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American Impressionism and Realism: The Painting of Modern Life, LIKE NEW
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US $4,63 (około 17,71 zł) USPS Media MailTM.
Znajduje się w: Columbus, Ohio, Stany Zjednoczone
Dostawa:
Szacowana między Pt, 27 wrz a Śr, 2 paź do 43230
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Nr przedmiotu eBay: 145593901248
Parametry przedmiotu
- Stan
- Book Title
- American Impressionism and Realism: The Painting of Modern Life,
- Subject
- History / Modern (Late 19th Century to 1945), Collections, Catalogs, Exhibitions / Permanent Collections, Collections, Catalogs, Exhibitions / General, American / General, History / General
- ISBN
- 9780300199505
- Subject Area
- Art
- Publication Name
- American Impressionism and Realism : the Painting of Modern Life, 1885-1915
- Publisher
- Yale University Press
- Item Length
- 12 in
- Publication Year
- 2013
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Weight
- 79.5 Oz
- Item Width
- 9.5 in
- Number of Pages
- 384 Pages
O tym produkcie
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300199503
ISBN-13
9780300199505
eBay Product ID (ePID)
167564524
Product Key Features
Number of Pages
384 Pages
Publication Name
American Impressionism and Realism : the Painting of Modern Life, 1885-1915
Language
English
Subject
History / Modern (Late 19th Century to 1945), Collections, Catalogs, Exhibitions / Permanent Collections, Collections, Catalogs, Exhibitions / General, American / General, History / General
Publication Year
2013
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Weight
79.5 Oz
Item Length
12 in
Item Width
9.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
759.13/09/0340747471
Synopsis
American Impressionism and Realism: The Painting of Modern Life, 1885-1915 brings together the appealing works of two generations of American painters and presents them from a fresh point of view. The American Impressionists and Realists have been categorized as separate or even opposing groups, but, in fact, they shared significant experiences and goals--notably Parisian training, an enthusiasm for modern French painting, and a desire to translate these sources into a peculiarly American idiom. The continuities between these two groups are more impressive and the constrasts more subtle, a complexity that is highlighted by arranging the works not by artist or chronology, but by broad subject categories: the country, the city, and the home. The turn of the last century was a time of unprecedented political, economic, and social change due to industrialization, rise of the middle class, redefinition of family and gender roles, and a new scientific understanding of the world. People were acutely aware that they were living in a new age, and modernity became a key concept in their definition of themselves and their times. Charles Baudelaire's issued a mandate in his essay "The Painting of Modern Life" in 1863, that modernity must accompany true beauty in painting. In their dazzling sunlit landscapes, bustling city views, and glimpses of the domestic scene, the American Impressionists and Realists became Baudelairean painters of modern life yet also expressed the nationalism, optimism, euphemism, and nostalgia that typified the American response to the exciting and daunting developments of their new era. This book was originally published in 1994 and has gone out of print. This edition is a print-on-demand version of the original book.], American Impressionism and Realism: The Painting of Modern Life, 1885-1915 brings together the appealing works of two generations of American painters and presents them from a fresh point of view. The American Impressionists and Realists have been categorized as separate or even opposing groups, but, in fact, they shared significant experiences and goals--notably Parisian training, an enthusiasm for modern French painting, and a desire to translate these sources into a peculiarly American idiom. The continuities between these two groups are more impressive and the constrasts more subtle, a complexity that is highlighted by arranging the works not by artist or chronology, but by broad subject categories: the country, the city, and the home. The turn of the last century was a time of unprecedented political, economic, and social change due to industrialization, rise of the middle class, redefinition of family and gender roles, and a new scientific understanding of the world. People were acutely aware that they were living in a new age, and modernity became a key concept in their definition of themselves and their times. Charles Baudelaire's issued a mandate in his essay "The Painting of Modern Life" in 1863, that modernity must accompany true beauty in painting. In their dazzling sunlit landscapes, bustling city views, and glimpses of the domestic scene, the American Impressionists and Realists became Baudelairean painters of modern life yet also expressed the nationalism, optimism, euphemism, and nostalgia that typified the American response to the exciting and daunting developments of their new era. [This book was originally published in 1994 and has gone out of print. This edition is a print-on-demand version of the original book.] Published by The Metropolitan Museum of Art/Distributed by Yale University Press
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