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Figurki bioder: Historia literacka Partii Demokratycznej (Post45), Szalay, Michae–

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Parametry przedmiotu

Stan: Bardzo dobry

Uwagi sprzedawcy: “Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - ...

ISBN: 9780804776349

Subject Area: Literary Criticism, Political Science

Publication Name: Hip Figures : a Literary History of the Democratic Party

Publisher: Stanford University Press

Item Length: 9.3 in

Subject: American / African American, American / General, Political Process / Political Parties, Subjects & Themes / Politics

Publication Year: 2012

Series: Post*45 Ser.

Type: Textbook

Format: Hardcover

Language: English

Item Height: 1 in

Author: Michael Szalay

Item Weight: 21.4 Oz

Item Width: 6.3 in

Number of Pages: 336 Pages

O tym produkcie

Product Identifiers

Publisher

Stanford University Press

ISBN-10

0804776342

ISBN-13

9780804776349

eBay Product ID (ePID)

111540651

Product Key Features

Number of Pages

336 Pages

Language

English

Publication Name

Hip Figures : a Literary History of the Democratic Party

Publication Year

2012

Subject

American / African American, American / General, Political Process / Political Parties, Subjects & Themes / Politics

Type

Textbook

Author

Michael Szalay

Subject Area

Literary Criticism, Political Science

Series

Post*45 Ser.

Format

Hardcover

Dimensions

Item Height

1 in

Item Weight

21.4 Oz

Item Length

9.3 in

Item Width

6.3 in

Additional Product Features

Intended Audience

Scholarly & Professional

LCCN

2012-009458

Reviews

"This impressive examination of racial ventriloquism and shape shifting in the postwar U.S. novel explains—through a series of often brilliant readings—how the 'hip fetish' mediated contradictions between capital and labor. Szalay has produced a compelling and creative theoretical model for examining base-superstructure relations, one that has ramifications for projects beyond the one undertaken here. This is a provocative and persuasive project, to which attention must be paid."—Barbara Foley, Rutgers University, "[F]ascinating . . . the specters of hip will continue to haunt our politics, and we owe Szalay a debt for laying them out in such critical detail here."-Evan Kindley, Bookforum, "Michael Szalay holds critical office where politics and literature merge. . . . His engrossing book, Hip Figures: A Literary History of the Democratic Party sets out to correlate post-war American fiction with concrete political consequences."-Michael LaPointe, Times Literary Supplement, "Michael Szalay holds critical office where politics and literature merge. . . . His engrossing book, Hip Figures: A Literary History of the Democratic Party sets out to correlate post-war American fiction with concrete political consequences."--Michael LaPointe, Times Literary Supplement, "Michael Szalay holds critical office where politics and literature merge. . . . His engrossing book, Hip Figures: A Literary History of the Democratic Party sets out to correlate post-war American fiction with concrete political consequences."—Michael LaPointe, Times Literary Supplement, "[F]ascinating . . . the specters of hip will continue to haunt our politics, and we owe Szalay a debt for laying them out in such critical detail here."—Evan Kindley, Bookforum, "This bold and ingenious book gives us the hipster's racial background, but also a crucial glimpse into how cultural politics matter to politics in the weightiest and most straightforward sense."—Bruce Robbins, Columbia University, "A virtue of Szalay's study is that it allows us to think about Democrats and symbolic blackness through a more useful lens than that of either race-baiting Republican demagoguery or self-congratulatory Democratic triumphalism . . . Szalay helps demystify modern progressivism's own complex racial subconscious, which, while less toxic than the right-wing variety--and sometimes even downright praiseworthy--nevertheless depends on some awfully strange brews of fantasy and projection."--Len Gutkin, Democracy: A Journal of Ideas, "This bold and ingenious book gives us the hipster's racial background, but also a crucial glimpse into how cultural politics matter to politics in the weightiest and most straightforward sense."-Bruce Robbins, Columbia University, " Hip Figures provides a stunning evaluation of the connection between popular liberal authors of the post-war period and the import of the 'hipster' aesthetic to the re-branding of the Democratic Party's ideological platform leading up the presidential election of John F. Kennedy and into the late twentieth century . . . Grounding each chapter in nuanced and moving close readings of various novels, Szalay traces the connections between novelistic liberalism and the Democratic politicians and rhetoric operating around the time of the novels' publication . . . In sum, Hip Figures is a powerful work of literary criticism and history that calls readers to evaluate the ways in which fictional texts of the post-war period reflect and inform the Democratic Party's stylish rhetoric of interracial coalition that ultimately supports the aims of a professional managerial class."--Richard Langer, The Year's Work in English Studies, "A virtue of Szalay's study is that it allows us to think about Democrats and symbolic blackness through a more useful lens than that of either race-baiting Republican demagoguery or self-congratulatory Democratic triumphalism . . . Szalay helps demystify modern progressivism's own complex racial subconscious, which, while less toxic than the right-wing variety--and sometimes even downright praiseworthy--nevertheless depends on some awfully strange brews of fantasy and projection."--Len Gutkin, Democracy: A Journal of Ideas "This bold and ingenious book gives us the hipster's racial background, but also a crucial glimpse into how cultural politics matter to politics in the weightiest and most straightforward sense."--Bruce Robbins, Columbia University "This impressive examination of racial ventriloquism and shape shifting in the postwar U.S. novel explains--through a series of often brilliant readings--how the 'hip fetish' mediated contradictions between capital and labor. Szalay has produced a compelling and creative theoretical model for examining base-superstructure relations, one that has ramifications for projects beyond the one undertaken here. This is a provocative and persuasive project, to which attention must be paid."--Barbara Foley, Rutgers University "Michael Szalay's tandem tale of the post-World War II U.S. novel and Democratic Party radically illuminates--indeed rewrites--the story of both. This is literary history at its finest: densely researched, methodologically allusive, hip to the pith and nerve, and sometimes slag, of writers taking the measure of the republic."--Eric Lott, University of Virginia, "A virtue of Szalay's study is that it allows us to think about Democrats and symbolic blackness through a more useful lens than that of either race-baiting Republican demagoguery or self-congratulatory Democratic triumphalism . . . Szalay helps demystify modern progressivism's own complex racial subconscious, which, while less toxic than the right-wing variety-and sometimes even downright praiseworthy-nevertheless depends on some awfully strange brews of fantasy and projection."-Len Gutkin, Democracy: A Journal of Ideas, A virtue of Szalay's study is that it allows us to think about Democrats and symbolic blackness through a more useful lens than that of either race-baiting Republican demagoguery or self-congratulatory Democratic triumphalism . . . Szalay helps demystify modern progressivism's own complex racial subconscious, which, while less toxic than the right-wing variety'and sometimes even downright praiseworthy'nevertheless depends on some awfully strange brews of fantasy and projection., "Michael Szalay's tandem tale of the post-World War II U.S. novel and Democratic Party radically illuminates—indeed rewrites—the story of both. This is literary history at its finest: densely researched, methodologically allusive, hip to the pith and nerve, and sometimes slag, of writers taking the measure of the republic."—Eric Lott, University of Virginia, "[F]ascinating . . . the specters of hip will continue to haunt our politics, and we owe Szalay a debt for laying them out in such critical detail here."--Evan Kindley, Bookforum, "A persuasively argued treatise—will appeal to students of literature and liberal politics."— Kirkus Reviews, "A virtue of Szalay's study is that it allows us to think about Democrats and symbolic blackness through a more useful lens than that of either race-baiting Republican demagoguery or self-congratulatory Democratic triumphalism . . . Szalay helps demystify modern progressivism's own complex racial subconscious, which, while less toxic than the right-wing variety—and sometimes even downright praiseworthy—nevertheless depends on some awfully strange brews of fantasy and projection."—Len Gutkin, Democracy: A Journal of Ideas, Michael Szalay's tandem tale of the post-World War II U.S. novel and Democratic Party radically illuminates'indeed rewrites'the story of both. This is literary history at its finest: densely researched, methodologically allusive, hip to the pith and nerve, and sometimes slag, of writers taking the measure of the republic., "A persuasively argued treatise-will appeal to students of literature and liberal politics."- Kirkus Reviews, "A persuasively argued treatise--will appeal to students of literature and liberal politics."-- Kirkus Reviews, This impressive examination of racial ventriloquism and shape shifting in the postwar U.S. novel explains'through a series of often brilliant readings'how the 'hip fetish' mediated contradictions between capital and labor. Szalay has produced a compelling and creative theoretical model for examining base-superstructure relations, one that has ramifications for projects beyond the one undertaken here. This is a provocative and persuasive project, to which attention must be paid.

Dewey Edition

Dewey Decimal

810.9/358

Synopsis

Hip Figures dramatically alters our understanding of the postwar American novel by showing how it mobilized fantasies of black style on behalf of the Democratic Party. Fascinated by jazz, rhythm and blues, and rock and roll, novelists such as Norman Mailer, Ralph Ellison, John Updike, and Joan Didion turned to hip culture to negotiate the voter realignments then reshaping national politics. Figuratively transporting white professionals and managers into the skins of African Americans, these novelists and many others insisted on their own importance to the ambitions of a party dependent on coalition-building but not fully committed to integration. Arbiters of hip for readers who weren't, they effectively branded and marketed the liberalism of their moment--and ours., A definitive account of how and why novels preoccupied with "hip" changed the course of the Democratic Party after the Second World War.

LC Classification Number

PS374