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Maria McLintock Gemma Curtin Jean-Yves Leloup Electronic (Hardback)
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C $49,94
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Nr przedmiotu eBay: 335195274710
Ostatnia aktualizacja: 06-09-2024 21:57:53 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Electronic : from Kraftwerk to the Chemical Brothers
- Publication Name
- Electronic
- Title
- Electronic
- Subtitle
- From Kraftwerk to the Chemical Brothers
- Format
- Hardcover
- EAN
- 9781872005492
- ISBN
- 9781872005492
- Publisher
- Design Museum
- Genre
- Music, Design
- Topic
- History & Criticism, Graphic Arts / General
- Release Year
- 2020
- Release Date
- 30/07/2020
- Language
- English
- Country/Region of Manufacture
- GB
- Item Weight
- 22.4 Oz
- Item Length
- 8.5 in
- Publication Year
- 2020
- Illustrator
- Yes
- Item Height
- 0.8 in
- Item Width
- 6.1 in
- Number of Pages
- 192 Pages
O tym produkcie
Product Identifiers
Publisher
Design Museum
ISBN-10
1872005497
ISBN-13
9781872005492
eBay Product ID (ePID)
6050411305
Product Key Features
Book Title
Electronic : from Kraftwerk to the Chemical Brothers
Number of Pages
192 Pages
Language
English
Topic
History & Criticism, Graphic Arts / General
Publication Year
2020
Illustrator
Yes
Genre
Music, Design
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
22.4 Oz
Item Length
8.5 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
From squat synthesisers to a gyrating cube, a new exhibition dedicated to dance music culture poignantly brings the spirit of communal celebration to a museum., Cuts through the origins and influence of EDM to examine how technology and design helped establish club culture for what it is today. [...] 'Electronic' makes an ecstatic case for why the club nights must go on, to quote Daft Punk, one more time., A new show in London celebrates the ultra-sharp visuals and enlivening history of electronic music. It is the closest that most visitors will get to raving for a while, but it offers a powerful statement that this cannot be the end., A multidimensional look at the visual culture of electronic dance music over the past 30 years, from art, fashion and photography to the design of venues such as Fabric and the Hacienda, and club graphics of Peter Saville and Mark Farrow.
Dewey Decimal
786.7
Synopsis
At more than 120 bpm, electronic music sets the tempo on dancefloors around the globe. Accompanying the exhibition Electronic: From Kraftwerk to The Chemical Brothers , this book offers an insight into the visual culture of electronic music, and how technology, design, art and fashion have contributed to its power. With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularised across Europe through underground rave parties. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic's Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre. Illustrated with over 300 images, some published here for the first time, Electronic features Jean-Michel Jarre's virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; and iconic venues such as the Hacienda, Gatecrasher, Fabric, Berghain and the Warehouse Project. Reflecting the shifts in society over the past thirty years, electronic music has generated distinct visual languages as well as its own political and cultural ideals., The visual culture of electronic music: how technology, design, art and fashion have contributed to its enduring power and appeal With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularized across Europe through underground rave parties and clubs. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic's Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre. Illustrated with over 300 images, some published here for the first time, Electroni c features Jean-Michel Jarre's virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; tons of album cover designs; and iconic venues such as the Ha ienda, Gatecrasher, Fabric, Berghain and the Warehouse Project., The visual culture of electronic music: how technology, design, art and fashion have contributed to its enduring power and appeal With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularized across Europe through underground rave parties and clubs. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic's Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre. Illustrated with over 300 images, some published here for the first time, Electroni c features Jean-Michel Jarre's virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; tons of album cover designs; and iconic venues such as the Haçienda, Gatecrasher, Fabric, Berghain and the Warehouse Project.
LC Classification Number
ML1380
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Informacje o firmie
Rarewaves-USA
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United States
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