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Aleksandr Rodchenko: Photography in the Time of Stalin by Aglaya K. Glebova
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Ostatnia aktualizacja: 20-08-2024 14:14:18 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Aleksandr Rodchenko: Photography in the Time of Stalin
- Publication Date
- 2022-11-22
- ISBN
- 9780300254037
- Subject Area
- Art, Photography
- Publication Name
- Aleksandr Rodchenko : Photography in the Time of Stalin
- Publisher
- Yale University Press
- Item Length
- 10.3 in
- Subject
- History / Modern (Late 19th Century to 1945), Individual Photographers / Monographs, Individual Artists / Monographs, General
- Publication Year
- 2023
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Weight
- 35.3 Oz
- Item Width
- 7.3 in
- Number of Pages
- 256 Pages
O tym produkcie
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300254032
ISBN-13
9780300254037
eBay Product ID (ePID)
24057241747
Product Key Features
Number of Pages
256 Pages
Language
English
Publication Name
Aleksandr Rodchenko : Photography in the Time of Stalin
Subject
History / Modern (Late 19th Century to 1945), Individual Photographers / Monographs, Individual Artists / Monographs, General
Publication Year
2023
Type
Textbook
Subject Area
Art, Photography
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
35.3 Oz
Item Length
10.3 in
Item Width
7.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2022-932295
Dewey Edition
23
Reviews
"Glebova's book is a valuable addition to the literature on this remarkable and always relevant figure."--Peter Lowe, Russian Art + Culture "Glebova's painstaking analysis reveals a more complex side to [Rodchenko's] work. . . . An unflinching focus on the far more opaque and challenging work Rodchenko undertook in the dark years of the 1930s."--Rosamund Bartlett, Literary Review Co-winner of the MSA 1st Book Prize, sponsored by the Modernist Studies Association "Glebova's perspicacious and eloquent readings of Rodchenko's works make new, and make much richer, his body of work."--Kristin Romberg, University of Illinois at Urbana-Champaign "This is the most important book on Rodchenko, and an indispensable book to Russian art history, to the history of photography, and to the story of how modern art intersects with life and how artists practice their politics."--Andrei Pop, University of Chicago, "Glebova's book is a valuable addition to the literature on this remarkable and always relevant figure."--Peter Lowe, Russian Art + Culture "Glebova's perspicacious and eloquent readings of Rodchenko's works make new, and make much richer, his body of work."--Kristin Romberg, University of Illinois at Urbana-Champaign "This is the most important book on Rodchenko, and an indispensable book to Russian art history, to the history of photography, and to the story of how modern art intersects with life and how artists practice their politics."--Andrei Pop, University of Chicago, "Glebova's book is a valuable addition to the literature on this remarkable and always relevant figure."--Peter Lowe, Russian Art + Culture "Glebova's painstaking analysis reveals a more complex side to [Rodchenko's] work. . . . An unflinching focus on the far more opaque and challenging work Rodchenko undertook in the dark years of the 1930s."--Rosamund Bartlett, Literary Review Shortlisted for the MSA 1st Book Prize, sponsored by the Modernist Studies Association "Glebova's perspicacious and eloquent readings of Rodchenko's works make new, and make much richer, his body of work."--Kristin Romberg, University of Illinois at Urbana-Champaign "This is the most important book on Rodchenko, and an indispensable book to Russian art history, to the history of photography, and to the story of how modern art intersects with life and how artists practice their politics."--Andrei Pop, University of Chicago, "Glebova's book is a valuable addition to the literature on this remarkable and always relevant figure."--Peter Lowe, Russian Art + Culture "Glebova's painstaking analysis reveals a more complex side to [Rodchenko's] work. . . . An unflinching focus on the far more opaque and challenging work Rodchenko undertook in the dark years of the 1930s."--Rosamund Bartlett, Literary Review "Glebova's perspicacious and eloquent readings of Rodchenko's works make new, and make much richer, his body of work."--Kristin Romberg, University of Illinois at Urbana-Champaign "This is the most important book on Rodchenko, and an indispensable book to Russian art history, to the history of photography, and to the story of how modern art intersects with life and how artists practice their politics."--Andrei Pop, University of Chicago, "Glebova's perspicacious and eloquent readings of Rodchenko's works makes new, and makes much richer, his body of work."--Kristin Romberg, University of Illinois at Urbana-Champaign "This is the most important book on Rodchenko, and an indispensable book to Russian art history, to the history of photography, and to the story of how modern art intersects with life and how artists practice their politics."--Andrei Pop, University of Chicago
Illustrated
Yes
Dewey Decimal
779.092
Synopsis
Through the lens of Aleksandr Rodchenko's photography, a new and provocative understanding emerges of the troubled relationship between technology, modernism, and state power in Stalin's Soviet Union "Glebova's book is a valuable addition to the literature on this remarkable and always relevant figure."--Peter Lowe, Russian Art + Culture Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko (1891-1956), a versatile Russian artist and one of Constructivism's founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language. In the context of the extreme transformations carried out under the first Five-Year Plans, Rodchenko's photography questioned his own modernist commitments. At the heart of this book is Rodchenko's infamous 1933 photo-essay on the White Sea-Baltic Canal, site of one of the first gulags. Glebova's careful reading of Rodchenko's photography reveals a surprisingly heterodox practice and brings to light experiments in adjacent media, including the collaborative design work he undertook with Varvara Stepanova, Rodchenko's partner in art and life., Through the lens of Aleksandr Rodchenko's photography, a new and provocative understanding emerges of the troubled relationship between technology, modernism, and state power in Stalin's Soviet Union
LC Classification Number
TR820.5
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