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Robert Lang New Tunisian Cinema (Paperback) Film and Culture Series

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Book Title
New Tunisian Cinema
Publication Name
New Tunisian Cinema : Allegories of Resistance
Title
New Tunisian Cinema
Subtitle
Allegories of Resistance
Author
Robert Lang
Format
Trade Paperback
ISBN-10
0231165072
EAN
9780231165075
ISBN
9780231165075
Publisher
Columbia University Press
Genre
Films & TV
Release Date
01/04/2014
Release Year
2014
Language
English
Country/Region of Manufacture
US
Item Height
0.1in
Item Length
0.9in
Series
Film and Culture Ser.
Publication Year
2014
Type
Textbook
Item Width
0.6in
Item Weight
19 Oz
Number of Pages
448 Pages

O tym produkcie

Product Information

Tunisian cinema is often described as the most daring of all Arab cinemas. For many, Tunisia appeared to be a model of equipoise between "East" and "West," and yet, during Zine El Abidine Ben Ali's presidency, from 1987 to 2011, the country became the most repressive state in the Maghreb. Against considerable odds, a generation of filmmakers emerged in the mid-1980s to make films that are allegories of resistance to the increasingly illiberal trends that were marking their society. In New Tunisian Cinema , Robert Lang focuses on eight films by some of the nation's best-known directors, including Man of Ashes (1986), Bezness (1992) and Making Of (2006) by Nouri Bouzid, Halfaouine (1990) by F rid Boughedir, The Silences of the Palace (1994) by Moufida Tlatli, Essa d a (1997) by Mohamed Zran, Bedwin Hacker (2002) by Nadia El Fani, and The TV Is Coming (2006) by Moncef Dhouib. He explores the political economy and social, historical, and psychoanalytic dimensions of these works and the strategies filmmakers deployed to preserve cinema's ability to shape debates about national identity. These debates, Lang argues, not only helped initiate the 2011 uprising that ousted Ben Ali's regime but also did much to inform and articulate the aspirations of the Tunisian people in the new millennium.

Product Identifiers

Publisher
Columbia University Press
ISBN-10
0231165072
ISBN-13
9780231165075
eBay Product ID (ePID)
170341400

Product Key Features

Author
Robert Lang
Publication Name
New Tunisian Cinema : Allegories of Resistance
Format
Trade Paperback
Language
English
Publication Year
2014
Series
Film and Culture Ser.
Type
Textbook
Number of Pages
448 Pages

Dimensions

Item Length
0.9in
Item Height
0.1in
Item Width
0.6in
Item Weight
19 Oz

Additional Product Features

Lc Classification Number
Pn1993.5.T75l36 2014
Grade from
College Graduate Student
Reviews
Well written and well researched, this book draws on a variety of fields to offer clear readings of eight key films. The decoding of these films as allegories of political resistance is well argued and draws on an immense wealth of knowledge both theoretical and practical., New Tunisian Cinema offers penetrating readings of eight Tunisian films made between 1986 and 2006 that elaborate a mode of cultural resistance. The films are anchored in their social and political context, and the analyses take up the "national question" through the filmmakers' vision of their society's problems. This original work enriches our understanding of the political and cultural history of Tunisia and sheds new light on the implications of a "Revolution" that holds up a mirror to us., Robert Lang's New Tunisian Cinema is a timely and impressive examination of some of the most politically engaged films made during the Ben Ali era. This is the book I and many others have been waiting for--it fills a long overdue need to approach Tunisian cinema with both historical accuracy and theoretical rigor. It deserves to be widely read., Robert Lang's New Tunisian Cinema is a timely and impressive examination of some of the most politically engaged films made during the Ben Ali era. This is the book I and many others have been waiting for -- it fills a long overdue need to approach Tunisian cinema with both historical accuracy and theoretical rigor. It deserves to be widely read., Lang's impressive study is a valuable and timely achievement. Through subtle and rich close readings of eight films released between 1986 and 2006, he examines how contemporary Tunisian filmmakers resisted authoritarianism in both the public and private spheres of their society and successfully forged a national cinema that sought to keep in sight the secular and modern vision of their country's founding intellectuals., Robert Lang's New Tunisian Cinema is a timely and impressive examination of some of the most politically engaged films made during the Ben Ali era. This is the book I and many others have been waiting for-it fills a long overdue need to approach Tunisian cinema with both historical accuracy and theoretical rigor. It deserves to be widely read., Lang's study is erudite, well written, and compelling, and offers students of Arab cinemas a welcome set of inquiries to inspire further studies of the works and themes he addresses., As the first monograph published in the US on Tunisian cinema, Lang's book fills a major gap in scholarship.... This excellent study is accessible to students and enriching for scholars interested in North African studies. It will be sure to stimulate further scholarship on the rich production of Tunisian cinema., Carefully researched and documented, and backed by Lang's strong theoretical knowledge, this original contribution is an excellent addition to the "Columbia University Film and Culture Series"., New Tunisian Cinema offers penetrating readings of eight Tunisian films made between 1986 and 2006 that elaborate a mode of cultural resistance. The films are anchored in their social and political context, and the analyses take up the 'national question' through the filmmakers' vision of their society's problems. This original work enriches our understanding of the political and cultural history of Tunisia and sheds new light on the implications of a 'Revolution' that holds up a mirror to us.
Table of Content
Preface Acknowledgments 1. The Nation, the State, and the Cinema 2. "The freedom to be different, to choose your own life": Man of Ashes (Nouri Bouzid, 1986) 3. Laughter in the Dark: Sexuality and the Police State in Halfaouine (Férid Boughedir, 1990) 4. Sexual Allegories of National Identity: Bezness (Nouri Bouzid, 1992) 5. The Colonizer and the Colonized: The Silences of the Palace (Moufida Tlatli, 1994) 6. "It takes two of us to discover truth": Essaïda (Mohamed Zran, 1996) 7. "It takes a lot of unruly individuals to make a free people": Bedwin Hacker (Nadia El Fani, 2002) 8. Inventing the Postcolonial Nation/Constructing a Usable Past: The TV Is Coming (Moncef Dhouib, 2006) 9. "Destiny answers the people's call for life, darkness will be dispelled, and chains will break" Notes Filmography Glossary Bibliography Index
Copyright Date
2014
Topic
Film / General, Africa / North, Film / Direction & Production, Colonialism & Post-Colonialism
Lccn
2013-038574
Dewey Decimal
791.4309611
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
History, Performing Arts, Political Science

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