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Reżyseria: Techniki filmowe i estetyka Michaela Rabigera: Nowa–
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Ostatnia aktualizacja: 07-05-2024 15:58:14 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Directing: Film Techniques and Aesthetics
- Publication Date
- 2020-02-27
- Edition Number
- 6
- ISBN
- 9780815394310
- Subject Area
- Performing Arts
- Publication Name
- Directing : Film Techniques and Aesthetics
- Publisher
- Routledge
- Item Length
- 9.2 in
- Subject
- Film / General, Film / Screenwriting, Film / Direction & Production
- Publication Year
- 2020
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1 in
- Item Weight
- 93.1 Oz
- Item Width
- 7.6 in
- Number of Pages
- 581 Pages
O tym produkcie
Product Information
Directing: Film Techniques and Aesthetics is a comprehensive exploration into the art and craft of directing for film and television. It's filled with practical advice, essential technical information, and inspiring case studies for every stage of production. This book covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film, and concentrates on developing the human aspects of cinema to connect with audiences. The fully revised and updated 6th edition features new sections on using improvisation, the development of characters for long form television series, visual design, the role of the digital imaging technician, film promotion and distribution, alongside expanded information on contemporary color grading tools, stylistic approaches and genre, workflows, blocking scenes for the camera and more. The book emphasizes independent and short form cinema which allows cutting-edge creativity and professionalism on shoestring budgets. Recognizing that you learn best by doing, it includes dozens of practical hands-on projects and activities to help you master technical and conceptual skills. Just as important as surmounting technological hurdles is the conceptual and authorial side of filmmaking. This book provides an unusually clear view of the artistic process, particularly in working with actors and principle crew members. It offers eminently practical tools and exercises to help you develop your artistic identity, find credible and compelling stories, choose and work with your cast and hone your narrative skills. Directing shows you how to surpass mere technical proficiency and become a storyteller with a distinctive voice and style. The accompanying companion website includes film analysis exercises, shooting projects, checklists and assignment forms, analytical questionnaires, updated production forms and logs for all phases of a project with links to additional resources and set safety advice.
Product Identifiers
Publisher
Routledge
ISBN-10
0815394314
ISBN-13
9780815394310
eBay Product ID (ePID)
13038753986
Product Key Features
Number of Pages
581 Pages
Language
English
Publication Name
Directing : Film Techniques and Aesthetics
Publication Year
2020
Subject
Film / General, Film / Screenwriting, Film / Direction & Production
Type
Textbook
Subject Area
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
93.1 Oz
Item Length
9.2 in
Item Width
7.6 in
Additional Product Features
Edition Number
6
Intended Audience
Scholarly & Professional
LCCN
2019-046152
Dewey Edition
23
Reviews
"This is a remarkable book and an invaluable reference for directors at all levels. Not only does it thoroughly explore the essential and enduring knowledge of the craft, the human connection to storytelling, but it also shows a director how to harness modern workflows and technology for maximum creative impact. It's all there." Sameh Zoabi,writer-director, Tel Aviv on Fire; Under the Same Sun; Professor New York University. Praise for the previous edition "This terrific new edition, updating the classic, is one of the most complete manuals for directing you'll find. It gives both a broad overview and a detailed investigation of the craft; an explanation of the technology as well as an exploration of cinematic language and aesthetics. So take this guide, add your own passion for filmmaking, and you'll have a solid foundation for any movie you make." Nancy Savoca, director, Dogfight, Household Saints, 24 Hour Woman, and Union Square. "While the basics of film aesthetics are well addressed, the value of this volume lies in its practical approach. Rabiger and Hurbis- Cherrier's firsthand experience allows them to describe the day- to- day of directing in simple, uncomplicated terms, appealing to both the novice and seasoned pro. . . The learning- by- doing method makes this across- the- board introduction accessible, practical and surprisingly entertaining." DGA Quarterly, http://www.dga.org/Craft/ Praise for the fourth edition "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." Jared Rappaport,Chair of the Department of Cinema and Television Arts, California State University - Northridge "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." Eric Swelstad,Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft....For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." American Cinematographer, "This is a remarkable book and an invaluable reference for directors at all levels. Not only does it thoroughly explore the essential and enduring knowledge of the craft, the human connection to storytelling, but it also shows a director how to harness modern workflows and technology for maximum creative impact. It's all there." Sameh Zoabi, writer-director, Tel Aviv on Fire; Under the Same Sun; Professor New York University. Praise for the previous edition "This terrific new edition, updating the classic, is one of the most complete manuals for directing you'll find. It gives both a broad overview and a detailed investigation of the craft; an explanation of the technology as well as an exploration of cinematic language and aesthetics. So take this guide, add your own passion for filmmaking, and you'll have a solid foundation for any movie you make." Nancy Savoca, director, Dogfight, Household Saints, 24 Hour Woman, and Union Square. "While the basics of film aesthetics are well addressed, the value of this volume lies in its practical approach. Rabiger and Hurbis- Cherrier's firsthand experience allows them to describe the day- to- day of directing in simple, uncomplicated terms, appealing to both the novice and seasoned pro. . . The learning- by- doing method makes this across- the- board introduction accessible, practical and surprisingly entertaining." DGA Quarterly, http://www.dga.org/Craft/ Praise for the fourth edition "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft....For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." American Cinematographer, "This is a remarkable book and an invaluable reference for directors at all levels. Not only does it thoroughly explore the essential and enduring knowledge of the craft, the human connection to storytelling, but it also shows a director how to harness modern workflows and technology for maximum creative impact. It's all there." Sameh Zoabi, writer-director, Tel Aviv on Fire; Under the Same Sun; Professor New York UniversityPraise for the previous edition "This terrific new edition, updating the classic, is one of the most complete manuals for directing you'll find. It gives both a broad overview and a detailed investigation of the craft; an explanation of the technology as well as an exploration of cinematic language and aesthetics. So take this guide, add your own passion for filmmaking, and you'll have a solid foundation for any movie you make." Nancy Savoca, director, Dogfight, Household Saints, 24 Hour Woman, and Union Square "While the basics of film aesthetics are well addressed, the value of this volume lies in its practical approach. Rabiger and Hurbis-Cherrier's firsthand experience allows them to describe the day-to-day of directing in simple, uncomplicated terms, appealing to both the novice and seasoned pro. . . The learning-by-doing method makes this across-the-board introduction accessible, practical and surprisingly entertaining." DGA Quarterly, http://www.dga.org/Craft/ Praise for the fourth edition "Michael Rabiger's book Directing: Film Techniques and Aesthetics is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "As he has in previous editions of Directing, Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft....For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." American Cinematographer
Illustrated
Yes
Dewey Decimal
791.430233
Lc Classification Number
Pn1995.9.P7r26 2020
Table of Content
CONTENTS Introduction PART 1: THE DIRECTOR AND ARTISTIC IDENTITY 1 THE WORLD OF THE FILM DIRECTOR 2 DEVELOPING AS A DIRECTOR PART 2: THE STORY AND ITS DEVELOPMENT 3 ESSENTIAL ELEMENTS OF DRAMA 4 SHAPING THE STORY INTO DRAMA 5 PLOT, TIME, AND STRUCTURE PART 3: THE DIRECTOR AND THE SCRIPT 6 SCREENPLAY GROUND RULES 7 RECOGNIZING THE SUPERIOR SCREENPLAY 8 SCRIPT ANALYSIS AND DEVELOPMENT PART 4: AUTHORSHIP AND AESTHETICS 9 CINEMATIC POINT OF VIEW 10 FORM AND STYLE 11 TONE, STYLE AND GENRE PART 5: A DIRECTOR'S SCREEN GRAMMAR 12 FILM LANGUAGE 13 THE FRAME AND THE SHOT 14 THE MOVING CAMERA 15 LANGUAGE OF THE EDIT 16 THE HUMAN VANTAGE OF CINEMATIC LANGUAGE PART 6: PREPRODUCTION 17 EXPLORING THE SCRIPT 18 CASTING 19 ACTING FUNDAMENTALS 227 20 DIRECTING ACTORS 21 REHEARSALS 22 ACTING EXERCISE 23 PLANNING THE VISUAL DESIGN 24 DEVELOPING THE SHOOTING SCRIPT 25 LINE PRODUCING AND LOGISTICS PART 7: PRODUCTION 26 DEVELOPING A PRODUCTION CREW 27 THE DIRECTOR AND PRODUCTION TECH 28 ON SET: PRODUCTION BEGINS 29 DIRECTING ON THE SET 30 MONITORING CONTINUITY AND PROGRESS PART 8: POSTPRODUCTION 31 POSTPRODUCTION OVERVIEW 32 EDITING BEGINS: GETTING TO KNOW THE FOOTAGE 33 THE ROUGH CUT 34 GETTING TO FINE CUT AND PICTURE LOCK 35 WORKING WITH MUSIC 36 THE FINISHING TOUCHES 37 GETTING IT OUT THERE Filmography Photograph and Illustration Acknowledgements Index
Copyright Date
2020
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