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GITARA I JEJ MUZYKA (SERIA MUZYKI DAWNEJ OKSFORDZKIEJ) autorstwa Jamesa Tylera i Paula W bardzo dobrym stanie–
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- Kup terazGITARA I JEJ MUZYKA (SERIA MUZYKI DAWNEJ OKSFORDZKIEJ) autorstwa Jamesa Tylera i Paula W bardzo dobrym stanie
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Parametry przedmiotu
- Stan
- Bardzo dobry
- Uwagi sprzedawcy
- ISBN-10
- 019816713X
- Book Title
- The Guitar and Its Music (Oxford Early Music Series)
- ISBN
- 9780198167136
O tym produkcie
Product Information
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholars of Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
019816713x
ISBN-13
9780198167136
eBay Product ID (ePID)
8038268428
Product Key Features
Publication Name
Guitar and Its Music
Format
Hardcover
Language
English
Series
Early Music Ser.
Publication Year
2002
Type
Textbook
Number of Pages
348 Pages
Dimensions
Item Length
10in
Item Height
1in
Item Width
7.7in
Item Weight
40.2 Oz
Additional Product Features
Lc Classification Number
Ml1015.G9t96 2002
Reviews
'The Early Mandolin by Tyler and Sparks: The entire work ... ends up being a history and a handbook ... those readers familiar with Tyler's work in organology and early music performance will find this new addition to the Early Music Series a most welcome one. 'Joseph R. Johnson, Galton Society Journal, "Books on the history of the guitar are not in short supply but this one is one of the very best. ... Tyler's contribution is excellent...The Guitar and Its Music will open the eyes of those who think that the instrument is fit only for rock stars, born-again evangelists-and the occasional Prime Minister."--Times Literary Supplement"Will appeal to a wide range of readers, from historians with little interest in the guitar for its own sake, to performers with little interest in history for its own sake."--Notes"This informative book, with contributions from two of the most notable scholars in the field of early plucked instruments, fills in a far more complete historical account of the guitar than James Tyler's already impressive 1976 OUP volume, A Handbook of the Early Guitar. Much new research figures in the detailed accounts of the guitar covering the sixteenth, seventeenth, and eighteenth centuries."--The Lute Society of America Quarterly"Not only does [The Guitar and Its Music] offer a detailed guide to the sources, it integrates recent work from the fields of organology and iconography, archival and patronage studies, performance practice, and the analogous area of lute music, resulting in a coverage that is impressively inclusive in the best sense of the word. ...with its detailed discussions of the sources, clear explanations of performance issues, and the extension of the coverage into the eighteenth century, all formed upon a solid musicological base, this book will surely be a cornerstone of future research and performance of early guitar repertories. ...an important and essential study."--Renaissance Quarterly, 'Books on the history of the guitar are not in short supply but this one is one of the very best . . . Tyler's contribution is excellent . . . The Guitar and Its Music will open the eyes of those who think that the instrument is fit only for rock stars, born-again evangelists - and theoccasional Prime Minister.'Anthony Pryer, Times Literary Supplement, 'In this very important new book, James Tyler and Paul Sparks have managed not only to document the guitar's early history, but also to open a window on the music, survey the various relevant instruments and playing techniques, and set a course for future research. Their work will appeal to awide range of readers, from historians with little interest in the guitar for its own sake, to performers with little interest in history for its own sake.'Charles Youmans, Notes, December 2003, ... exquisitely researched tome ... fascinating as a tool for frequent reference and a good read too., "Books on the history of the guitar are not in short supply but this one is one of the very best. ... Tyler's contribution is excellent...The Guitar and Its Music will open the eyes of those who think that the instrument is fit only for rock stars, born-again evangelists-and the occasional Prime Minister."--Times Literary Supplement "Will appeal to a wide range of readers, from historians with little interest in the guitar for its own sake, to performers with little interest in history for its own sake."--Notes "This informative book, with contributions from two of the most notable scholars in the field of early plucked instruments, fills in a far more complete historical account of the guitar than James Tyler's already impressive 1976 OUP volume, A Handbook of the Early Guitar. Much new research figures in the detailed accounts of the guitar covering the sixteenth, seventeenth, and eighteenth centuries."--The Lute Society of America Quarterly "Not only does [The Guitar and Its Music] offer a detailed guide to the sources, it integrates recent work from the fields of organology and iconography, archival and patronage studies, performance practice, and the analogous area of lute music, resulting in a coverage that is impressively inclusive in the best sense of the word. ...with its detailed discussions of the sources, clear explanations of performance issues, and the extension of the coverage into the eighteenth century, all formed upon a solid musicological base, this book will surely be a cornerstone of future research and performance of early guitar repertories. ...an important and essential study."--Renaissance Quarterly, 'In this very important new book, James Tyler and Paul Sparks have managednot only to document the guitar's early history, but also to open a window onthe music, survey the various relevant instruments and playing techniques, andset a course for future research. Their work will appeal to a wide range ofreaders, from historians with little interest in the guitar for its own sake, toperformers with little interest in history for its own sake.'Charles Youmans, Notes, December 2003, 'This informative book with contributions from two of the most notable scholars in the field of early plucked instruments fills in a far more complete historical account of the guitar than James Tyler's already impressive 1976 OUP volume, A Handbook of the Early Guitar. Much new researchfigures in the detailed accounts of the guitar covering the sixteenth, seventeenth, and eighteenth centuries.'The Lute Society of America Quarterly, ... with its detailed discussions of the sources, clear explanations of performance issues, and the extension of the coverage into the eighteenth century, all formed upon a solid musicological base, this book will surely be a cornerstone of future research and performance of early guitar repertories ... an important and essential study., 'Not only does [The Guitar and Its Music] offer a detailed guide to the sources, it integrates recent work from the fields of organology and iconography, archival and patronage studies, performance practice, and the analogous area of lute music, resulting in a coverage that is impressivelyinclusive in the best sense of the word. . . . with its detailed discussions of the sources, clear explanations of performance issues, and the extension of the coverage into the eighteenth century, all formed upon a solid musicological base, this book will surely be a cornerstone of future researchand performance of early guitar repertories. . . . an important and essential study.'Renaissance Quarterly, 'Not only does [The Guitar and Its Music] offer a detailed guide to the sources, it integrates recent work from the fields of organology and iconography, archival and patronage studies, performance practice, and the analogous area of lute music, resulting in a coverage that is impressively inclusive in the best sense of the word. . . . with its detailed discussions of the sources, clear explanations of performance issues, and the extension of the coverageinto the eighteenth century, all formed upon a solid musicological base, this book will surely be a cornerstone of future research and performance of early guitar repertories. . . . an important andessential study.'Renaissance Quarterly'Books on the history of the guitar are not in short supply but this one is one of the very best . . . Tyler's contribution is excellent . . . The Guitar and Its Music will open the eyes of those who think that the instrument is fit only for rock stars, born-again evangelists - and the occasional Prime Minister.'Anthony Pryer, Times Literary Supplement'This informative book with contributions from two of the most notable scholars in the field of early plucked instruments fills in a far more complete historical account of the guitar than James Tyler's already impressive 1976 OUP volume, A Handbook of the Early Guitar. Much new research figures in the detailed accounts of the guitar covering the sixteenth, seventeenth, and eighteenth centuries.'The Lute Society of America Quarterly'In this very important new book, James Tyler and Paul Sparks have managed not only to document the guitar's early history, but also to open a window on the music, survey the various relevant instruments and playing techniques, and set a course for future research. Their work will appeal to a wide range of readers, from historians with little interest in the guitar for its own sake, to performers with little interest in history for its own sake.'Charles Youmans, Notes, December 2003, 'Review from other book by this author The Early Mandolin by Tyler and Sparks: elegantly-produced volume ... Both authors write well and clearly ... an essential resource for players and scholars of plucked instruments ... a fascinating and well-researched book. 'Tim Crawford, Early Music, "Books on the history of the guitar are not in short supply but this one is one of the very best. ... Tyler's contribution is excellent...The Guitar and Its Musicwill open the eyes of those who think that the instrument is fit only for rock stars, born-again evangelists-and the occasional Prime Minister."--Times Literary Supplement "Will appeal to a wide range of readers, from historians with little interest in the guitar for its own sake, to performers with little interest in history for its own sake."--Notes "This informative book, with contributions from two of the most notable scholars in the field of early plucked instruments, fills in a far more complete historical account of the guitar than James Tyler's already impressive 1976 OUP volume,A Handbook of the Early Guitar.Much new research figures in the detailed accounts of the guitar covering the sixteenth, seventeenth, and eighteenth centuries."--The Lute Society of America Quarterly "Not only does [The Guitar and Its Music] offer a detailed guide to the sources, it integrates recent work from the fields of organology and iconography, archival and patronage studies, performance practice, and the analogous area of lute music, resulting in a coverage that is impressively inclusive in the best sense of the word. ...with its detailed discussions of the sources, clear explanations of performance issues, and the extension of the coverage into the eighteenth century, all formed upon a solid musicological base, this book will surely be a cornerstone of future research and performance of early guitar repertories. ...an important and essential study."--Renaissance Quarterly, 'The Early Mandolin by Tyler and Sparks: ...interesting and scholarly. 'Frances Taylor, Folk Music Journal
Table of Content
DedicationPrefaceList of IllustrationsList of TablesList of Musical ExamplesList of AbbreviationsAcknowledgementsPart I: The Guitar in the Sixteenth Century, James Tyler1. Spain: La Guitarra de quatro ordenes2. France: The Creation of the Repertory3. England: '... yused of gentilmen, and of the best sort ...'4. Italy: La Chitarra da sette corde5. Italy: The Role of the Guitar in the Rise of MonodyPart II: The Spanish Guitar (c.1600-c.1750), James Tyler6. Italy: The Creation of the Repertory7. France: Les Guitarristes Royals8. 1. England2. The Low Countries3. Scandinavia4. Germany and the Austrian Empire9. Spain, Portugal, and the New WorldAppendix I. A Brief Guide to Reading and Interpreting Baroque Guitar TablaturesAppendix II. Sources of Specific Information on the Tuning and Stringing of the Five-course GuitarAppendix III. The MandoraPart III: The Origins of the Classical Guitar, Paul Sparks10. 1750-69: The Emergence of the Six-Course Guitar1. Spain, Portugal, and South America2. France3. Britain11. 1770-89: The First Six-String Guitars1. A Short History of String Making2. Spain, South America, and Portugal3. Italy4. France5. England. Germany, and Austria12. 1790 to the Early 1800s: The Triumph of the Six-String Guitar1. Spain and Portugal2. Britain3. Italy4. France5. Germany, Austria, and Elsewhere13. The Guitar 1750-c.1800: Practical Information1. The Instrument2. Strings3. Playing Positions4. Specialist Techniques and OrnamentationAppendix IV: Primary Sources (1750-c. 1800)1. Paris - Instrumental Music (Published)2. Paris - Songs with Guitar Accompaniment (Published)3. Guitar Methods (Published and Manuscript)4. Non-Parisian Guitar Music (Published and Manuscript)Appendix V: Pieces for Guitar (c.1750-c.!800)Bibliography of Secondary SourcesIndex
Copyright Date
2002
Topic
Musical Instruments / Guitar, Printed Music / Guitar & Fretted Instruments, History & Criticism
Lccn
2001-058231
Dewey Decimal
787.87/09
Intended Audience
Scholarly & Professional
Dewey Edition
21
Illustrated
Yes
Genre
Music
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Collectible Books and Music LLC
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Nr przedmiotu eBay: 186397146745
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