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XIX-wieczne kobiety z Walii i anglojęzyczna poezja GNIEW, FANTAZJE STRACH

Tekst oryginalny
19th Century Women from Wales and English-Language Poetry ANGERS, FANTASIES FEAR
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Former library book with pocket and stamps. Pages clean and binding is strong.
Cena:
US $8,95
Około36,19 zł
Wysyłka:
US $3,92 (około 15,85 zł) Wysyłka ekonomiczna. Zobacz szczegółydla wysyłki
Znajduje się w: Columbus, Ohio, Stany Zjednoczone
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Szacowana między Pn, 6 maj a Cz, 9 maj do 43230
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Parametry przedmiotu

Stan
Bardzo dobry
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Uwagi sprzedawcy
“Former library book with pocket and stamps. Pages clean and binding is strong.”
ISBN
9780708317648
Book Title
Angers, Fantasies and Ghostly Fears : Nineteenth-Century Women from Wales and English-Language Poetry
Item Length
8.5in
Publisher
Gwasg Prifysgol Cymru / University of Wales Press
Publication Year
2003
Format
Trade Paperback
Language
English
Item Height
0.5in
Author
Catherine Brennan
Genre
Literary Criticism, Poetry
Topic
Women Authors, Poetry, European / English, Irish, Scottish, Welsh
Item Width
5.5in
Item Weight
12 Oz
Number of Pages
237 Pages

O tym produkcie

Product Information

"Angers, Fantasies and Ghostly Fears" analyzes the work of seven Welsh women poets from a relatively neglected period in Welsh literary studies, the nineteenth century. Each of the writers considered, from Jane Cave and Felicia Hemans to Anna Walter Thomas, wrote in a period of rapid and intense social change, yet each maintained her own particular and deeply held connection with Wales. Catherine Brennan argues that although these writers are doubly marginalized by their gender and nationality from dominant cultural discourses, they nevertheless articulate highly significant questions of poetic identity and authority. Using a range of theoretical perspectives, she shows how consciousness of national identity and poetic representation intersect in this period and suggests that the work of these writers, taken as a whole, opens up new ways of understanding class, gender and Welshness in the nineteenth century. "Angers, Fantasies and Ghostly Fears" is a ground-breaking study of writers all-too-often ignored by mainstream literary history. It will be essential reading for all those interested in the literary history of Welsh writing in English, women's writing in the nineteenth century, and the discourse of insular imperialism.

Product Identifiers

Publisher
Gwasg Prifysgol Cymru / University of Wales Press
ISBN-10
0708317642
ISBN-13
9780708317648
eBay Product ID (ePID)
2255879

Product Key Features

Book Title
Angers, Fantasies and Ghostly Fears : Nineteenth-Century Women from Wales and English-Language Poetry
Author
Catherine Brennan
Format
Trade Paperback
Language
English
Topic
Women Authors, Poetry, European / English, Irish, Scottish, Welsh
Publication Year
2003
Genre
Literary Criticism, Poetry
Number of Pages
237 Pages

Dimensions

Item Length
8.5in
Item Height
0.5in
Item Width
5.5in
Item Weight
12 Oz

Additional Product Features

Lc Classification Number
Pr585
Reviews
" . . . fascinating and timely study . . . Brennan is particularly adept at drawing out the contradictions in the very different experiences of Welshness dramatized in the poetry she explores. She is also to be applauded for her sensitivity to the complexity of the material discussed." - New Welsh Review, Catherine Brennan provides some sharp insights . . . which are always intelligent and stimulating . . ., The text is enhanced by extensive, lucid endnotes; the Selected Biography is helpful and well ordered, and the book has a striking cover design., 'The Birth of Light'. Brennan has produced a carefully researched and thoughtful account of seven poets, which should be of interest to students of literature, history, religion, cultural studies, and women's studies., This is a study of the work of seven Welsh women poets who wrote in English during the 19th century. Catherine Brennan, formerly a lecturer in English at Portsmouth University and now an officer of the Southern Focus Trust, has written widely on English-language women's poetry from Wales and is currently preparing, with Katie Gramich, an anthology of Welsh women's writing from the 15th century to the present day.The seven poets included in this study are: Jane Cave, Ann Julia Hatton, Felicia Hemans, Maria James, Sarah Williams, Emily Jane Pfeiffer and Anna Walter Thomas. There are entries for all of these in the New Companion to the Literature of Wales except for Sarah Williams, who is new to me. All six entries were written by Professor Jane Aaron, whose assistance is acknowledged by Catherine Brennan in the book under review.Our ignorance about Welsh women's writing in English is shameful. Of the seven poets, only Mrs Hemans is at all well-known, and then mainly on account of her famous poem, 'Casabianca', which begins, 'The boy stood on the burning deck'. Ann Julia Hatton, known as 'Ann of Swansea', and a sister to the actress Sarah Siddons, has a local reputation in her adopted city because of her verses to the beauty of Swansea Bay. But for the rest, we have to be specialists in the period or in the genre to have even heard their names.The present book, and the increasing number of articles and lectures dealing with Welsh women's writing, will no doubt bring about a radical change in our perception of the field.What strikes me first of all about the seven poets is that, although they may not all have been born in Wales, or have lived here for very long, they maintained their attachment to this country and wrote about it. Secondly, despite being marginalized by their gender, class and nationality from the cultural discourses of their day, they articulated highly significant questions which are still relevant to our understanding of what it means to write in English in Wales.It was the notorious Blue Book report of 1847 that was the watershed for women's writing in Wales, as for much else. Responses to the report were various and complex. But few areas of Welsh culture remained unchanged in the crisis of confidence and public outcry that followed in its wake. For the Welsh woman poet, the problem was even more vexed: Nonconformity, the Welsh language and the alleged immorality of Welsh women became inextricably linked with the world's perception of Wales and its people, and the poets' engagement with issues of Welsh identity had to take all these into consideration. One wonders that Welsh women were able to write at all in the face of Victorian patriarchy. But they did, and as this book amply demonstrates, often to a very high standard.Meic StephensIt is possible to use this review for promotional purposes, but the following acknowledgement should be included: A review from www.gwales.com , with the permission of the Welsh Books Council. Gellir defnyddio'r adolygiad hwn at bwrpas hybu, ond gofynnir i chi gynnwys y gydnabyddiaeth ganlynol: Adolygiad oddi ar www.gwales.com , trwy ganiat'd Cyngor Llyfrau Cymru., " . . . fascinating and timely study . . . Brennan is particularly adept at drawing out the contradictions in the very different experiences of Welshness dramatized in the poetry she explores. She is also to be applauded for her sensitivity to the complexity of the material discussed." New Welsh Review
Copyright Date
2003
Target Audience
Scholarly & Professional
Lccn
2003-464173
Dewey Decimal
820.9/9287
Dewey Edition
22

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Dokładność opisu
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Perfect. Not just on time, but way earlier than anticipated. Well-protected and although it's a library discard, it's obvious that no one had ever checked it out. Thanks! By the way, tracking says that this item is still awaiting delivery.