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Dana Gooley Fantasies of Improvisation (Hardback) (UK IMPORT)
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Parametry przedmiotu
- Stan
- Book Title
- Fantasies of Improvisation
- Publication Name
- Fantasies of Improvisation : Free Playing in Nineteenth-Century Music
- Title
- Fantasies of Improvisation
- Subtitle
- Free Playing in Nineteenth-Century Music
- Format
- Hardcover
- ISBN-10
- 0190633581
- EAN
- 9780190633585
- ISBN
- 9780190633585
- Publisher
- Oxford University Press, Incorporated
- Genre
- Music Dance & Theatre
- Release Date
- 26/07/2018
- Release Year
- 2018
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 1.2in
- Item Length
- 9.4in
- Item Width
- 6.2in
- Item Weight
- 19 Oz
- Publication Year
- 2018
- Type
- Textbook
- Number of Pages
- 314 Pages
O tym produkcie
Product Information
The first history of keyboard improvisation in European music in the postclassical and romantic periods, Free Play: Fantasies of Improvisation in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century's leading improvisers. Grounded in primary sources, the book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Author Dana Gooley argues that amidst the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential "idea" of improvisation as an ideal or perfect performance. This idea, spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the "work."
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0190633581
ISBN-13
9780190633585
eBay Product ID (ePID)
242759433
Product Key Features
Publication Name
Fantasies of Improvisation : Free Playing in Nineteenth-Century Music
Format
Hardcover
Language
English
Publication Year
2018
Type
Textbook
Number of Pages
314 Pages
Dimensions
Item Length
9.4in
Item Height
1.2in
Item Width
6.2in
Item Weight
19 Oz
Additional Product Features
Lc Classification Number
Ml430.7.G67 2018
Reviews
"This is an extremely interesting book on a topic that has not received as much attention as it deserves ... Highly recommended." -- W. E. Grim, CHOICE "Classical improvisation is making a comeback, and in timely fashion we can now read its remarkable history. Prof. Gooley has discovered lively contemporary accounts of pianists performing free fantasies on stage for the masses, in salons for elites, and in private for personal inspiration. The big names are all there--Chopin, Liszt, Schumann, Mendelssohn--as are dozens of names less well known but hailed as great improvisors in their own day. Through diaries, reviews, letters, and biographies we can gauge the thoughts of both sides of what were by all accounts emotionally powerful interactions between musicians and their audiences." -- Robert O. Gjerdingen, Northwestern University "Gooley's fascinating book sheds new light on the musical nineteenth century, illuminating unwritten histories of improvisation at the keyboard. By focusing on the contemporaneous renown of currently neglected figures such as Vogler, Hummel, Moscheles, and Loewe, Fantasies of Improvisation provides a richly textured account of how extemporization flourished and withered. Beyond that, Gooley elucidates the complex conversion of improvisation into discursive, rhetorical, pedagogical, and ethical terms. As a result, the book not only restores an element of the unexpected to over-determined historical narratives, but also suggests how the scores of Schumann and Liszt might be played and heard afresh." -- Roger Moseley, author of Keys to Play: Music as a Ludic Medium from Apollo to Nintendo, "This is an extremely interesting book on a topic that has not received as much attention as it deserves ... Highly recommended." -- W. E. Grim, CHOICE"Classical improvisation is making a comeback, and in timely fashion we can now read its remarkable history. Prof. Gooley has discovered lively contemporary accounts of pianists performing free fantasies on stage for the masses, in salons for elites, and in private for personal inspiration. The big names are all there--Chopin, Liszt, Schumann, Mendelssohn--as are dozens of names less well known but hailed as great improvisors in their own day. Through diaries, reviews, letters, and biographies we can gauge the thoughts of both sides of what were by all accounts emotionally powerful interactions between musicians and their audiences." -- Robert O. Gjerdingen, Northwestern University "Gooley's fascinating book sheds new light on the musical nineteenth century, illuminating unwritten histories of improvisation at the keyboard. By focusing on the contemporaneous renown of currently neglected figures such as Vogler, Hummel, Moscheles, and Loewe, Fantasies of Improvisation provides a richly textured account of how extemporization flourished and withered. Beyond that, Gooley elucidates the complex conversion of improvisation into discursive, rhetorical, pedagogical, and ethical terms. As a result, the book not only restores an element of the unexpected to over-determined historical narratives, but also suggests how the scores of Schumann and Liszt might be played and heard afresh." -- Roger Moseley, author of Keys to Play: Music as a Ludic Medium from Apollo to Nintendo, "This is an extremely interesting book on a topic that has not received as much attention as it deserves ... Highly recommended." -- W. E. Grim, CHOICE"Classical improvisation is making a comeback, and in timely fashion we can now read its remarkable history. Prof. Gooley has discovered lively contemporary accounts of pianists performing free fantasies on stage for the masses, in salons for elites, and in private for personal inspiration. The big names are all there--Chopin, Liszt, Schumann, Mendelssohn--as are dozens of names less well known but hailed as great improvisors in their own day. Through diaries,reviews, letters, and biographies we can gauge the thoughts of both sides of what were by all accounts emotionally powerful interactions between musicians and their audiences." -- Robert O. Gjerdingen,Northwestern University"Gooley's fascinating book sheds new light on the musical nineteenth century, illuminating unwritten histories of improvisation at the keyboard. By focusing on the contemporaneous renown of currently neglected figures such as Vogler, Hummel, Moscheles, and Loewe, Fantasies of Improvisation provides a richly textured account of how extemporization flourished and withered. Beyond that, Gooley elucidates the complex conversion of improvisation intodiscursive, rhetorical, pedagogical, and ethical terms. As a result, the book not only restores an element of the unexpected to over-determined historical narratives, but also suggests how the scores of Schumann andLiszt might be played and heard afresh." -- Roger Moseley, author of Keys to Play: Music as a Ludic Medium from Apollo to Nintendo, "Classical improvisation is making a comeback, and in timely fashion we can now read its remarkable history. Prof. Gooley has discovered lively contemporary accounts of pianists performing free fantasies on stage for the masses, in salons for elites, and in private for personal inspiration. The big names are all there--Chopin, Liszt, Schumann, Mendelssohn--as are dozens of names less well known but hailed as great improvisors in their own day. Through diaries, reviews, letters, and biographies we can gauge the thoughts of both sides of what were by all accounts emotionally powerful interactions between musicians and their audiences." -- Robert O. Gjerdingen, Northwestern University "Gooley's fascinating book sheds new light on the musical nineteenth century, illuminating unwritten histories of improvisation at the keyboard. By focusing on the contemporaneous renown of currently neglected figures such as Vogler, Hummel, Moscheles, and Loewe, Fantasies of Improvisation provides a richly textured account of how extemporization flourished and withered. Beyond that, Gooley elucidates the complex conversion of improvisation into discursive, rhetorical, pedagogical, and ethical terms. As a result, the book not only restores an element of the unexpected to over-determined historical narratives, but also suggests how the scores of Schumann and Liszt might be played and heard afresh." -- Roger Moseley, author of Keys to Play: Music as a Ludic Medium from Apollo to Nintendo
Table of Content
Prelude: The Virtue of Improvisation Chapter 1: The School of Abbé Vogler: Weber and Meyerbeer Chapter 2: The Kapellmeister Network and the Performance of Community: Hummel, Moscheles, and Mendelssohn Chapter 3: Carl Loewe's Performative Romanticism Chapter 4: Schumann and the Economization of Musical Labor Chapter 5: Liszt and the Romantic Rhetoric of Improvisation Chapter 6: Improvisatoriness: The Regime of the Improvisation Imaginary Postlude: Improvisation and Utopia
Copyright Date
2018
Topic
History & Criticism, Genres & Styles / Classical, Instruction & Study / Techniques, Musical Instruments / Piano & Keyboard
Lccn
2017-048569
Dewey Decimal
781.3609034
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Music
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