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Wendy Larson From Ah Q to Lei Feng (Hardback)
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Ostatnia aktualizacja: 24-05-2024 18:21:10 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- From Ah Q to Lei Feng
- Publication Name
- From Ah Q to Lei Feng
- Title
- From Ah Q to Lei Feng
- Subtitle
- Freud and Revolutionary Spirit in 20th Century China
- Format
- Hardcover
- ISBN-10
- 0804700753
- EAN
- 9780804700757
- ISBN
- 9780804700757
- Publisher
- Stanford University Press
- Genre
- Literary Criticism, History
- Topic
- Asian / Chinese, Subjects & Themes / Historical events, Asia / China, Subjects & Themes / General
- Release Date
- 16/10/2008
- Release Year
- 2008
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.6in
- Item Length
- 9in
- Item Weight
- 20 oz
- Publication Year
- 2008
- Type
- Textbook
- Item Width
- 6in
- Number of Pages
- 336 Pages
O tym produkcie
Product Information
When Freudian sexual theory hit China in the early 20th century, it ran up against competing models of the mind from both Chinese tradition and the new revolutionary culture. Chinese theorists of the mind--both traditional intellectuals and revolutionary psychologists-- steadily put forward the anti-Freud: a mind shaped not by deep interiority that must be excavated by professionals, but shaped instead by social and cultural interactions. Chinese novelists and film directors understood this focus and its relationship to Mao's revolutionary ethos, and much of the literature of twentieth-century China reflects the spiritual qualities of the revolutionary mind. From Ah Q to Lei Feng investigates the continual clash of these contrasting models of the mind provided by Freud and revolutionary Chinese culture, and explores how writers and filmmakers negotiated with the implications of each model. .
Product Identifiers
Publisher
Stanford University Press
ISBN-10
0804700753
ISBN-13
9780804700757
eBay Product ID (ePID)
66205604
Product Key Features
Format
Hardcover
Language
English
Topic
Asian / Chinese, Subjects & Themes / Historical events, Asia / China, Subjects & Themes / General
Publication Year
2008
Type
Textbook
Genre
Literary Criticism, History
Number of Pages
336 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
20 oz
Additional Product Features
Lc Classification Number
Pl2303
Reviews
"Larson's book stands as a tour de force for readers who want to learn from its neoformalist approach and benefit from its extensive review of the Chinese literary field. Larson has thoroughly engaged the scholarship of critics based both outside of China and in China. As a veteran scholar in the field, Larson is able to, for instance, effortlessly synthesize the four major literary directions among twentieth-century Chinese writers in writing about the countryside. . . Students and researchers in Chinese literary studies will benefit tremendously from a myriad of her ideas and can avail themselves of the book's exhaustive bibliography and informative notes. A short review cannot fully bring out the book's admirable complexity and its brilliant insights teeming everywhere."--Zhen Zhang, Comparative Literature Studies, "Larson asks if the sexual innuendo and sensual abandon in recent Chinese novels and films depicting the Cultural Revolution indicate that Chinese artists are embracing the West's post-Freudian sense of modernity, with its pervasive sexuality and awareness of subconscious motivations. No, she concludes, these controversial works are not simply revisionist or nostalgic. ... The inquiry into 'revolutionary spirit,' beginning with its absence in Lu Xun's characters and ending with its apotheosis in Lei Feng, is the book's major contribution."--CHOICE, "Larson's study itself is grounds for optimism about the prospects for global conversation. No brief review can do justice to the great range of ideas in this rich book."—Jungyuan Zhang, Chinese Literature, This is an important study for anyone interested in modern and contemporary China and its revolutionary culture. Embedded with fascinating insights into a wide range of issues such as subject-formation, collective consciousness, and the nation/state con|9780804700757|, "Larson asks if the sexual innuendo and sensual abandon in recent Chinese novels and films depicting the Cultural Revolution indicate that Chinese artists are embracing the West's post-Freudian sense of modernity, with its pervasive sexuality and awareness of subconscious motivations. No, she concludes, these controversial works are not simply revisionist or nostalgic. ... The inquiry into 'revolutionary spirit,' beginning with its absence in Lu Xun's characters and ending with its apotheosis in Lei Feng, is the book's major contribution."— CHOICE, "This book is rich in detail and sweeping in scope. It should reach a readership beyond the immediate field of Chinese studies."-Tao Jiang, China Journal, "This book is rich in detail and sweeping in scope. It should reach a readership beyond the immediate field of Chinese studies."—Tao Jiang, China Journal, Larson asks if the sexual innuendo and sensual abandon in recent Chinese novels and films depicting the Cultural Revolution indicate that Chinese artists are embracing the West's post-Freudian sense of modernity, with its pervasive sexuality and awarenes|9780804700757|, "Larson Convincingly puts revolutionary culture in a broader social context, arguing for a deeper understanding of revolutionary mentality, mind and spirit....The significance of [her] study lies especially in the tracing of the introduction, acceptance, and resistance of Freud in China, and in breaking a new theoretical ground- the revolutionary spirit- to discuss China's revolutionary culture."—Jianmei Liu Journal of Asian Studies ., "Delving into the psychic and emotional roots of political culture in modern China, Larson's look offers many insights into the pitfalls of applying Freudian notions to literary and film studies . . . I applaud Larson's effort to decouple the conservative version of Freud from the account of the revolutionary mind."--Ban Wang, Modern Chinese Literature and Culture, "This book is rich in detail and sweeping in scope. It should reach a readership beyond the immediate field of Chinese studies."—Tao Jiang,China Journal, "This is an important study for anyone interested in modern and contemporary China and its revolutionary culture. Embedded with fascinating insights into a wide range of issues such as subject-formation, collective consciousness, and the nation/state construction, this book breaks new ground in our understanding of China's revolutionary culture and complex heritage."--Xiaomei Chen, University of California, Davis "Larson asks if the sexual innuendo and sensual abandon in recent Chinese novels and films depicting the Cultural Revolution indicate that Chinese artists are embracing the West's post-Freudian sense of modernity, with its pervasive sexuality and awareness of subconscious motivations. No, she concludes, these controversial works are not simply revisionist or nostalgic. ... The inquiry into 'revolutionary spirit,' beginning with its absence in Lu Xun's characters and ending with its apotheosis in Lei Feng, is the book's major contribution."-- CHOICE, "Larson's study itself is grounds for optimism about the prospects for global conversation. No brief review can do justice to the great range of ideas in this rich book."--Jungyuan Zhang, Chinese Literature, "This book is rich in detail and sweeping in scope. It should reach a readership beyond the immediate field of Chinese studies."--Tao Jiang, China Journal, "Larson's book stands as a tour de force for readers who want to learn from its neoformalist approach and benefit from its extensive review of the Chinese literary field. Larson has thoroughly engaged the scholarship of critics based both outside of China and in China. As a veteran scholar in the field, Larson is able to, for instance, effortlessly synthesize the four major literary directions among twentieth-century Chinese writers in writing about the countryside. . . Students and researchers in Chinese literary studies will benefit tremendously from a myriad of her ideas and can avail themselves of the book's exhaustive bibliography and informative notes. A short review cannot fully bring out the book's admirable complexity and its brilliant insights teeming everywhere."-Zhen Zhang, Comparative Literature Studies, "Larson Convincingly puts revolutionary culture in a broader social context, arguing for a deeper understanding of revolutionary mentality, mind and spirit....The significance of [her] study lies especially in the tracing of the introduction, acceptance, and resistance of Freud in China, and in breaking a new theoretical ground- the revolutionary spirit- to discuss China's revolutionary culture."--Jianmei Liu Journal of Asian Studies ., "Larson Convincingly puts revolutionary culture in a broader social context, arguing for a deeper understanding of revolutionary mentality, mind and spirit....The significance of [her] study lies especially in the tracing of the introduction, acceptance, and resistance of Freud in China, and in breaking a new theoretical ground- the revolutionary spirit- to discuss China's revolutionary culture."-Jianmei Liu Journal of Asian Studies ., "Larson's study itself is grounds for optimism about the prospects for global conversation. No brief review can do justice to the great range of ideas in this rich book."—Jungyuan Zhang,Chinese Literature, "Larson Convincingly puts revolutionary culture in a broader social context, arguing for a deeper understanding of revolutionary mentality, mind and spirit....The significance of [her] study lies especially in the tracing of the introduction, acceptance, and resistance of Freud in China, and in breaking a new theoretical ground- the revolutionary spirit- to discuss China's revolutionary culture."--Jianmei Liu Journal of Asian Studies . "This is an important study for anyone interested in modern and contemporary China and its revolutionary culture. Embedded with fascinating insights into a wide range of issues such as subject-formation, collective consciousness, and the nation/state construction, this book breaks new ground in our understanding of China's revolutionary culture and complex heritage."--Xiaomei Chen, University of California, Davis "Larson asks if the sexual innuendo and sensual abandon in recent Chinese novels and films depicting the Cultural Revolution indicate that Chinese artists are embracing the West's post-Freudian sense of modernity, with its pervasive sexuality and awareness of subconscious motivations. No, she concludes, these controversial works are not simply revisionist or nostalgic. ... The inquiry into 'revolutionary spirit,' beginning with its absence in Lu Xun's characters and ending with its apotheosis in Lei Feng, is the book's major contribution."-- CHOICE, "Larson Convincingly puts revolutionary culture in a broader social context, arguing for a deeper understanding of revolutionary mentality, mind and spirit....The significance of [her] study lies especially in the tracing of the introduction, acceptance, and resistance of Freud in China, and in breaking a new theoretical ground- the revolutionary spirit- to discuss China's revolutionary culture."--Jianmei LiuJournal of Asian Studies., "Larson's book stands as a tour de force for readers who want to learn from its neoformalist approach and benefit from its extensive review of the Chinese literary field. Larson has thoroughly engaged the scholarship of critics based both outside of China and in China. As a veteran scholar in the field, Larson is able to, for instance, effortlessly synthesize the four major literary directions among twentieth-century Chinese writers in writing about the countryside. . . Students and researchers in Chinese literary studies will benefit tremendously from a myriad of her ideas and can avail themselves of the book's exhaustive bibliography and informative notes. A short review cannot fully bring out the book's admirable complexity and its brilliant insights teeming everywhere."—Zhen Zhang, Comparative Literature Studies, "This is an important study for anyone interested in modern and contemporary China and its revolutionary culture. Embedded with fascinating insights into a wide range of issues such as subject-formation, collective consciousness, and the nation/state construction, this book breaks new ground in our understanding of China's revolutionary culture and complex heritage."--Xiaomei Chen, University of California, Davis, "This is an important study for anyone interested in modern and contemporary China and its revolutionary culture. Embedded with fascinating insights into a wide range of issues such as subject-formation, collective consciousness, and the nation/state construction, this book breaks new ground in our understanding of China's revolutionary culture and complex heritage."—Xiaomei Chen, University of California, Davis, "This is an important study for anyone interested in modern and contemporary China and its revolutionary culture. Embedded with fascinating insights into a wide range of issues such as subject-formation, collective consciousness, and the nation/state construction, this book breaks new ground in our understanding of China's revolutionary culture and complex heritage."-Xiaomei Chen, University of California, Davis, "Larson's study itself is grounds for optimism about the prospects for global conversation. No brief review can do justice to the great range of ideas in this rich book."-Jungyuan Zhang, Chinese Literature
Publication Name
From Ah Q to Lei Feng : Freud and Revolutionary Spirit in 20th Century China
Copyright Date
2009
Lccn
2008-011827
Dewey Decimal
895.1/09353
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
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Nr przedmiotu eBay: 235212476343
Ostatnia aktualizacja: 24-05-2024 18:21:10 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
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