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W pełni metalowy indigiqueer Joshua Whitehead: Używany–
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Wysyłka:
Znajduje się w: Sparks, Nevada, Stany Zjednoczone
Dostawa:
Szacowana między So, 11 maj a Śr, 15 maj do 43230
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Nr przedmiotu eBay: 285010961625
Ostatnia aktualizacja: 04-05-2024 13:57:01 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Publication Date
- 2017-11-07
- Pages
- 136
- ISBN
- 9781772011876
- Book Title
- Full-Metal Indigiqueer
- Item Length
- 9in
- Publisher
- Talonbooks, The Limited
- Publication Year
- 2017
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.3in
- Genre
- Poetry
- Topic
- Canadian, General, Lgbt
- Item Width
- 6in
- Item Weight
- 7.4 Oz
- Number of Pages
- 136 Pages
O tym produkcie
Product Information
This poetry collections focuses on a hybridized Indigiqueer Trickster character named Zoa who brings together the organic (the protozoan) and the technologic (the binaric) in order to re-beautify and re-member queer Indigeneity. This Trickster is a Two-Spirit / Indigiqueer invention that resurges in the apocalypse to haunt, atrophy, and to reclaim. Following oral tradition (à la Iktomi, Nanaboozho, Wovoka), Zoa infects, invades, and becomes a virus to canonical and popular works in order to re-centre Two-Spirit livelihoods. They dazzlingly and fiercely take on the likes of Edmund Spenser, Shakespeare, Charles Dickens, and John Milton while also not forgetting contemporary pop culture figures such as Lana Del Rey, Grindr, and Peter Pan. Zoa world-builds a fourth-dimension, lives in the cyber space, and survives in NDN-time - they have learned to sing the skin back onto their bodies and remain #woke at the end of the world. "Do not read me as a vanished ndn," they ask, "read me as a ghastly one." full-metal indigiqueer is influenced by the works of Jordan Abel, Tanya Tagaq, Daniel Heath Justice, Claudia Rankine, Vivek Shraya, Qwo-Li Driskill, Leanne Simpson, Kent Monkman, and Donna Haraway. It is a project of resurgence for Two-Spirit / Indigiqueer folk who have been ghosted in policy, page, tradition, and hi/story - the very lives of Two-Spirit / Indigiqueer youth are rarely mentioned (and even dispossessed in our very mandates for reconciliation), our lives are precarious but they too are precious. We find ourselves made spectral in settler and neocolonial Indigenous nationalisms - if reconciliation is a means of "burying the hatchet," Zoa seeks to unearth the bones buried with those hatched scalps and perform a séance to ghost dance Indigiqueerness into existence. Zoa world-destroys in order to world-build a new space - they care little for reconciliation but rather aim to reterroritorialize space in literature, pop culture, and oral storytelling. This project follows in the tradition of the aforementioned authors who, Whitehead believes, utilize deconstruction as a means of decolonization. This is a sex-positive project that tirelessly works to create coalition between those who have, as Haraway once noted, "been injured, profoundly." Zoa stands in solidarity with all qpoc folk who exist as ghosts with intergenerational and colonial phantom pains - they sing with Donna Summer, RuPaul, Effie White, and Trixie Mattel. The space made is a post-apocalyptic hub of sex and decolonization - a world where making love is akin to making live.
Product Identifiers
Publisher
Talonbooks, The Limited
ISBN-10
1772011878
ISBN-13
9781772011876
eBay Product ID (ePID)
234239782
Product Key Features
Book Title
Full-Metal Indigiqueer
Format
Trade Paperback
Language
English
Topic
Canadian, General, Lgbt
Publication Year
2017
Genre
Poetry
Number of Pages
136 Pages
Dimensions
Item Length
9in
Item Height
0.3in
Item Width
6in
Item Weight
7.4 Oz
Additional Product Features
Lc Classification Number
Pr9199.4.W4745a6
Reviews
"One of the most distinctive and original collections of Indigenous poetry ever published ... Several lines in the collection haunt me. They manage to cut through the digital and pop-culture background noise of the collection to emerge as striking and resonant articulations of Indigenous queerness." --Plentitude Magazine, "Joshua Whitehead has crafted a radical cyber poetic that breaks the boundaries between paper and screen, between the visual and the written word, and between the past and the future. Full-Metal Indigiqueer is an Indigital queer manifesto that clears the paths ahead." --Qwo-Li Driskill, author of Walking with Ghosts: Poems, "A spirited collection [... that] shifts and spins, smashing preconceptions from within and without his immediate vicinity. ... This is an impressive work, and a writer very much worth paying attention to."--rob mclennan, "Both the form and content of the poems throughout Full-Metal Indigiqueer slice through barriers imposed by the conventions of language, to assert a new kind of identity for Whitehead, as the poet struggles and fights against the social, literary, and individual colonizations that he lives with/in. ... Whitehead displays a clear love for the possibilities of written language, despite his misgivings about how it has come to be a part of his life through the colonial process. The creative use of text and language throughout this collection suggests that creative use of language can become a bold way through the traps set up to confine speakers to sanctioned ways of expressing themselves." --Wes Babcock, Bywords, "Both the form and content of the poems throughout Full-Metal Indigiqueer slice through barriers imposed by the conventions of language, to assert a new kind of identity for Whitehead, as the poet struggles and fights against the social, literary, and individual colonizations that he lives with/in. ... Whitehead displays a clear love for the possibilities of written language, despite his misgivings about how it has come to be a part of his life through the colonial process. The creative use of text and language throughout this collection suggests that creative use of language can become a bold way through the traps set up to confine speakers to sanctioned ways of expressing themselves."--Wes Babcock, Bywords, "These poems do not simply deconstruct language and knowledge; they create an opportunity for readers to create new knowledges, new definitions of self and community, and to 'sing the skin back to [their] bones' ... This collection will be of interest to readers and scholars actively seeking a collection of poetry that forges new modes of understanding and expression and that relentlessly and unapologetically builds towards an Indigenous future. These are poems of affirmation, resilience, and resistance. "--Francisco Delgado, Transmotion, "Joshua Whitehead is badass, with language like twin-pistols and impeccable aim. If you haven't read this book yet, you need to correct that and give this collection however long it takes for you to read it cover to cover." --Megan Black, CITR Intimate Reviews, "One of the most distinctive and original collections of Indigenous poetry ever published ... Several lines in the collection haunt me. They manage to cut through the digital and pop-culture background noise of the collection to emerge as striking and resonant articulations of Indigenous queerness."-- Plentitude Magazine, "A spirited collection [... that] shifts and spins, smashing preconceptions from within and without his immediate vicinity. ... This is an impressive work, and a writer very much worth paying attention to." --rob mclennan, "These poems do not simply deconstruct language and knowledge; they create an opportunity for readers to create new knowledges, new definitions of self and community, and to 'sing the skin back to [their] bones' ... This collection will be of interest to readers and scholars actively seeking a collection of poetry that forges new modes of understanding and expression and that relentlessly and unapologetically builds towards an Indigenous future. These are poems of affirmation, resilience, and resistance. " --Francisco Delgado, Transmotion, "Joshua Whitehead has crafted a radical cyber poetic that breaks the boundaries between paper and screen, between the visual and the written word, and between the past and the future. Full-Metal Indigiqueer is an Indigital queer manifesto that clears the paths ahead."--Qwo-Li Driskill, author of Walking with Ghosts: Poems
Copyright Date
2017
Lccn
2017-492922
Intended Audience
Trade
Illustrated
Yes
Opis przedmiotu podany przez sprzedawcę
Informacje o firmie
Alibris, Inc.
Rob Lambert
2560 9th St
Ste 215
94710-2565 Berkeley, CA
United States
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Nr przedmiotu eBay: 285010961625
Ostatnia aktualizacja: 04-05-2024 13:57:01 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Wysyłka i obsługa
Lokalizacja przedmiotu:
Sparks, Nevada, Stany Zjednoczone
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Wysyłka i obsługa | Do | Usługa | Dostawa*Zobacz uwagi o dostawie |
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Bezpłatna wysyłka | Stany Zjednoczone | Standard Shipping | Szacowana między So, 11 maj a Śr, 15 maj do 43230 |
US $5,50 (około 22,05 zł) | Stany Zjednoczone | Expedited Shipping | Szacowana między Pn, 13 maj a Pt, 17 maj do 43230 |
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