Zdjęcie 1 z 1
Zdjęcie 1 z 1
Frida Kahlo: Jej zdjęcia Jamesa Olesa Nowe–
US $300,00
Około1 148,76 zł
Stan:
“Unread, new in shrink wrap.”
Jak nowa
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Wysyłka:
US $4,35 (około 16,66 zł) USPS Media MailTM.
Znajduje się w: Boerne, Texas, Stany Zjednoczone
Dostawa:
Szacowana między Wt, 24 wrz a So, 28 wrz do 43230
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Nr przedmiotu eBay: 233698127780
Ostatnia aktualizacja: 02-02-2023 19:13:37 CET Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Jak nowa
- Uwagi sprzedawcy
- “Unread, new in shrink wrap.”
- Narrative Type
- Nonfiction
- Country/Region of Manufacture
- United States
- Personalize
- No
- Type
- Narrative
- Features
- Illustrated
- Original Language
- English
- Intended Audience
- Adults
- ISBN
- 9788492480753
- EAN
- 9788492480753
- Book Title
- Frida Kahlo: Her Photos
- Publisher
- R&M
- Item Length
- 9.3 in
- Publication Year
- 2010
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.7 in
- Genre
- Art, Photography
- Topic
- Caribbean & Latin American, Subjects & Themes / Portraits & Selfies, Collections, Catalogs, Exhibitions / General
- Item Weight
- 54.4 Oz
- Item Width
- 6.8 in
- Number of Pages
- 524 Pages
O tym produkcie
Product Identifiers
Publisher
R&M
ISBN-10
8492480750
ISBN-13
9788492480753
eBay Product ID (ePID)
102740884
Product Key Features
Book Title
Frida Kahlo: Her Photos
Number of Pages
524 Pages
Language
English
Topic
Caribbean & Latin American, Subjects & Themes / Portraits & Selfies, Collections, Catalogs, Exhibitions / General
Publication Year
2010
Illustrator
Yes
Genre
Art, Photography
Format
Hardcover
Dimensions
Item Height
1.7 in
Item Weight
54.4 Oz
Item Length
9.3 in
Item Width
6.8 in
Additional Product Features
Intended Audience
Trade
Reviews
Frida Kahlo: Her Photos is an incredible way to get to know the famed Mexican painter in a holistic way., This edition once again offers audiences the opportunity to better understand the bonds, preferences, and daily minutiae of two of the most important artists of the 20th century.
Synopsis
When Frida Kahlo (1907-1954) died in 1954, her husband Diego Rivera asked the poet Carlos Pellicer to turn her family home, the fabled Blue House, into a museum. Pellicer selected some paintings, drawings, photographs, books and ceramics, maintaining the space just as Kahlo and Rivera had arranged it to live and work in. The rest of the objects, clothing, documents, drawings and letters, as well as over 6,000 photographs collected by Kahlo over the course of her life, were put away in bathrooms that had been converted into storerooms. This incredible trove remained hidden for more than half a century, until, just a few years ago, these storerooms and wardrobes were opened up. Kahlo's photograph collection was a major revelation among these finds, a testimony to the tastes and interests of the famous couple, not only through the images themselves but also through the telling annotations inscribed upon them. Frida Kahlo: Her Photos allows us to speculate about Kahlo's and Rivera's likes and dislikes, and to document their family origins; it supplies a thrilling and hugely significant addition to our knowledge of Kahlo's life and work., When Frida Kahlo died, her husband Diego Rivera asked the poet Carlos Pellicer to turn the Blue House into a museum that the people of Mexico could visit to admire the work of the artist. Pellicer selected those of Frida's paintings which were in the house, along with drawings, photographs, books, and ceramics, maintaining the spaces just as Frida and Diego had arranged them to live and work in. The rest of the objects, clothing, documents, drawings, and letters, as well as over 6,000 photographs collected by Frida in the course of her life, were put away in bathrooms converted into storerooms. This remarkable collection remained hidden for more than half a century. A few years ago the storerooms, wardrobes, and trunks that safeguarded it were opened. The collection of photographs is a treasure that reveals the tastes and interests of the famous couple, not only through the images themselves but also through the annotations made on them. The collection allows us to speculate about Frida's and Diego's likes and dislikes, and makes it possible to document their family origins. Photography had always been a part of Frida's life. Her father Guillermo Kahlo was one of the great photographers of Mexico at the beginning of the twentieth century, whose images of colonial architecture and numerous selfportraits have been preserved. Frida's collection constitutes a roll call of great photographers: Man Ray, Brassai, Martin Munkacsi, Pierre Verger, George Hurrell, Tina Modotti, Edward Weston, Manuel and Lola Alvarez Bravo, Gisele Freund, and many others, including Frida Kahlo herself. It is likely that many of the photographs in the collection were taken by her, though we can only be sure of the few that she decided to sign in 1929. 401 photographs, The fullness with which Kahlo lived her life is seen best here, and her love for rich experience is reflected back at the reader, full of personality and vitality When Frida Kahlo (1907-1954) died in 1954, her husband Diego Rivera asked the poet Carlos Pellicer to turn her family home, the fabled Blue House, into a museum. Pellicer selected some paintings, drawings, photographs, books and ceramics, maintaining the space just as Kahlo and Rivera had arranged it to live and work in. The rest of the objects, clothing, documents, drawings and letters, as well as over 6,000 photographs collected by Kahlo over the course of her life, were put away in bathrooms that had been converted into storerooms. This incredible trove remained hidden for more than half a century, until, just a few years ago, these storerooms and wardrobes were opened up. Kahlo's photograph collection was a major revelation among these finds, a testimony to the tastes and interests of the famous couple, not only through the images themselves but also through the telling annotations inscribed upon them. Frida Kahlo: Her Photos allows us to speculate about Kahlo's and Rivera's likes and dislikes, and to document their family origins; it supplies a thrilling and hugely significant addition to our knowledge of Kahlo's life and work.
Text by
Oles, James, Fernández, Horacio, Nonaka, Masayo
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