Zdjęcie 1 z 1
Forms of the Affects, Paperback by Brinkema, Eugenie, Like New Used, Free shi...
Stan:
Dostępne: 2
Wysyłka:
Znajduje się w: Jessup, Maryland, Stany Zjednoczone
Dostawa:
Szacowana między So, 29 cze a Cz, 11 lip do 43230
Zwroty:
Zwrot w ciągu 14 dni. Za wysyłkę zwrotną płaci kupujący. Zobacz szczegóły- aby uzyskać więcej informacji dotyczących zwrotów
Płatności:
Kupuj bez obaw
Informacje o sprzedawcy
- 96,8% opinii pozytywnych
Zarejestrowany jako sprzedawca-firma
Sprzedawca ponosi pełną odpowiedzialność za wystawienie tej oferty sprzedaży.
Nr przedmiotu eBay: 363601496564
Ostatnia aktualizacja: 13-06-2024 20:05:22 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Forms of the Affects
- ISBN
- 9780822356561
- Subject Area
- Literary Criticism, Philosophy, Performing Arts, Psychology
- Publication Name
- Forms of the Affects
- Publisher
- Duke University Press
- Item Length
- 8.9 in
- Subject
- General, Semiotics & Theory, Movements / Critical Theory, Film / History & Criticism
- Publication Year
- 2014
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.8 in
- Item Weight
- 17.6 Oz
- Item Width
- 6 in
- Number of Pages
- 368 Pages
O tym produkcie
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822356562
ISBN-13
9780822356561
eBay Product ID (ePID)
172084036
Product Key Features
Number of Pages
368 Pages
Publication Name
Forms of the Affects
Language
English
Subject
General, Semiotics & Theory, Movements / Critical Theory, Film / History & Criticism
Publication Year
2014
Type
Textbook
Subject Area
Literary Criticism, Philosophy, Performing Arts, Psychology
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
17.6 Oz
Item Length
8.9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2013-037965
Reviews
" The Forms of the Affects makes an important intervention into what has been described as the 'affective turn,' asking what 'formal affect' involves, or, put another way, what remains of affect if it is not thought through the lens of the subject. As she traces, with humor and verve, the ways philosophers have thought about sympathy, pathos, moral sentiment, crying, disgust, grief, loss, anxiety, and failure, Eugenie Brinkema repeatedly considers what it means to consider these experiences as visual problems. Through close readings of an impressive range of texts drawn from film, poetry, and experimental music, and spanning ancient to modern periods, the book explores the aesthetic forms that affect produces, and how reading affect for form pushes us to rethink the nature of formalism itself."-- Karen Beckman , author of Animating Film Theory, Eugenie Brinkema's The Forms of the Affects is overflowing with words that splice subjects together in numerous, thrilling combinations. . . .Brinkema's use of language... brilliantly materialises the book's central thesis., "The Forms of the Affects is an extraordinary book, brilliant, audacious, and breathtakingly original. I know of nothing else like it in film studies, or anywhere in theoretically-inspired critical writing across the humanities for that matter. It enters into some of the most vital and contentious debates in contemporary film theory and film studies; but it does this in an unprecedented way, giving surprising new answers where there have long been deadlocks. Eugenie Brinkema does not take sides in current disputes about the affective, cognitive, and formal dimensions of cinema; rather, she invents a new 'side' of her own."--Steven Shaviro, author of Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics "The Forms of the Affects makes an important intervention into what has been described as the 'affective turn,' asking what 'formal affect' involves, or, put another way, what remains of affect if it is not thought through the lens of the subject. As she traces, with humor and verve, the ways philosophers have thought about sympathy, pathos, moral sentiment, crying, disgust, grief, loss, anxiety, and failure, Eugenie Brinkema repeatedly considers what it means to consider these experiences as visual problems. Through close readings of an impressive range of texts drawn from film, poetry, and experimental music, and spanning ancient to modern periods, the book explores the aesthetic forms that affect produces, and how reading affect for form pushes us to rethink the nature of formalism itself."--Karen Beckman, author of Animating Film Theory, To anyone interested in questions of form and affect, this important book is sure to generate discussion for some time to come.... Reading this book is, dare I say it, an exhilaratingly affective experience., [Brinkema's] first book restores affect as a theoretical site of limitless possibility rather than the term of interpretive foreclosure it has largely become. The Forms of the Affects is a tantalizingly ambitious contribution to affect theory that may even prove sui generis as affective film studies turns over a new leaf of close reading., [A] bold corrective to affect scholarship in film studies . . . as challenging theoretically as it is delightful and useful formally. It models freedom and ingenuity in its extraction of form out of intellectual history on emotions, etymology, and even culinary knowledge, and in its patient and playful reading of film., The Forms of the Affects is a beautifully written, complex text that weaves together visual and temporal forms drawn from film and literature with the affects grief, disgust, anxiety and joy., " The Forms of the Affects is an extraordinary book, brilliant, audacious, and breathtakingly original. I know of nothing else like it in film studies, or anywhere in theoretically inspired critical writing across the humanities for that matter. It enters into some of the most vital and contentious debates in contemporary film theory and film studies; but it does this in an unprecedented way, giving surprising new answers where there have long been deadlocks. Eugenie Brinkema does not take sides in current disputes about the affective, cognitive, and formal dimensions of cinema; rather, she invents a new 'side' of her own."-- Steven Shaviro , author of Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics, The Forms of the Affects makes an important intervention into what has been described as the 'affective turn,' asking what 'formal affect' involves, or, put another way, what remains of affect if it is not thought through the lens of the subject. As she traces, with humor and verve, the ways philosophers have thought about sympathy, pathos, moral sentiment, crying, disgust, grief, loss, anxiety, and failure, Eugenie Brinkema repeatedly considers what it means to consider these experiences as visual problems. Through close readings of an impressive range of texts drawn from film, poetry, and experimental music, and spanning ancient to modern periods, the book explores the aesthetic forms that affect produces, and how reading affect for form pushes us to rethink the nature of formalism itself., "Eugenie Brinkema's The Forms of the Affects is an innovative book that will surely be of great interest to scholars of affect and film studies in particular, but the possibilities for her method will also be useful to those in visual studies, literary, feminist, and queer theory, philosophy, and cultural studies more broadly." , The Forms of the Affects is an extraordinary book, brilliant, audacious, and breathtakingly original. I know of nothing else like it in film studies, or anywhere in theoretically inspired critical writing across the humanities for that matter. It enters into some of the most vital and contentious debates in contemporary film theory and film studies; but it does this in an unprecedented way, giving surprising new answers where there have long been deadlocks. Eugenie Brinkema does not take sides in current disputes about the affective, cognitive, and formal dimensions of cinema; rather, she invents a new 'side' of her own., " The Forms of the Affects is an extraordinary book, brilliant, audacious, and breathtakingly original. I know of nothing else like it in film studies, or anywhere in theoretically-inspired critical writing across the humanities for that matter. It enters into some of the most vital and contentious debates in contemporary film theory and film studies; but it does this in an unprecedented way, giving surprising new answers where there have long been deadlocks. Eugenie Brinkema does not take sides in current disputes about the affective, cognitive, and formal dimensions of cinema; rather, she invents a new 'side' of her own."-- Steven Shaviro , author of Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.43015
Table Of Content
Preface. Ten Points to Begin xi 1. A Tear That Does Not Drop, But Folds 2. Film Theory's Absent Center Interval. Solitude 3. The Illumination of Light 4. Grief and the Undialectical Image 5. Aesthetic Exclusions and the Worse than the Worst 6. Disgust and the Cinema of Haut Goût Interlude. Formalism and Affectivity 7. Intermittency, Embarrassment, Dismay 8. Nothing/Will Have Taken Place/But the Place: Open Water Anxiety 9. To Begin Again: The Ingression of Joyful Forms Acknowledgments Notes Bibliography Index
Synopsis
What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form., What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, S ren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form.
LC Classification Number
PN1995.B75 2014
Copyright Date
2014
ebay_catalog_id
4
Opis przedmiotu podany przez sprzedawcę
Informacje o firmie
Expert Trading Limited
John Boyer
9220 Rumsey Rd
Ste 101
21045-1956 Columbia, MD
United States
Oświadczam, że wszystkie moje działania związane ze sprzedażą będą zgodne z wszystkimi przepisami i regulacjami UE.
Sprzedawca ponosi pełną odpowiedzialność za wystawienie tej oferty sprzedaży.
Nr przedmiotu eBay: 363601496564
Ostatnia aktualizacja: 13-06-2024 20:05:22 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Wysyłka i obsługa
Lokalizacja przedmiotu:
Jessup, Maryland, Stany Zjednoczone
Wysyłka do:
Albania, Ameryki, Anguilla, Argentyna, Australia, Austria, Belgia, Bośnia i Hercegowina, Burundi, Chile, Chiny, Chorwacja, Cypr, Czechy, Dania, Demokratyczna Republika Konga, Dominikana, Dżibuti, Egipt, Erytrea, Estonia, Europa, Filipiny, Finlandia, Gabon, Gambia, Ghana, Grecja, Grenada, Gwinea, Gwinea Bissau, Gwinea Równikowa, Haiti, Hiszpania, Holandia, Hongkong, Indie, Indonezja, Irlandia, Islandia, Izrael, Japonia, Kajmany, Kanada, Katar, Kiribati, Kolumbia, Kongo, Korea Południowa, Kostaryka, Kuwejt, Liberia, Litwa, Luksemburg, Makau, Malezja, Mali, Malta, Mauretania, Meksyk, Montserrat, Niemcy, Niger, Norwegia, Nowa Zelandia, Pakistan, Papua-Nowa Gwinea, Paragwaj, Peru, Polska, Portugalia, Południowa Afryka, Republika Zielonego Przylądka, Republika Środkowoafrykańska, Rumunia, Saint Kitts i Nevis, Saint Lucia, Samoa Zachodnie, San Marino, Serbia, Sri Lanka, Surinam, Szwajcaria, Szwecja, Słowacja, Słowenia, Tajlandia, Tajwan, Tanzania, Togo, Tonga, Turks i Caicos, Wallis i Futuna, Watykan, Wielka Brytania, Wybrzeże Kości Słoniowej, Wyspy Salomona, Węgry, Włochy, Zjednoczone Emiraty Arabskie, Łotwa
Wykluczenia:
APO/FPO, Afganistan, Algieria, Andora, Angola, Antigua i Barbuda, Arabia Saudyjska, Armenia, Aruba, Azerbejdżan, Bahamy, Bahrajn, Bangladesz, Barbados, Belize, Benin, Bermudy, Bhutan, Boliwia, Botswana, Brazylia, Brunei, Burkina Faso, Bułgaria, Czad, Czarnogóra, Ekwador, Eswatini, Etiopia, Falklandy (Malwiny), Fidżi, Francja, Gibraltar, Grenlandia, Gruzja, Guernsey, Gujana, Gujana Francuska, Gwadelupa, Gwatemala, Honduras, Irak, Jamajka, Jemen, Jordania, Kambodża, Kamerun, Kazachstan, Kenia, Kirgistan, Laos, Lesotho, Liban, Libia, Liechtenstein, Macedonia Północna, Madagaskar, Malawi, Malediwy, Maroko, Martynika, Mauritius, Mikronezja, Monako, Mongolia, Mozambik, Mołdawia, Namibia, Nauru, Nepal, Nigeria, Nikaragua, Nowa Kaledonia, Oman, Panama, Polinezja Francuska, Protektoraty USA, Reunion, Rosja, Rwanda, Saint Pierre i Miquelon, Saint Vincent i Grenadyny, Salwador, Samoa Amerykańskie, Senegal, Seszele, Sierra Leone, Singapur, Tadżykistan, Trynidad i Tobago, Tunezja, Turcja, Turkmenistan, Uganda, Ukraina, Urugwaj, Uzbekistan, Vanuatu, Wenezuela, Wietnam, Wyspy Marshalla, Zambia, Zimbabwe
Wysyłka i obsługa | Każdy dodatkowy przedmiot | Do | Usługa | Dostawa*Zobacz uwagi o dostawie |
---|---|---|---|---|
Bezpłatna wysyłka | Bezpłatnie | Stany Zjednoczone | Economy Shipping | Szacowana między So, 29 cze a Cz, 11 lip do 43230 |
Czas na wysłanie |
---|
Zwykle wysyłam przesyłkę w ciągu 5 dni roboczych po otrzymaniu rozliczonej płatności. |
Podatki |
---|
Sprzedawca nalicza podatek od sprzedaży w |
Podatek od sprzedaży dla przedmiotu nr 363601496564
Podatek od sprzedaży dla przedmiotu nr 363601496564
Sprzedawca nalicza podatek od sprzedaży dla przedmiotów wysyłanych do następujących stanów:
Stan | Stawka podatku od sprzedaży |
---|
Warunki zwrotów
Po otrzymaniu przedmiotu skontaktuj się ze sprzedawcą w ciągu | Zwrot pieniędzy zostanie dokonany jako | Wysyłka zwrotna |
---|---|---|
14 dni | Zwrot gotówki | Za wysyłkę zwrotną płaci kupujący |
Kupujący jest odpowiedzialny za opłacenie kosztów wysyłki zwrotnej.
Szczegóły warunków zwrotów |
---|
Zwroty są przyjmowane |
Szczegóły dotyczące płatności
Formy płatności
Zarejestrowany jako sprzedawca-firma
Opinie sprzedawców (344 400)
n***e (1963)- Opinie wystawione przez kupującego.
Ostatni miesiąc
Zakup potwierdzony
EXCELLENT SELLER. A PLEASURE TO DEAL WITH.
e***8 (512)- Opinie wystawione przez kupującego.
Ostatni miesiąc
Zakup potwierdzony
As advertised, good communication!!
1***2 (250)- Opinie wystawione przez kupującego.
Ostatni miesiąc
Zakup potwierdzony
Had a great experience! It arrived quickly and in good shape. Very happy with a very rare book. Will keep seller in mind!
Very comprehensive volume 2 of a 3 volume set of mainly British railroad cranes.