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Nieoczekiwane: Życie w sztuce, twarda okładka Alling, Janet, fabrycznie nowa, darmowa...–
US $42,83
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Znajduje się w: Jessup, Maryland, Stany Zjednoczone
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Nr przedmiotu eBay: 354957799714
Ostatnia aktualizacja: 11-07-2024 02:46:07 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Unanticipated : A Life in Art
- ISBN
- 9780996293006
- Subject Area
- Nature, Art
- Publication Name
- Unanticipated : Alife in Art
- Publisher
- G Arts LLC
- Item Length
- 10.5 in
- Subject
- Individual Artists / General, General, History / General
- Publication Year
- 2022
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Educational Level
- Adult & Further Education
- Item Width
- 9.5 in
- Number of Pages
- 160 Pages
O tym produkcie
Product Identifiers
Publisher
G Arts LLC
ISBN-10
0996293000
ISBN-13
9780996293006
eBay Product ID (ePID)
28057255069
Product Key Features
Educational Level
Adult & Further Education
Number of Pages
160 Pages
Language
English
Publication Name
Unanticipated : Alife in Art
Subject
Individual Artists / General, General, History / General
Publication Year
2022
Type
Textbook
Subject Area
Nature, Art
Format
Hardcover
Dimensions
Item Length
10.5 in
Item Width
9.5 in
Additional Product Features
Intended Audience
Adult Education
Reviews
What is surprising about Janet Alling's beautiful paintings of plants is not their possession of the personal and poetic ...but their power. -Peter Schjeldahl, The New York Times
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
759.13
Synopsis
Unanticipated is a career retrospective monograph that includes 248 images of both painting and drawing, along with 17,500 words of text. In 1964, Janet Alling studied among a legendary generation of artists, including Chuck Close, Jennifer Bartlett, Richard Serra, Nancy Graves, Janet Fish, Rackstraw Downs, and Brice Marden. They turned contemporary art making into a revolution of material, scale, subject, and perception. Alling, sensing both her affinity and difference with fellow students, found her subject in flowers. She was eager to investigate their essence and power and redefine a category of painting regarded as decorative and conventional. A glance at this compendium of flower painting from a long career of observation and honed technique, reveals Alling's vision as anything but conventional. Large-scale leaves and petals shimmering in shadows and light fill these 96 pages with unexpected color and pattern and mysterious beauty. Artist Alex Katz says about her work, "[Her} flowers are decorous, contained, and make no overture to fashion. The mystery of meaning reminds me of Emily Dickinson."Alling captures the process of painting a natural subject in natural light and in time's inexorable grasp. The glories of the iris, the tulip, and the coleus are amplified and newly perceived by Alling's brush. She has achieved what she set out to do nearly 60 years ago: Redefine flower painting as an essential subject for contemporary art. This book is the story of a female artist who began working during a period when art was "a man's world." In Unanticipated the artworks are organized to draw the reader into Alling's life narrative and its relation to the unfolding of her attraction to the natural world as a subject for advanced fine art. Her schooling at Yale, as well as travel to the world's most renowned artistic achievements, along with mentorship by some of the most important male artists of the era, set her on her mission to revolutionize flower painting. The book's contents feature key works of flower portraits, gardens, and patterns. A final selection includes a catalog raisonne, with images her complete repertoire of paintings and drawings., Unanticipated is a career retrospective monograph that includes 248 images of both painting and drawing, along with 17,500 words of text.In 1964, Janet Alling studied among a legendary generation of artists, including Chuck Close, Jennifer Bartlett, Richard Serra, Nancy Graves, Janet Fish, Rackstraw Downs, and Brice Marden. They turned contemporary art making into a revolution of material, scale, subject, and perception.Alling, sensing both her affinity and difference with fellow students, found her subject in flowers. She was eager to investigate their essence and power and redefine a category of painting regarded as decorative and conventional. A glance at this compendium of flower painting from a long career of observation and honed technique, reveals Alling's vision as anything but conventional. Large-scale leaves and petals shimmering in shadows and light fill these 96 pages with unexpected color and pattern and mysterious beauty. Artist Alex Katz says about her work, "[Her} flowers are decorous, contained, and make no overture to fashion. The mystery of meaning reminds me of Emily Dickinson."Alling captures the process of painting a natural subject in natural light and in time's inexorable grasp. The glories of the iris, the tulip, and the coleus are amplified and newly perceived by Alling's brush. She has achieved what she set out to do nearly 60 years ago: Redefine flower painting as an essential subject for contemporary art. This book is the story of a female artist who began working during a period when art was "a man's world." In Unanticipated the artworks are organized to draw the reader into Alling's life narrative and its relation to the unfolding of her attraction to the natural world as a subject for advanced fine art. Her schooling at Yale, as well as travel to the world's most renowned artistic achievements, along with mentorship by some of the most important male artists of the era, set her on her mission to revolutionize flower painting. The book's contents feature key works of flower portraits, gardens, and patterns. A final selection includes a catalog raisonne, with images her complete repertoire of paintings and drawings., Unanticipated is a career retrospective monograph that includes 248 images of both painting and drawing, along with 17,500 words of text. In 1964, Janet Alling studied among a legendary generation of artists, including Chuck Close, Jennifer Bartlett, Richard Serra, Nancy Graves, Janet Fish, Rackstraw Downs, and Brice Marden. They turned contemporary art making into a revolution of material, scale, subject, and perception. Alling, sensing both her affinity and difference with fellow students, found her subject in flowers. She was eager to investigate their essence and power and redefine a category of painting regarded as decorative and conventional. A glance at this compendium of flower painting from a long career of observation and honed technique, reveals Alling's vision as anything but conventional. Large-scale leaves and petals shimmering in shadows and light fill these 96 pages with unexpected color and pattern and mysterious beauty. Artist Alex Katz says about her work, "[Her} flowers are decorous, contained, and make no overture to fashion. The mystery of meaning reminds me of Emily Dickinson." Alling captures the process of painting a natural subject in natural light and in time's inexorable grasp. The glories of the iris, the tulip, and the coleus are amplified and newly perceived by Alling's brush. She has achieved what she set out to do nearly 60 years ago: Redefine flower painting as an essential subject for contemporary art. This book is the story of a female artist who began working during a period when art was "a man's world." In Unanticipated the artworks are organized to draw the reader into Alling's life narrative and its relation to the unfolding of her attraction to the natural world as a subject for advanced fine art. Her schooling at Yale, as well as travel to the world's most renowned artistic achievements, along with mentorship by some of the most important male artists of the era, set her on her mission to revolutionize flower painting. The book's contents feature key works of flower portraits, gardens, and patterns. A final selection includes a catalog raisonne, with images her complete repertoire of paintings and drawings.
LC Classification Number
ND237
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