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Przebieranie: tożsamość kulturowa w renesansowej Europie–
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Znajduje się w: Santa Ana, California, Stany Zjednoczone
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Szacowana między Cz, 9 maj a Pn, 13 maj do 43230
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Parametry przedmiotu
- Stan
- ISBN
- 9780199645183
- Publication Year
- 2012
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Dressing Up : Cultural Identity in Renaissance Europe
- Item Height
- 1in
- Item Length
- 9.7in
- Publisher
- Oxford University Press, Incorporated
- Item Width
- 6.9in
- Item Weight
- 0 Oz
- Number of Pages
- 378 Pages
O tym produkcie
Product Information
Uses an astonishing array of sources to imagine the Renaissance afresh by considering people's appearances: what they wore, how this made them move, what images they created, and how all this made people feel about themselves.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199645183
ISBN-13
9780199645183
eBay Product ID (ePID)
111418840
Product Key Features
Publication Name
Dressing Up : Cultural Identity in Renaissance Europe
Format
Trade Paperback
Language
English
Publication Year
2012
Type
Textbook
Number of Pages
378 Pages
Dimensions
Item Length
9.7in
Item Height
1in
Item Width
6.9in
Item Weight
0 Oz
Additional Product Features
Lc Classification Number
Gt720
Reviews
Review from previous edition: "Insightful and original analysis." --Times Literary Supplement d 17/06/2011, 'Rublack combines deep knowledge with a remarkable subtlety of interpretation, alive always to the desires, passions and longings that made dress so profoundly important to European culture in this period. Packed with vivid vignettes and stories - from the riches to rags of a German patricianin Brazil to the riddle of Luther's Reformation choice of a red doublet - this book shows how a global economy underpinned the transformation of fashion. A major achievement, Rublack changes how we think about culture in the early modern world.' Lyndal Roper, University of Oxford, 'This stunning book transforms the way we understand clothes and the concern for appearance in Germany and Europe more generally in the sixteenth and seventeenth centuries. Garments and their wearers take us into the changing realms of personal play, religious argument, national identity, andcuriosity. Richly illustrated and deeply researched, Dressing Up provides an exciting new mirror for early modern times.' Natalie Zemon Davis, University of Toronto, 'Rublack's wonderful new book on 'Dressing up' is both readable and compelling. While focused on Germany, she deals with fashion as a global phenomenon, exploring the many complexities that communities faced when deciding what to wear. Ranging across issues of identity, social control andcohesion, religious conflict and sumptuary laws, Rublack shows that clothing and fashion are serious and challenging topics that lead to often unexpected results.' Evelyn Welch, Queen Mary University of London, a thrilling investigation into why material mattered as much as ideas in Renaissance Europe ... What is really stunning, though, is the extraordinarily deft way in which she has stitched together all these fragments, selvedges and even stray threads., this highly original, beautifully illustrated book, teeming with ideas and written with insight and historical imagination, shows hoe investigation of one facet of a culture can shed important new light on the spectrum of early modern cultural and social life. It will be of great interest far beyone the field of the history of dress., Rublack wants to place German vernacular art on the Renaissance map, reconfigure notions of Protestant sobriety, and recalibrate the generally accepted view that Germans were uncouth, had little sense of a cohesive national identity and imitated 'superior' Italian humanism ... Dressing Up takes the argument about material culture and the language of clothes to compelling territory., "Insightful and original analysis"--Times Literary Supplement "Remarkable...Rublack turns the wardrobe into a place of almost magical powers of revelation, opening up vistas into the imaginative and emotional lives of men and women in Renaissance Europe. And with more than 150 magnificent colour illustrations, this dazzling book is as much a feast for the eye as for the mind."--John Adamson, The Sunday Telegraph "A thrilling investigation...[H]ugely accomplished...What is really stunning...is the extraordinarily deft way in which [Rublack] has stitched together all these fragments, selvedges and even stray threads. The result is a narrative quilt that doesn't simply shimmer with surface detail but dazzles with its deep, original thought."--Kathryn Hughes, The Guardian "Impressive and superbly illustrated...The technical expertise, breadth of research and wide-ranging knowledge of the cultural context of clothes besides the fascinating details and stories, means that this will make a lasting contribution to early modern studies."--Roland H. Bainton Prize Committee "A highly original and important reinterpretation of this era...gloriously illustrated with 156 images...[T]his volume delights the eye and the mind. It is an important contribution at every level."--Beverly Lemire, Historical Journal "In its wide range of sources and diverse kinds of images, Dressing Up powerfully demonstrates the significance of clothing for Renaissance culture in general, and in detail."--Ann Rosalind Jones, Renaissance Quarterly "Viewing dress codes as cultural codes, and arguments about clothes as arguments about values, Ulinka Rublack shows us in this lively and fascinating essay how the history of costume forms part of cultural history."--Peter Burke, University of Cambridge "This stunning book transforms the way we understand clothes and the concern for appearance in Germany and Europe more generally in the sixteenth and seventeenth centuries. Garments and their wearers take us into the changing realms of personal play, religious argument, national identity, and curiosity. Richly illustrated and deeply researched, Dressing Up provides an exciting new mirror for early modern times."--Natalie Zemon Davis, University of Toronto "Rublack combines deep knowledge with a remarkable subtlety of interpretation, alive always to the desires, passions and longings that made dress so profoundly important to European culture in this period. Packed with vivid vignettes and stories--from the riches to rags of a German patrician in Brazil to the riddle of Luther's Reformation choice of a red doublet--this book shows how a global economy underpinned the transformation of fashion. A major achievement, Rublack changes how we think about culture in the early modern world."--Lyndal Roper, University of Oxford "Rublack's wonderful new book on 'Dressing up' is both readable and compelling. While focused on Germany, she deals with fashion as a global phenomenon, exploring the many complexities that communities faced when deciding what to wear. Ranging across issues of identity, social control and cohesion, religious conflict and sumptuary laws, Rublack shows that clothing and fashion are serious and challenging topics that lead to often unexpected results."--Evelyn Welch, Queen Mary University of London, 'Viewing dress codes as cultural codes, and arguments about clothes as arguments about values, Ulinka Rublack shows us in this lively and fascinating essay how the history of costume forms part of cultural history.' Peter Burke, University of Cambridge, "Remarkable... Rublack turns the wardrobe into a place of almost magical powers of revelation, opening up vistas into the imaginative and emotional lives of men and women in Renaissance Europe. And with more than 150 magnificent colour illustrations, this dazzling book is as much a feast forthe eye as for the mind." --John Adamson, The Sunday Telegraph d 09/01/2011, "Insightful and original analysis" - Times Literary Supplement "Remarkable... Rublack turns the wardrobe into a place of almost magical powers of revelation, opening up vistas into the imaginative and emotional lives of men and women in Renaissance Europe. And with more than 150 magnificent colour illustrations, this dazzling book is as much a feast for the eye as for the mind." - John Adamson, The Sunday Telegraph "A thrilling investigation... hugely accomplished... What is really stunning... is the extraordinarily deft way in which [Rublack] has stitched together all these fragments, selvedges and even stray threads. The result is a narrative quilt that doesn't simply shimmer with surface detail but dazzles with its deep, original thought." - Kathryn Hughes, The Guardian "Impressive and superbly illustrated... The technical expertise, breadth of research and wide-ranging knowledge of the cultural context of clothes besides the fascinating details and stories, means that this will make a lasting contribution to early modern studies." - Roland H. Bainton Prize Committee "A highly original and important reinterpretation of this era...gloriously illustrated with 156 images...this volume delights the eye and the mind. It is an important contribution at every level." - Beverly Lemire, Historical Journal "In its wide range of sources and diverse kinds of images, Dressing Up powerfully demonstrates the significance of clothing for Renaissance culture in general, and in detail." - Ann Rosalind Jones, Renaissance Quarterly "Viewing dress codes as cultural codes, and arguments about clothes as arguments about values, Ulinka Rublack shows us in this lively and fascinating essay how the history of costume forms part of cultural history." - Peter Burke, University of Cambridge "This stunning book transforms the way we understand clothes and the concern for appearance in Germany and Europe more generally in the sixteenth and seventeenth centuries. Garments and their wearers take us into the changing realms of personal play, religious argument, national identity, and curiosity. Richly illustrated and deeply researched, Dressing Up provides an exciting new mirror for early modern times." - Natalie Zemon Davis, University of Toronto "Rublack combines deep knowledge with a remarkable subtlety of interpretation, alive always to the desires, passions and longings that made dress so profoundly important to European culture in this period. Packed with vivid vignettes and stories - from the riches to rags of a German patrician in Brazil to the riddle of Luther's Reformation choice of a red doublet - this book shows how a global economy underpinned the transformation of fashion. A major achievement, Rublack changes how we think about culture in the early modern world." - Lyndal Roper, University of Oxford "Rublack's wonderful new book on 'Dressing up' is both readable and compelling. While focused on Germany, she deals with fashion as a global phenomenon, exploring the many complexities that communities faced when deciding what to wear. Ranging across issues of identity, social control and cohesion, religious conflict and sumptuary laws, Rublack shows that clothing and fashion are serious and challenging topics that lead to often unexpected results." - Evelyn Welch, Queen Mary University of London, Dressing Up delves into the cultural, economic, and personal meanings of individual appearances and appurtenances and is in a class of its own. There are few books on this topic that are so well-researched and clearly written, "A thrilling investigation... hugely accomplished... What is really stunning... is the extraordinarily deft way in which [Rublack] has stitched together all these fragments, selvedges and even stray threads. The result is a narrative quilt that doesn't simply shimmer with surface detail butdazzles with its deep, original thought." --Kathryn Hughes, The Guardian, "Insightful and original analysis"--Times Literary Supplement "Remarkable...Rublack turns the wardrobe into a place of almost magical powers of revelation, opening up vistas into the imaginative and emotional lives of men and women in Renaissance Europe. And with more than 150 magnificent colour illustrations, this dazzling book is as much a feast for the eye as for the mind."--John Adamson, The Sunday Telegraph"A thrilling investigation...[H]ugely accomplished...What is really stunning...is the extraordinarily deft way in which [Rublack] has stitched together all these fragments, selvedges and even stray threads. The result is a narrative quilt that doesn't simply shimmer with surface detail but dazzles with its deep, original thought."--Kathryn Hughes, The Guardian"Impressive and superbly illustrated...The technical expertise, breadth of research and wide-ranging knowledge of the cultural context of clothes besides the fascinating details and stories, means that this will make a lasting contribution to early modern studies."--Roland H. Bainton Prize Committee"A highly original and important reinterpretation of this era...gloriously illustrated with 156 images...[T]his volume delights the eye and the mind. It is an important contribution at every level."--Beverly Lemire, Historical Journal"In its wide range of sources and diverse kinds of images, Dressing Up powerfully demonstrates the significance of clothing for Renaissance culture in general, and in detail."--Ann Rosalind Jones, Renaissance Quarterly"Viewing dress codes as cultural codes, and arguments about clothes as arguments about values, Ulinka Rublack shows us in this lively and fascinating essay how the history of costume forms part of cultural history."--Peter Burke, University of Cambridge"This stunning book transforms the way we understand clothes and the concern for appearance in Germany and Europe more generally in the sixteenth and seventeenth centuries. Garments and their wearers take us into the changing realms of personal play, religious argument, national identity, and curiosity. Richly illustrated and deeply researched, Dressing Up provides an exciting new mirror for early modern times."--Natalie Zemon Davis, University of Toronto"Rublack combines deep knowledge with a remarkable subtlety of interpretation, alive always to the desires, passions and longings that made dress so profoundly important to European culture in this period. Packed with vivid vignettes and stories--from the riches to rags of a German patrician in Brazil to the riddle of Luther's Reformation choice of a red doublet--this book shows how a global economy underpinned the transformation of fashion. A major achievement, Rublack changes how we think about culture in the early modern world."--Lyndal Roper, University of Oxford"Rublack's wonderful new book on 'Dressing up' is both readable and compelling. While focused on Germany, she deals with fashion as a global phenomenon, exploring the many complexities that communities faced when deciding what to wear. Ranging across issues of identity, social control and cohesion, religious conflict and sumptuary laws, Rublack shows that clothing and fashion are serious and challenging topics that lead to often unexpected results."--Evelyn Welch, Queen Mary University of London, 'Insightful and original analysis'Times Literary Supplement'an impressive and groundbreaking achievement ... Ulinka Rublack has masterfully tailored a wide-ranging and innovatory analysis which dexterously weaves together disparate threads running through the complex fabric of early-modern history. In the process, she effectively demonstrates not only, as she writes, that "history can be about clothes" but, what is more, that "clothes made history."'Michelle A. Laughran, Journal of Social History'Remarkable... Rublack turns the wardrobe into a place of almost magical powers of revelation, opening up vistas into the imaginative and emotional lives of men and women in Renaissance Europe. And with more than 150 magnificent colour illustrations, this dazzling book is as much a feast for the eye as for the mind.'John Adamson, The Sunday Telegraph'A thrilling investigation... hugely accomplished... What is really stunning... is the extraordinarily deft way in which [Rublack] has stitched together all these fragments, selvedges and even stray threads. The result is a narrative quilt that doesn't simply shimmer with surface detail but dazzles with its deep, original thought.'Kathryn Hughes, The Guardian'Impressive and superbly illustrated... The technical expertise, breadth of research and wide-ranging knowledge of the cultural context of clothes besides the fascinating details and stories, means that this will make a lasting contribution to early modern studies.'Roland H. Bainton Prize Committee'A highly original and important reinterpretation of this era...gloriously illustrated with 156 images...this volume delights the eye and the mind. It is an important contribution at every level.'Beverly Lemire, Historical Journal'The publication of this volume marks a milestone in the historiography of European dress'Beverly Lemire, Historical Journal'In its wide range of sources and diverse kinds of images, Dressing Up powerfully demonstrates the significance of clothing for Renaissance culture in general, and in detail.'Ann Rosalind Jones, Renaissance Quarterly'Viewing dress codes as cultural codes, and arguments about clothes as arguments about values, Ulinka Rublack shows us in this lively and fascinating essay how the history of costume forms part of cultural history.'Peter Burke, University of Cambridge'This stunning book transforms the way we understand clothes and the concern for appearance in Germany and Europe more generally in the sixteenth and seventeenth centuries. Garments and their wearers take us into the changing realms of personal play, religious argument, national identity, and curiosity. Richly illustrated and deeply researched, Dressing Up provides an exciting new mirror for early modern times.'Natalie Zemon Davis, University of Toronto'Rublack combines deep knowledge with a remarkable subtlety of interpretation, alive always to the desires, passions and longings that made dress so profoundly important to European culture in this period. Packed with vivid vignettes and stories - from the riches to rags of a German patrician in Brazil to the riddle of Luther's Reformation choice of a red doublet - this book shows how a global economy underpinned the transformation of fashion. A majorachievement, Rublack changes how we think about culture in the early modern world.'Lyndal Roper, University of Oxford'Rublack's wonderful new book on 'Dressing up' is both readable and compelling. While focused on Germany, she deals with fashion as a global phenomenon, exploring the many complexities that communities faced when deciding what to wear. Ranging across issues of identity, social control and cohesion, religious conflict and sumptuary laws, Rublack shows that clothing and fashion are serious and challenging topics that lead to often unexpected results.'Evelyn Welch, Queen Mary University of London, "Insightful and original analysis" -Times Literary Supplement "Remarkable... Rublack turns the wardrobe into a place of almost magical powers of revelation, opening up vistas into the imaginative and emotional lives of men and women in Renaissance Europe. And with more than 150 magnificent colour illustrations, this dazzling book is as much a feast for the eye as for the mind." - John Adamson,The Sunday Telegraph "A thrilling investigation... hugely accomplished... What is really stunning... is the extraordinarily deft way in which [Rublack] has stitched together all these fragments, selvedges and even stray threads. The result is a narrative quilt that doesn't simply shimmer with surface detail but dazzles with its deep, original thought." - Kathryn Hughes,The Guardian "Impressive and superbly illustrated... The technical expertise, breadth of research and wide-ranging knowledge of the cultural context of clothes besides the fascinating details and stories, means that this will make a lasting contribution to early modern studies." - Roland H. Bainton Prize Committee "A highly original and important reinterpretation of this era...gloriously illustrated with 156 images...this volume delights the eye and the mind. It is an important contribution at every level." - Beverly Lemire,Historical Journal "In its wide range of sources and diverse kinds of images,Dressing Uppowerfully demonstrates the significance of clothing for Renaissance culture in general, and in detail." - Ann Rosalind Jones,Renaissance Quarterly "Viewing dress codes as cultural codes, and arguments about clothes as arguments about values, Ulinka Rublack shows us in this lively and fascinating essay how the history of costume forms part of cultural history." - Peter Burke, University of Cambridge "This stunning book transforms the way we understand clothes and the concern for appearance in Germany and Europe more generally in the sixteenth and seventeenth centuries. Garments and their wearers take us into the changing realms of personal play, religious argument, national identity, and curiosity. Richly illustrated and deeply researched,Dressing Upprovides an exciting new mirror for early modern times." - Natalie Zemon Davis, University of Toronto "Rublack combines deep knowledge with a remarkable subtlety of interpretation, alive always to the desires, passions and longings that made dress so profoundly important to European culture in this period. Packed with vivid vignettes and stories - from the riches to rags of a German patrician in Brazil to the riddle of Luther's Reformation choice of a red doublet - this book shows how a global economy underpinned the transformation of fashion. A major achievement, Rublack changes how we think about culture in the early modern world." - Lyndal Roper, University of Oxford "Rublack's wonderful new book on 'Dressing up' is both readable and compelling. While focused on Germany, she deals with fashion as a global phenomenon, exploring the many complexities that communities faced when deciding what to wear. Ranging across issues of identity, social control and cohesion, religious conflict and sumptuary laws, Rublack shows that clothing and fashion are serious and challenging topics that lead to often unexpected results." - Evelyn Welch, Queen Mary University of London
Table of Content
Prologue1. Introduction2. Looking at the Self3. The Look of Religion4. Nationhood5. Looking at Others6. Clothes and Consumers7. Bourgeios Taste and Emotional StylesEpilogue: An Old Regime of Dress?NotesSelect BibiliographyIndex, Prologue1: Introduction2: Looking at the Self3: The Look of Religion4: Nationhood5: Looking at Others6: Clothes and Consumers7: Bourgeios Taste and Emotional StylesEpilogue: An Old Regime of Dress?NotesSelect BibiliographyIndex
Copyright Date
2011
Topic
Fashion & Accessories, Europe / Renaissance, Europe / General, Customs & Traditions, History / Renaissance
Lccn
2010-933148
Dewey Decimal
391.00940903
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
Genre
Design, Art, History, Social Science
Opis przedmiotu podany przez sprzedawcę
Informacje o firmie
Goodwill Industries of Orange County
Ted Mollenkramer
410 N Fairview St
92703 Santa Ana, CA
United States
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Nr przedmiotu eBay: 355449136653
Ostatnia aktualizacja: 04-05-2024 12:29:30 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
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| Wysyłka i obsługa | Do | Usługa | Dostawa*Zobacz uwagi o dostawie |
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| Bezpłatna wysyłka | Stany Zjednoczone | Standard Shipping | Szacowana między Cz, 9 maj a Pn, 13 maj do 43230 |
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