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Od adaptacji filmowej do adaptacji postcelluloidowej: przemyślenie przejścia...–
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Parametry przedmiotu
- Stan
- Book Title
- From Film Adaptation to Post-Celluloid Adaptation : Rethinking th
- ISBN
- 9781441103802
- Subject Area
- Performing Arts, Social Science
- Publication Name
- From Film Adaptation to Post-Celluloid Adaptation : Rethinking the Transition of Popular Narratives and Characters Across Old and New Media
- Publisher
- Bloomsbury Academic & Professional
- Item Length
- 9 in
- Subject
- Film / General, Media Studies, Film / History & Criticism
- Publication Year
- 2010
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 15.2 Oz
- Item Width
- 6 in
- Number of Pages
- 176 Pages
O tym produkcie
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
1441103805
ISBN-13
9781441103802
eBay Product ID (ePID)
84518757
Product Key Features
Number of Pages
176 Pages
Publication Name
From Film Adaptation to Post-Celluloid Adaptation : Rethinking the Transition of Popular Narratives and Characters Across Old and New Media
Language
English
Subject
Film / General, Media Studies, Film / History & Criticism
Publication Year
2010
Type
Textbook
Subject Area
Performing Arts, Social Science
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
15.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2010-006797
Dewey Edition
22
Reviews
This challenging and energetic book places adaptation studies in a new media context and in the process offers us a model for interrogating the post-celluloid adaptation. This book revisits the thorny question of the limits of adaptation with subtlety and sophistication and offers compelling readings of some of the most commercially successful and popular film adaptations of recent times, strengthened by a firm grasp of contemporary industry processes and an intelligent investigation of new media paradigms. It will be a significant contribution to the field.
Illustrated
Yes
Dewey Decimal
791.43/6
Table Of Content
Introduction 1. Towards the Intertextual Dialogism Approach 2. Towards Post-celluloid Adaptation 3. From the Pre-diction of Crime to the Pre-vision of Screenless Media: Spielberg's Adaptation of Philip K. Dick's The Minority Report 4. Adapting the Literature of the Double: Manifestations of Cinematic Forms in Fight Club and Enduring Love 5. Bullet-time, Blood Spraying Time, and the Adaptation of the Graphic Novel 6. From Shadows to Excess: New Media Hollywood and the Digitizing of Gothic Monsters in Van Helsing 7. Puppet Kong vs. Synthetic Kong: Peter Jackson's King Kong as Post-celluloid Adaptation Conclusion Bibliography Index
Synopsis
Discusses emerging modes of film adaptation, focusing on the computer-generated reconstructions of popular narratives and characters with other forms of convergence such as the Internet. >, The main corpus of film adaptation thus far has focused on films based on canonical literature. From Film Adaptation to Post-Celluloid Adaptation takes the next logical step by discussing the emerging modes of film adaptation from older media to new, mainly focusing on the computer-generated reconstructions of popular narratives and characters along with other forms of convergence such as the Internet. While 'New Media' is a broad concept, the book will concentrate on the ways digital technology is being used in the encoding of films and discuss the ways this shift can be debated from a theoretical perspective. Though the discussion is framed through the 'new media' lens, the work will not exclude a broader understanding of New Media which refers to video games, official websites and interactivity so as to examine how the visual style of contemporary films is dispersed across, and influenced by, other media. Discussing films like Minority Report , King Kong , 300 and Wanted in relation to Film Adaptation theory, the work aims to challenge and rework the definition of adaptation. >, The main corpus of film adaptation thus far has focused on films based on canonical literature. From Film Adaptation to Post-Celluloid Adaptation takes the next logical step by discussing the emerging modes of film adaptation from older media to new, mainly focusing on the computer-generated reconstructions of popular narratives an haracters along with other forms of convergence such as the Internet. While New Media is a broa oncept, the book will concentrate on the ways digital technology is being used in the encoding of films and discuss the ways this shift can be debated from a theoretical perspective. Though the discussion is framed through the new media lens, the work will not exclude a broader understanding of New Media which refers to video games, official websites and interactivity so as to examine how the visual style of contemporary films is dispersed across, and influenced by, other media. Discussing films like Minority Report, King Kong, 300 and Wanted in relation to Film Adaptation theory, the work aims to challenge and rework the definition of adaptation., The main corpus of film adaptation thus far has focused on films based on canonical literature. From Film Adaptation to Post-Celluloid Adaptation takes the next logical step by discussing the emerging modes of film adaptation from older media to new, mainly focusing on the computer-generated reconstructions of popular narratives and characters along with other forms of convergence such as the Internet. While 'New Media' is a broad concept, the book will concentrate on the ways digital technology is being used in the encoding of films and discuss the ways this shift can be debated from a theoretical perspective. Though the discussion is framed through the 'new media' lens, the work will not exclude a broader understanding of New Media which refers to video games, official websites and interactivity so as to examine how the visual style of contemporary films is dispersed across, and influenced by, other media. Discussing films like Minority Report, King Kong, 300 and Wanted in relation to Film Adaptation theory, the work aims to challenge and rework the definition of adaptation.
LC Classification Number
PN1997.85C66 2010
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