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Dotykowe uczucie: afekt, pedagogika, performatywność (oprawa miękka lub softback)–
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- Kup terazDotykowe uczucie: afekt, pedagogika, performatywność (oprawa miękka lub softback)
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Znajduje się w: Grand Rapids, Michigan, Stany Zjednoczone
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Parametry przedmiotu
- Stan
- ISBN
- 0822330156
- EAN
- 9780822330158
- Binding
- TP
- Book Title
- Touching Feeling : Affect, Pedagogy, Performativity
- Item Length
- 9in
- Publisher
- Duke University Press
- Publication Year
- 2003
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Genre
- Literary Criticism, Psychology, Literary Collections, Social Science
- Topic
- General, Lgbt Studies / Gay Studies, American / General, Essays
- Item Width
- 6.1in
- Item Weight
- 11.2 Oz
- Number of Pages
- 208 Pages
O tym produkcie
Product Information
A collection of essays examining theories of affect and how they relate to issues of performance and performativity
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822330156
ISBN-13
9780822330158
eBay Product ID (ePID)
2255808
Product Key Features
Book Title
Touching Feeling : Affect, Pedagogy, Performativity
Format
Trade Paperback
Language
English
Topic
General, Lgbt Studies / Gay Studies, American / General, Essays
Publication Year
2003
Genre
Literary Criticism, Psychology, Literary Collections, Social Science
Number of Pages
208 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6.1in
Item Weight
11.2 Oz
Additional Product Features
Lc Classification Number
Ps3569.E316t68 2002
Reviews
Fearless, challenging and occasionally exhilarating, Sedgwick remains one of the most courageous critics around., Fifteen years after publication, and nine years after the death of its author, Touching Feeling stands out. Eve Kosofsky Sedgwick's book defined subjects, keywords, and literary-critical ambitions that dominated discussion in English departments thereafter. Whether she set the future on this path or was superbly in tune with the contemporary mood is unclear., "Eve Kosofsky Sedgwick's gift is to electrify intellectual communities by reminding them that 'thought' has a temperature, a texture, and an erotics. With a generosity that is at once self-abnegatingly ascetic, and gorgeously, exhibitionistically bravura, she opens door after door onto undiscovered fields of inquiry. There are too many high points in Touching Feeling for me to list them. Sedgwick's language, richly garlanded, syntactically showstopping, gives, everywhere, its characteristic, always surprising pleasure." Wayne Koestenbaum, author of Andy Warhol"Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech-aesthetic, bodily, affective-is its real topic." Lauren Berlant, author of The Queen of America Goes to Washington City". . . Touching Feeling, [is] a collection of essays dating back to 1992 which [Sedgwick] has revised to form an extended theoretical meditation on 'non-dualistic thought' . . . The loosely connected essays have such themes as shame, theatricality, performativity, the biology of affect, reparative v. paranoid reading, and death. . . . Sedgwick's courage in speaking openly about her illness and about aspects of her self that most academic women would keep private, including being fat, is very moving."-Elaine Showalter, London Review of Books 6 March 2003, [Sedgwick's] ideas about the structures of desire between men in fiction have generated critical work for others, as her theories are put to work in rereadings of authors, texts, genres and periods. Any critic who so successfully challenges the fundamental terms of the discipline, and opens up new subjects for others to write and publish about, deserves fame and distinction. Moreover, Sedgwick's courage in speaking openly about her illness and about aspects of her self that most academic women would keep private, including being fat, is very moving., "Eve Kosofsky Sedgwick's gift is to electrify intellectual communities by reminding them that 'thought' has a temperature, a texture, and an erotics. With a generosity that is at once self-abnegatingly ascetic, and gorgeously, exhibitionistically bravura, she opens door after door onto undiscovered fields of inquiry. There are too many high points in Touching Feeling for me to list them. Sedgwick's language, richly garlanded, syntactically showstopping, gives, everywhere, its characteristic, always surprising pleasure."-Wayne Koestenbaum, author of Andy Warhol, "Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech-aesthetic, bodily, affective-is its real topic."-Lauren Berlant, author of The Queen of America Goes to Washington City, “Eve Kosofsky Sedgwick's gift is to electrify intellectual communities by reminding them that ’thought’ has a temperature, a texture, and an erotics. With a generosity that is at once self-abnegatingly ascetic, and gorgeously, exhibitionistically bravura, she opens door after door onto undiscovered fields of inquiry. There are too many high points in Touching Feeling for me to list them. Sedgwick's language, richly garlanded, syntactically showstopping, gives, everywhere, its characteristic, always surprising pleasure.�-Wayne Koestenbaum, author of Andy Warhol, "Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech--aesthetic, bodily, affective--is its real topic."--Lauren Berlant, author of The Queen of America Goes to Washington City, "Eve Kosofsky Sedgwick's gift is to electrify intellectual communities by reminding them that 'thought' has a temperature, a texture, and an erotics. With a generosity that is at once self-abnegatingly ascetic, and gorgeously, exhibitionistically bravura, she opens door after door onto undiscovered fields of inquiry. There are too many high points in Touching Feeling for me to list them. Sedgwick's language, richly garlanded, syntactically showstopping, gives, everywhere, its characteristic, always surprising pleasure."--Wayne Koestenbaum, author of Andy Warhol, “Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech-aesthetic, bodily, affective-is its real topic.�-Lauren Berlant, author of The Queen of America Goes to Washington City, "[Sedgwick's] miraculous prose keeps ideas and attitudes in play that would collapse into contradiction or program in a lesser writer. . . . In the era of queer theory, Sedgwick's miraculating writing keeps open a sense of sexuality as not binarized, neither only instrumental nor irreducibly conflictual, even when she is most passionately engaged in the work of advocacy. Today, writing through and after "queer" in a landscape of political impoverishment, Sedgwick's thought and writing function, as she would say, as a kind of semaphore: There is More Than This. I think we need her writing more than ever.", "Eve Kosofsky Sedgwick's gift is to electrify intellectual communities by reminding them that 'thought' has a temperature, a texture, and an erotics. With a generosity that is at once self-abnegatingly ascetic, and gorgeously, exhibitionistically bravura, she opens door after door onto undiscovered fields of inquiry. There are too many high points in Touching Feeling for me to list them. Sedgwick's language, richly garlanded, syntactically showstopping, gives, everywhere, its characteristic, always surprising pleasure." Wayne Koestenbaum, author of Andy Warhol "Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech-aesthetic, bodily, affective-is its real topic." Lauren Berlant, author of The Queen of America Goes to Washington City ". . . Touching Feeling, [is] a collection of essays dating back to 1992 which [Sedgwick] has revised to form an extended theoretical meditation on 'non-dualistic thought' . . . The loosely connected essays have such themes as shame, theatricality, performativity, the biology of affect, reparative v. paranoid reading, and death. . . . Sedgwick's courage in speaking openly about her illness and about aspects of her self that most academic women would keep private, including being fat, is very moving."--Elaine Showalter, London Review of Books 6 March 2003
Table of Content
Acknowledgments xi Introduction 1 Interlude, Pedagogic 27 1. Shame, Theatricality, and Queer Performativity: Henry James's The Art of the Novel 35 2. Around the Performative: Periperformative Vicinities in Nineteenth-Century Narrative 67 3. Shame in the Cybernetic Fold: Reading Silvan Tomkins (Written with Adam Frank) 93 4. Paranoid Reading and Reparative Reading, or, You're So Paranoid, You Probably Think This Essay Is About You 123 5. Pedagogy of Buddhism 153 Works Cited 183 Index 189
Copyright Date
2002
Lccn
2002-007919
Dewey Decimal
814/.54
Intended Audience
Scholarly & Professional
Series
Series Q Ser.
Dewey Edition
21
Illustrated
Yes
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