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Pokazy mocy: pamięć i amnezja w American Museum, HC/DJ 1stEd VG–
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“The biggest condition issue is the original sales label on back cover. Otherwise book in very good ”... Zobacz więcejinformacji o stanie
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US $17,50
Około69,87 zł
- Kup terazPokazy mocy: pamięć i amnezja w American Museum, HC/DJ 1stEd VG
Wysyłka:
Znajduje się w: Spring Hill, Tennessee, Stany Zjednoczone
Dostawa:
Szacowana między Cz, 13 cze a So, 15 cze do 43230
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Nr przedmiotu eBay: 285091856970
Ostatnia aktualizacja: 04-02-2024 19:30:33 CET Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Bardzo dobry
- Uwagi sprzedawcy
- Book Title
- Displays of Power : Memory and Amnesia in the American Museum
- Features
- 1st Edition, Dust Jacket
- ISBN
- 9780814718896
- Subject Area
- Travel, Architecture, Political Science
- Publication Name
- Displays of Power : Memory and Amnesia in the American Museum
- Item Length
- 9 in
- Publisher
- New York University Press
- Subject
- Public Policy / Cultural Policy, Museums, Tours, Points of Interest, General
- Publication Year
- 1999
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Width
- 6 in
- Item Weight
- 23 Oz
- Number of Pages
- 256 Pages
O tym produkcie
Product Information
In the past, museum exhibitions in the USA glorified wealth and validated authority, but today they often represent new interests, and pressure groups mobilize either to force their own perspective upon museum walls or to prevent opposing opinions from being expressed. Examining some of the USA's most controversial museum exhibitions of the 1990s, this work encompasses topics such as ethnicity, slavery, Freud, the Old West, and the atomic bomb. Some of these exhibitions challenged standard perceptions, whilst others were faulted for failing to do so. In its analysis of these episodes of America struggling to redefine itself in the late-20th century, the book draws upon interviews with museum administrators, community activists, curators and scholars.
Product Identifiers
Publisher
New York University Press
ISBN-10
0814718892
ISBN-13
9780814718896
eBay Product ID (ePID)
312368
Product Key Features
Publication Name
Displays of Power : Memory and Amnesia in the American Museum
Format
Hardcover
Language
English
Subject
Public Policy / Cultural Policy, Museums, Tours, Points of Interest, General
Publication Year
1999
Type
Textbook
Subject Area
Travel, Architecture, Political Science
Number of Pages
256 Pages
Dimensions
Item Length
9 in
Item Height
0.6 in
Item Width
6 in
Item Weight
23 Oz
Additional Product Features
LCCN
98-058108
Intended Audience
Scholarly & Professional
Lc Classification Number
Am151.D84 1999
Reviews
"A signal contribution to the 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for the control of expression where elitist and populist camps clash over politically sensitive art. . . . His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. . . . Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world." - Publishers Weekly, "Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. . . . Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . . A cautionary tale told boisterously and wittily." -Museum News, A lively and insightful new book. ... Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. ... Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences., "A signal contribution to the 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for the control of expression where elitist and populist camps clash over politically sensitive art. ... His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. ... Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world." - Publishers Weekly ,, "Dubin's book thoughtfully examines all facets of the Brooklyn confrontation without assigning blame. Instead, he gives us a case study that we can learn from." - Muse ,, "Fascinating. . . Walking the fine line of consultation versus freedom of thought is an issue for every curator, every director. If this book is not on your shelf you are missing one of the key maps to the territory in which you travel." -Museum National, Aug. 2001, Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. ... Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. ... A cautionary tale told boisterously and wittily., Dubin's book thoughtfully examines all facets of the Brooklyn confrontation without assigning blame. Instead, he gives us a case study that we can learn from., "A lively and insightful new book. . . . Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences." -Artforum, "A lively and insightful new book. . . . Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences." - Artforum ,, " Fandom explores the multidimensional aspects of the fascination, enthrallment, obsession that fans have with their various interests." - Journal of Mass Communication Quarterly, "Fascinating. . . Walking the fine line of consultation versus freedom of thought is an issue for every curator, every director. If this book is not on your shelf you are missing one of the key maps to the territory in which you travel." - Museum National , Aug. 2001,, "Dubin's book thoughtfully examines all facets of the Brooklyn confrontation without assigning blame. Instead, he gives us a case study that we can learn from." -Muse, "Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. . . . Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . . A cautionary tale told boisterously and wittily." - Museum News, "A signal contribution to The 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for The control of expression where elitist and populist camps clash over politically sensitive art. . . His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. . . Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world."Publishers Weekly"A lively and insightful new book. . . Using an even-handed journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences."Artforum"Displays of Poweris contentious, irreverent, and entertaining, but it is also absolutely serious. . . Is the book useful or intimidating? is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . A cautionary tale told boisterously and wittily."Museum News"Reveals how demands for accountability to various interest groups frequently lead to censorship [and] a retreat from shows that deal with complex social questions."Art in America, "Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. ... Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. ... A cautionary tale told boisterously and wittily." - Museum News ,, "Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. . . . Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . . A cautionary tale told boisterously and wittily." - Museum News, "Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. . . . Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . . A cautionary tale told boisterously and wittily." - Museum News ,, "Dubin's book thoughtfully examines all facets of the Brooklyn confrontation without assigning blame. Instead, he gives us a case study that we can learn from." - Muse, "A signal contribution to the 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for the control of expression where elitist and populist camps clash over politically sensitive art. . . . His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. . . . Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world." - Publishers Weekly ,, " Fandom pushes the boundaries of fan studies in bold directions, incorporating high culture fandoms, global fan cultures, fan technologies, and antagonistic anti-fandom, while rethinking the core tenets of fan studies concerning aesthetics, place, intellectual property, and interpretive communitiesall presented with a lively, accessible, and engaging writing style." - Jason Mittell, Middlebury College, Fascinating. . . Walking the fine line of consultation versus freedom of thought is an issue for every curator, every director. If this book is not on your shelf you are missing one of the key maps to the territory in which you travel., A signal contribution to the 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for the control of expression where elitist and populist camps clash over politically sensitive art. ... His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. ... Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world., "A signal contribution to the 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for the control of expression where elitist and populist camps clash over politically sensitive art. . . . His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. . . . Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world." - Publishers Weekly, "A lively and insightful new book. . . . Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences." - Artforum, A lively and insightful new book. . . . Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences., "A lively and insightful new book. ... Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. ... Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences." - Artforum ,
Copyright Date
1999
Dewey Decimal
069/.5
Dewey Edition
21
Illustrated
Yes
Opis przedmiotu podany przez sprzedawcę
Sprzedawca ponosi pełną odpowiedzialność za wystawienie tej oferty sprzedaży.
Nr przedmiotu eBay: 285091856970
Ostatnia aktualizacja: 04-02-2024 19:30:33 CET Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
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Spring Hill, Tennessee, Stany Zjednoczone
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| Wysyłka i obsługa | Do | Usługa | Dostawa*Zobacz uwagi o dostawie |
|---|---|---|---|
| US $4,87 (około 19,44 zł) | Stany Zjednoczone | Wysyłka ekonomiczna (USPS Media MailTM) | Szacowana między Cz, 13 cze a So, 15 cze do 43230 |
| Czas na wysłanie |
|---|
| Zwykle wysyłam przesyłkę w ciągu 1 dnia roboczego po otrzymaniu rozliczonej płatności. |
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