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MITCH DAVIS THE HAUNT (winyl) album 12" (IMPORT Z WIELKIEJ BRYTANII)

Tekst oryginalny
MITCH DAVIS THE HAUNT (Vinyl) 12" Album (UK IMPORT)
Tekst oryginalny
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Ostatnia aktualizacja: 01-05-2024 18:02:45 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki

Parametry przedmiotu

Stan
Nowy: Fabrycznie nowy, nieużywany, nieotwierany i nieuszkodzony przedmiot. Aby sprawdzić szczegóły, ...
Title
THE HAUNT
EAN
0844667053067
Edition
12" Album
Style
Singer/Songwriter
Release Date
04/29/2022
No Of Discs
1
Type
Album
MPN
ABT94
UPC
0844667053067
Artist
Davis, Mitch
Format
Record
Record Label
Arbutus Records, Arbu
Release Year
2022
Release Title
The Haunt
Genre
Rock

O tym produkcie

Product Identifiers

Record Label
Arbutus Records, Arbu
UPC
0844667053067
eBay Product ID (ePID)
27053069418

Product Key Features

Artist
Davis, Mitch
Format
Record
Release Year
2022
Release Title
The Haunt
Genre
Rock

Dimensions

Item Length
12.37in
Item Height
0.12in
Item Width
12.22in
Item Weight
0.87lb.

Additional Product Features

Number of Discs
1
Notes
Multi-instrumentalist, songwriter, and producer Mitch Davis steps out on his own with debut LP The Haunt, a singer-songwriter tour de force for which he wrote all the songs and played all the instruments, made in his home studio during the 2020 lockdown, with much of it recorded on equipment that he also built himself. The result is a uniquely personal statement brimming with color and optimism even as it ponders universal themes of introspection and loneliness-a record that could only have been made by Mitch Davis.Davis is a mainstay of the vibrant Montréal music scene, with a musical background encompassing everything from rock bands (Faith Healer) to avant-garde (Elle Barbara's Black Space) to jazz and hip-hop (Cadence Weapon). The Haunt is a synthesis of his many musical interests, stretching back to his childhood when he played drums in the church band and saxophone in his school band (he plays both on The Haunt.) Though he's never had any formal musical training, Davis can't remember a time in which music wasn't a part of his life. When it came time to make his own record, Davis says: "I was always hoping I could find a way to blend everything together and get away with doing a bunch of different genres all at once, because I don't like dwelling on a certain sound."That is what he has accomplished with The Haunt, which is an accessible collection of songs blending jazz, funk, sunshine pop, rock, and a host of surprising sonic easter eggs into a record so seamlessly integrated it often feels like a full band effort. Yet everything you hear is a result of Davis hunkering down alone in his home studio in the garment manufacturing district of Montréal while the city was under a strict curfew-midnight to 5am were his working hours-funneling all his creative energy into the music. He mostly wrote the songs as he went along, then tinkered with them until he was satisfied. "I was obsessed beyond belief," Davis says. "I would listen to it all day, every day until I didn't hear anything I'd done to that point and would only hear what the next thing should be." Davis isn't just an in-demand musical player in the Montreal scene-he's also a gearhead who is often tapped to fix his peers' synths and amps. Just like Davis doesn't have any formal musical training, he also never formally studied electronics, and his interest in building his own gear came about more organically. "I mostly just couldn't afford the gear that's as good as I could make," he says. One piece of self-built equipment he used for The Haunt is a boutique analog compressor called the Mitch Davis Compressor (MDC.) He's sold it to about 20 people in his community, but it will become available commercially soon as well.Despite so much going on behind the scenes, nothing about The Haunt sounds overworked. A breezy, upbeat listen, it's very much in tune with the spirit of 70s pop that Davis loves for the way it strikes a balance between musicality and catchiness, complexity and brevity. These are composed, layered songs made with care, but also made to make you smile. Not only fun for the listener, The Haunt sounds like it was fun to make-and it was. "As soon as I start working on something, I don't get tired. I can't," says Davis. "It's like I get drunk on the music or something." Yet the record is also personal and deeply soulful, a quality that might come from Davis' tendency to "do the vocals instantly, while it's super bare bones so I'm not trying to recreate the emotion later."Much of The Haunt is very keys-driven-the title track, which closes out the record, is an instrumental piano piece that Davis had kicking around for a while before figuring out what to do with it-and it's full of warm retro sounds like rhodes, clavinet, and synth. But it's also a record full of playfully modern moments that surprise and delight, like the unexpected chiptune breakdown near the end of "Let it Die," a cool contrast to the song's funky marching bass line and lyrics about
Tracks
1.1 In the Morning 1.2 Bear the Cold 1.3 Let It Die 1.4 Left Inside 1.5 The Fall 1.6 What You Say 1.7 Hope That 1.8 My City Life 1.9 Idle Days 1.10 The Haunt
Number of Tracks
10
Country/Region of Manufacture
United States

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