Year
2013
Subject
History / Contemporary (1945-), Criticism & Theory
Type
Textbook
Subject Area
Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
17.8 Oz
Item Length
10.4 in
Item Width
7.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
TitleLeading
The
Dewey Edition
23
Reviews
The Next Thing assays what Blanchot called le livre venir, the book to come: a book on the real future, the unpredictable one, which is happening now. Traces of this future are already in every contemporary artwork, and this volume -- against the search-and-destroy backdrop of neuroscience, ontological shifts, and drone surveillance -- examines the unexpected transpecies we already are, from aesthetic fiction to becoming mouth-breast. It unearths the art of our species through the species of our art., The Next Thingassays what Blanchot calledle livre venir, the book to come: a book on the real future, the unpredictable one, which is happening now. Traces of this future are already in every contemporary artwork, and this volume -- against the search-and-destroy backdrop of neuroscience, ontological shifts, and drone surveillance -- examines the unexpected transpecies we already are, from aesthetic fiction to becoming mouth-breast. It unearths the art of our species through the species of our art., The Next Thing: Art in the Twenty-first Century represents the often subversive visions of contemporary literary and visual artists, critics, and philosophers on the experimental arts of the future. In search of a paradigm shift that takes art beyond modernism, structuralism, post-modernism and post-historical ideologies, these writers grapple with new possibilities as artists take their searches into scientific laboratories of biotechnology and challenge previous assumptions concerning the meaning of body, self, nature, and culture., The Next Thing assays what Blanchot called le livre à venir, the book to come: a book on the real future, the unpredictable one, which is happening now. Traces of this future are already in every contemporary artwork, and this volume -- against the search-and-destroy backdrop of neuroscience, ontological shifts, and drone surveillance -- examines the unexpected transpecies we already are, from aesthetic fiction to becoming mouth-breast. It unearths the art of our species through the species of our art. , The Next Thing assays what Blanchot called le livre à venir, the book to come: a book on the real future, the unpredictable one, which is happening now. Traces of this future are already in every contemporary artwork, and this volume -- against the search-and-destroy backdrop of neuroscience, ontological shifts, and drone surveillance -- examines the unexpected transpecies we already are, from aesthetic fiction to becoming mouth-breast. It unearths the art of our species through the species of our art., This anthology performs the much-needed task of mapping the art of this new century. Pablo Baler covers a variety of critical and theoretical modalities of contemporary and future states of art, theory of art, cultural theory and science. His selection of essays offers a global and a transdisciplinary view between today and tomorrow. This will be an essential reading for artists, curators, art historians and cultural theorists. New and brave anthology., To the extent that art engages with our cognitive-affective understanding of the world and the value we confer upon its disparate particles and processes, the significance of this study is that it promotes critical discourse within the sciences and the humanities towards the preservation and enhancement of human life in an evolving universe., This anthology performs the much-needed task of mapping the art of this new century. Pablo Baler covers a variety of critical and theoretical modalities of contemporary and future states of art, theory of art, cultural theory and science. His selection of essays offers a global and a transdisciplinary view between "today" and "tomorrow." This will be essential reading for artists, curators, art historians and cultural theorists. New and brave anthology., The themes that permeate these essays and images - art as aesthetic fiction, the inseparability of art and life, the past as loss and the future as open, the intertwining temporal dimensions of works of art, the explosions of public access to art and the simultaneous shrinking of critical public writing, the critical art of the future, writing as a mélange of ascendancies, Kindlefication, the impact of physical locale and physicality, the centrality of affect, migratory aesthetics, objects as interactive subjects, axonometry, the destabilizing tensions between fiction and world, memes and micro-memes, ana-materialist realities, alternate art realities - restart the conversation in the visual and performing arts that has been for too long silenced by the noise of instantaneity on the internet and functionalism in the creative arts. It is to be hoped that this book is a sign that the halcyon days of art and art makers lie ahead., The themes that permeate these essays and images art as aesthetic fiction, the inseparability of art and life, the past as loss and the future as open, the intertwining temporal dimensions of works of art, the explosions of public access to art and the simultaneous shrinking of critical public writing, the critical art of the future, writing as a mélange of ascendancies, Kindlefication, the impact of physical locale and physicality, the centrality of affect, migratory aesthetics, objects as interactive subjects, axonometry, the destabilizing tensions between fiction and world, memes and micro-memes, ana-materialist realities, alternate art realities restart the conversation in the visual and performing arts that has been for too long silenced by the noise of instantaneity on the internet and functionalism in the creative arts. It is to be hoped that this book is a sign that the halcyon days of art and art makers lie ahead., The themes that permeate these essays and images - art as aesthetic fiction, the inseparability of art and life, the past as loss and the future as open, the intertwining temporal dimensions of works of art, the explosions of public access to art and the simultaneous shrinking of critical public writing, the critical art of the future, writing as a mlange of ascendancies, Kindlefication, the impact of physical locale and physicality, the centrality of affect, migratory aesthetics, objects as interactive subjects, axonometry, the destabilizing tensions between fiction and world, memes and micro-memes, ana-materialist realities, alternate art realities - restart the conversation in the visual and performing arts that has been for too long silenced by the noise of instantaneity on the internet and functionalism in the creative arts. It is to be hoped that this book is a sign that the halcyon days of art and art makers lie ahead., "To the extent that art engages with our cognitive-affective understanding of the world and the value we confer upon its disparate particles and processes, the significance of this study is that it promotes critical discourse within the sciences and the humanities towards the preservation and enhancement of human life in an evolving universe." -- Leonardo "The Next Thing: Art in the Twenty-first Century represents the often subversive visions of contemporary literary and visual artists, critics, and philosophers on the experimental arts of the future. In search of a paradigm shift that takes art beyond modernism, structuralism, post-modernism and post-historical ideologies, these writers grapple with new possibilities as artists take their searches into scientific laboratories of biotechnology and challenge previous assumptions concerning the meaning of body, self, nature, and culture." --Curtis L. Carter, Professor of Aesthetics, Marquette University Department of Philosophy "The themes that permeate these essays and images - art as aesthetic fiction, the inseparability of art and life, the past as loss and the future as open, the intertwining temporal dimensions of works of art, the explosions of public access to art and the simultaneous shrinking of critical public writing, the critical art of the future, writing as a mélange of ascendancies, Kindlefication, the impact of physical locale and physicality, the centrality of affect, migratory aesthetics, objects as interactive subjects, axonometry, the destabilizing tensions between fiction and world, memes and micro-memes, ana-materialist realities, alternate art realities - restart the conversation in the visual and performing arts that has been for too long silenced by the noise of instantaneity on the internet and functionalism in the creative arts. It is to be hoped that this book is a sign that the halcyon days of art and art makers lie ahead." --Dorothea E. Olkowski, Professor of Philosophy, University of Colorado "The Next Thing assays what Blanchot called le livre à venir, the book to come: a book on the real future, the unpredictable one, which is happening now. Traces of this future are already in every contemporary artwork, and this volume -- against the search-and-destroy backdrop of neuroscience, ontological shifts, and drone surveillance -- examines the unexpected transpecies we already are, from aesthetic fiction to becoming mouth-breast. It unearths the art of our species through the species of our art." --Matian Viegener, Artist, Author of "2500 Random Things About Me Too" "This anthology performs the much-needed task of mapping the art of this new century. Pablo Baler covers a variety of critical and theoretical modalities of contemporary and future states of art, theory of art, cultural theory and science. His selection of essays offers a global and a transdisciplinary view between "today" and "tomorrow." This will be essential reading for artists, curators, art historians and cultural theorists. New and brave anthology." --Misko Suvakovic, Interdisciplinary Studies, University of Art, Belgrade, The Next Thing assays what Blanchot called le livre à venir, the book to come: a book on the real future, the unpredictable one, which is happening now. Traces of this future are already in every contemporary artwork, and this volume - against the search-and-destroy backdrop of neuroscience, ontological shifts, and drone surveillance - examines the unexpected transpecies we already are, from aesthetic fiction to becoming mouth-breast. It unearths the art of our species through the species of our art. , The Next Thing: Art in the Twenty-first Century represents the often subversive visions of contemporary literary and visual artists, critics, and philosophers on the experimental arts of the future. In search of a paradigm shift that takes art beyond modernism, structuralism, post-modernism and post-historical ideologies, these writers grapple with new possibilities as artists take their searches into scientific laboratories of biotechnology and challenge previous assumptions concerning the meaning of body, self, nature, and culture in reference to art.
Illustrated
Yes
Dewey Decimal
709.05
Table Of Content
Contents Dedication Introduction Acknowledgments List of Images Chapter 1: Time Comes to Art from the Future by Hagi Kenaan Chapter 2: Manifesto for the Next Art by Polona Tratnik Chapter 3: After the Expanded Field: Sculpture in the 21st Century by Glenn Harper Chapter 4: Kindle, Kindle Burning Bright: Poetics of fiction on the 21st Century by Mark Axelrod Chapter 5: Art/Aesthetics in the next 100 years -A dialogue by Salima Hashmi, Rashid Rana, Huma Mulji, Quddus Mirza, Naazish Ataullah, and Ayesha Jatoi Chapter 6: Affect and the Space We Share: Three Forms of Installation Art (The Futurality of Affect) by Mieke Bal Chapter 7: Futurecast: Merging Subject with Object by Jan Garden Castro Chapter 8: Axonometry of the Future, or Prophecies for the 21st Century by Liliana Porter and Ana Tiscornia Chapter 9: Ana-Materialism and the Pineal Eye (Becoming Mouth-Breast) by Sue Golding Chapter 10: Interrupted Reading: The Aesthetics of Metastasis by Pablo Baler Chapter 11: Aliveness & Affect: Alternate Art & Anatomies by Stelarc Contributors Bios Index
Synopsis
The Next Thing: Art in the Twenty-first Century is an illustrated collection of commissioned essays that attempt to anticipate, through current artistic productions, the aesthetic sensibility that will define our times., The Next Thing: Art in the Twenty-first Century is a highly visual collection of essays about the future of art and the art of the future. This anthology brings together writings by world-renown theorists, artists, critics, novelists and philosophers, all of them engaged in current discussions about new and emerging artistic trends and sensibilities. From "post-human" installations, to transgenic experimentations, from tele-presence performance, to nano design, digital-fiction, virtual urbanism or "guerilla art", new tendencies, are redefining both the boundaries of Meaning and what it means to be Human. The essays comprising The Next Thing identify the impact of these new trends and anticipate possible zeitgeists that will define our century. This anthology counts with contributions by Stelarc, Liliana Porter, Ana Tiscornia, Mieke Bal, Polona Tratnik, Hagi Kenaan, Sue "Johnny" Golding, Pablo Baler, Mark Axelrod, Glenn Harper, Jan Garden Castro, Salima Hashmi, Rashid Rana, Huma Mulji, Ajesha Jatoi, Quddus Mirza, and Naazish Ata-Ullah. Like the artworks here discussed, the book itself is endowed with a transformative power and a subversive understanding of the limits of human identity. The Next Thing challenges perception, defies our imagination and pushes the boundaries of both ethics and aesthetics. For more information on The Next Thing and Pablo Baler, please visit: http://www.pablobaler.com/., The Next Thing: Art in the Twenty-first Century is a highly visual collection of essays about the future of art and the art of the future. This anthology brings together writings by world-renown theorists, artists, critics, novelists and philosophers, all of them engaged in current discussions about new and emerging artistic trends and sensibilities. From "post-human" installations, to transgenic experimentations, from tele-presence performance, to nano design, digital-fiction, virtual urbanism or "guerilla art", new tendencies, are redefining both the boundaries of Meaning and what it means to be Human. The essays comprising The Next Thing identify the impact of these new trends and anticipate possible zeitgeists that will define our century.This anthology counts with contributions by Stelarc, Liliana Porter, Ana Tiscornia, Mieke Bal, Polona Tratnik, Hagi Kenaan, Sue "Johnny" Golding, Pablo Baler, Mark Axelrod, Glenn Harper, Jan Garden Castro, Salima Hashmi, Rashid Rana, Huma Mulji, Ajesha Jatoi, Quddus Mirza, and Naazish Ata-Ullah. Like the artworks here discussed, the book itself is endowed with a transformative power and a subversive understanding of the limits of human identity. The Next Thing challenges perception, defies our imagination and pushes the boundaries of both ethics and aesthetics.For more information on The Next Thing and Pablo Baler, please visit: http://www.pablobaler.com/., The Next Thing: Art in the Twenty-first Century is a highly visual collection of essays about the future of art and the art of the future. This anthology brings together writings by world-renown theorists, artists, critics, novelists and philosophers, all of them engaged in current discussions about new and emerging artistic trends and sensibilities. From "post-human" installations, to transgenic experimentations, from tele-presence performance, to nano design, digital-fiction, virtual urbanism or "guerilla art", new tendencies, are redefining both the boundaries of Meaning and what it means to be Human. The essays comprising The Next Thing identify the impact of these new trends and anticipate possible zeitgeists that will define our century. This anthology counts with contributions by Stelarc, Liliana Porter, Ana Tiscornia, Mieke Bal, Polona Tratnik, Hagi Kenaan, Sue "Johnny" Golding, Pablo Baler, Mark Axelrod, Glenn Harper, Jan Garden Castro, Salima Hashmi, Rashid Rana, Huma Mulji, Ajesha Jatoi, Quddus Mirza, and Naazish Ata-Ullah. Like the artworks here discussed, the book itself is endowed with a transformative power and a subversive understanding of the limits of human identity. The Next Thing challenges perception, defies our imagination and pushes the boundaries of both ethics and aesthetics. For more information on The Next Thing and Pablo Baler, please visit: http: //www.pablobaler.com/.
LC Classification Number
N6497
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