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Epigram w Anglii: 1590-1640 od Doelman Nowy 9780719096440 Szybka bezpłatna wysyłka.+–
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Parametry przedmiotu
- Stan
- PublishedOn
- 2016-06-17
- Title
- Epigram in England: 1590-1640
- ISBN
- 9780719096440
- Book Title
- Epigram in England, 1590-1640
- Publisher
- Manchester University Press
- Item Length
- 8.5 in
- Publication Year
- 2016
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.1 in
- Genre
- Literary Criticism, History
- Topic
- Europe / Great Britain / Tudor & Elizabethan Era (1485-1603), Poetry, European / English, Irish, Scottish, Welsh
- Item Weight
- 23.9 Oz
- Item Width
- 5.4 in
- Number of Pages
- 416 Pages
O tym produkcie
Product Identifiers
Publisher
Manchester University Press
ISBN-10
0719096448
ISBN-13
9780719096440
eBay Product ID (ePID)
224008736
Product Key Features
Book Title
Epigram in England, 1590-1640
Number of Pages
416 Pages
Language
English
Publication Year
2016
Topic
Europe / Great Britain / Tudor & Elizabethan Era (1485-1603), Poetry, European / English, Irish, Scottish, Welsh
Illustrator
Yes
Genre
Literary Criticism, History
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
23.9 Oz
Item Length
8.5 in
Item Width
5.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2016-479107
Dewey Edition
23
TitleLeading
The
Dewey Decimal
828/.302
Table Of Content
Introduction 1. The classical, Medieval and Renaissance inheritance 2. 'A Curter kind of Satyre'? The epigram, proximate genres and terminology 3. The contexts of epigram composition 4. Buzzed, scrawled and printed: composition and circulation of topical epigrams 5. Epigrams in manuscript 6. Epigrams in print 7. Authorship 8. The readers of printed epigram books 9. Two facets of the epigram: names and responsiveness 10. The epigram and political comment 11. The feigned epitaph 12. The religious epigram Coda: Harington's 'Of Moyses' Select bibliography Index
Synopsis
While among the most common of Renaissance genres, the epigram has been largely neglected by scholars and critics: James Doelman's book is the first major study on the Renaissance English epigram since 1947. It combines thorough description of the genre's history and conventions with consideration of the rootedness of individual epigrams within specific social, political and religious contexts. The book explores questions of libel, censorship and patronage associated with the genre, and includes chapters on the sub-genres of the religious epigram, political epigram and mock epitaph. It balances discussion of canonical figures such as Ben Jonson and Sir John Harington with a wide range of lesser known poets, drawing on both manuscript and print sources. In its breadth The epigram in England serves as a foundational introduction to the genre for students, and through its detailed case studies it offers rich analysis for advanced scholars., While among the most common of Renaissance genres, the epigram has been largely neglected by scholars and critics: James Doelman's book is the first major study on the Renaissance English epigram since 1947. It combines thorough description of the genre's history and conventions with consideration of the rootedness of individual epigrams within specific social, political and religious contexts. The book explores questions of libel, censorship and patronage associated with the genre, and includes chapters on the sub-genres of the religious epigram, political epigram and mock epitaph. It balances discussion of canonical figures such as Ben Jonson and Sir John Harington with a wide range of lesser known poets, drawing on both manuscript and print sources. In its breadth The epigram in England serves as a foundational introduction to the genre for students, and through its detailed case studies it offers rich analysis for advanced scholars. -- ., One of the most popular Renaissance genres, the epigram has nonetheless been largely neglected by scholars and critics. This book, the first major study on the Renaissance English epigram since 1947, combines a deep awareness of the genre's history and conventions with a historicist consideration of their social, political and religious contexts. Tracing the oral, manuscript and print circulation of individual epigrams, it demonstrates their central place in the poetic culture of the period. The epigram was known for brevity, sharpness and an urbane tone, but its subject matter ranged widely. The epigram in England gives close attention to such sub-genres as the political epigram, the religious epigram and the mock epitaph, as well as considering questions of libel, censorship and patronage associated with the genre. While due attention is paid to such canonical figures as Ben Jonson and Sir John Harington, who attempted to use this humble - and sometimes scandalous - genre in poetically and socially ambitious ways, the study also draws on a wide range of neglected epigrammatists such as Thomas Bastard, William Gamage, Thomas Freeman and 'Henry Parrot'. The wealth of anonymous epigrams from the period are also treated, as well as Neo-Latin epigrams in manuscript and print. The epigram in England, 1590-1640 serves as an introduction to the genre for students, and through its detailed case studies offers rich analysis for advanced scholars., While among the most common of Renaissance genres, the epigram has been largely neglected by scholars and critics: James Doelman's book is the first major study on the Renaissance English epigram since 1947. It combines thorough description of the genre's history and conventions with consideration of the rootedness of individual epigrams within sp
LC Classification Number
PR509.E73
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