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Punk : Chaos to Couture autorstwa Andrew Boltona Richarda Hella twarda okładka owinięta termokurczliwa

Tekst oryginalny
Punk : Chaos to Couture by Andrew Bolton Richard Hell Hardcover Shrink Wrapped
Stan:
Nowy
Cena:
US $225,00
Około904,28 zł
Wysyłka:
US $5,61 (około 22,55 zł) Wysyłka ekonomiczna. Zobacz szczegółydla wysyłki
Znajduje się w: New York, New York, Stany Zjednoczone
Dostawa:
Szacowana między Cz, 9 maj a Pn, 13 maj do 43230
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Zarejestrowany jako prywatny sprzedawca, więc prawa konsumenckie wynikające z przepisów UE o ochronie konsumentów nie obowiązują. W przypadku większości zakupów nadal obowiązuje Gwarancja zwrotu pieniędzy eBay.Dowiedz się więcejZarejestrowany jako prywatny sprzedawca
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Nr przedmiotu eBay: 186396471290

Parametry przedmiotu

Stan
Nowy: Nowa, nieczytana, nieużywana książka w idealnym stanie, wszystkie strony, bez uszkodzeń. Aby ...
ISBN
9780300191851
Book Title
Punk : Chaos to Couture
Item Length
1.3in
Publisher
Yale University Press
Publication Year
2013
Format
Hardcover
Language
English
Item Height
0.1in
Author
Andrew Bolton, Richard Hell
Genre
Design, Art, Social Science
Topic
Collections, Catalogs, Exhibitions / Group Shows, Textile & Costume, Sociology / General, Fashion & Accessories, Customs & Traditions
Item Width
1.3in
Item Weight
71.4 Oz
Number of Pages
240 Pages

O tym produkcie

Product Information

The provocative punk aesthetic and its incendiary influence on high fashion Since its origins in the 1970s, punk has had an explosive influence on fashion. With its eclectic mixing of stylistic references, punk effectively introduced the postmodern concept of bricolage to the elevated precincts of haute couture and directional ready-to-wear. As a style, punk is about chaos, anarchy, and rebellion. Drawing on provocative sexual and political imagery, punks made fashion overtly hostile and threatening. This aesthetic of violence - even of cruelty - was intrinsic to the clothes themselves, which were often customized with rips, tears, and slashes, as well as studs, spikes, zippers, D-Rings, safety pins, and razor blades, among other things. This extraordinary publication examines the impact of punk's aesthetic of brutality on high fashion, focusing on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture's made-to-measure exactitude. Indeed, punk's democracy stands in opposition to fashion's autocracy. Yet, as this book reveals, even haute couture has readily appropriated the visual and symbolic language of punk, replacing beads with studs, paillettes with safety pins, and feathers with razor blades in an attempt to capture the style's rebellious energy. Focusing on high fashion's embrace of punk's aesthetic vocabulary, this book reveals how designers have looked to the quintessential anti-establishment style to originate new ideals of beauty and fashionability.

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300191855
ISBN-13
9780300191851
eBay Product ID (ePID)
143593244

Product Key Features

Book Title
Punk : Chaos to Couture
Author
Andrew Bolton, Richard Hell
Format
Hardcover
Language
English
Topic
Collections, Catalogs, Exhibitions / Group Shows, Textile & Costume, Sociology / General, Fashion & Accessories, Customs & Traditions
Publication Year
2013
Genre
Design, Art, Social Science
Number of Pages
240 Pages

Dimensions

Item Length
1.3in
Item Height
0.1in
Item Width
1.3in
Item Weight
71.4 Oz

Additional Product Features

Lc Classification Number
Gt525
Reviews
"Curator Andrew Bolton shows great calm and patience in the scope of his research into punk's frenetic effects. His underlying aim is to prove that punk was more than just the clich of mohicans and bad skin, but was a swirling, chaotic period of great experimentation in style. No linear study, the book offers a wide-ranging overview of the persistence of punk's influence . . . The big coup of the book is its introductory essay by both Richard Hell and John Lydon, he who previously went by the name of Johnny Rotton."-Charlie Porter, V&A Magazine, "This striking catalogue, published to accompany the Metropolitan Museum of Art's Costume Institute show of the same name, claims that "no other countercultural movement has had a greater or more enduring influence on high fashion." Curator Bolton ( Alexander McQueen: Savage Beauty ) defines punk as the "questioning of traditional representations. . . through its ethos of do-it-yourself."-  Publishers Weekly, "Curator Andrew Bolton shows great calm and patience in the scope of his research into punk's frenetic effects. His underlying aim is to prove that punk was more than just the clich of mohicans and bad skin, but was a swirling, chaotic period of great experimentation in style. No linear study, the book offers a wide-ranging overview of the persistence of punk's influence . . . The big coup of the book is its introductory essay by both Richard Hell and John Lydon, he who previously went by the name of Johnny Rotton."--Charlie Porter, V&A Magazine, "This striking catalogue, published to accompany the Metropolitan Museum of Art's Costume Institute show of the same name, claims that "no other countercultural movement has had a greater or more enduring influence on high fashion." Curator Bolton ( Alexander McQueen: Savage Beauty ) defines punk as the "questioning of traditional representations. . . through its ethos of do-it-yourself."-- Publishers Weekly, "Curator Andrew Bolton shows great calm and patience in the scope of his research into punk's frenetic effects. His underlying aim is to prove that punk was more than just the cliché of mohicans and bad skin, but was a swirling, chaotic period of great experimentation in style. No linear study, the book offers a wide-ranging overview of the persistence of punk's influence . . . The big coup of the book is its introductory essay by both Richard Hell and John Lydon, he who previously went by the name of Johnny Rotton."--Charlie Porter, V&A Magazine, "Curator Andrew Bolton shows great calm and patience in the scope of his research into punk's frenetic effects. His underlying aim is to prove that punk was more than just the cliché of mohicans and bad skin, but was a swirling, chaotic period of great experimentation in style. No linear study, the book offers a wide-ranging overview of the persistence of punk's influence . . . The big coup of the book is its introductory essay by both Richard Hell and John Lydon, he who previously went by the name of Johnny Rotton."-Charlie Porter, V&A Magazine, "This striking catalogue, published to accompany the Metropolitan Museum of Art's Costume Institute show of the same name, claims that "no other countercultural movement has had a greater or more enduring influence on high fashion." Curator Bolton ( Alexander McQueen: Savage Beauty ) defines punk as the "questioning of traditional representations. . . through its ethos of do-it-yourself."--  Publishers Weekly
Copyright Date
2013
Target Audience
Trade
Dewey Decimal
391.009047
Dewey Edition
23
Illustrated
Yes

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