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Trauma Culture: The Politics of Terror and Loss in Media and Literature: Used
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Ostatnia aktualizacja: 23-08-2024 14:05:00 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Trauma Culture: The Politics of Terror and Loss in Media and Lite
- Publication Date
- 2005-07-11
- Pages
- 208
- ISBN
- 9780813535913
- Subject Area
- Literary Criticism, Social Science
- Publication Name
- Trauma Culture : the Politics of Terror and Loss in Media and Literature
- Publisher
- Rutgers University Press
- Item Length
- 8.9 in
- Subject
- Media Studies, Modern / 20th Century
- Publication Year
- 2005
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5 in
- Item Weight
- 10.2 Oz
- Item Width
- 8.4 in
- Number of Pages
- 208 Pages
O tym produkcie
Product Identifiers
Publisher
Rutgers University Press
ISBN-10
0813535913
ISBN-13
9780813535913
eBay Product ID (ePID)
43759864
Product Key Features
Number of Pages
208 Pages
Language
English
Publication Name
Trauma Culture : the Politics of Terror and Loss in Media and Literature
Subject
Media Studies, Modern / 20th Century
Publication Year
2005
Type
Textbook
Subject Area
Literary Criticism, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
10.2 Oz
Item Length
8.9 in
Item Width
8.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2004-023482
Reviews
This book will have significant impact in film and media studies because Kaplan so skillfully 'translates' the most interesting work done in trauma studies and takes it in new and original directions. It is illuminating, lucid, and persuasive., This book will have significant impact in film and media studies because Kaplan so skillfully 'translates' the most interesting work done in trauma studies and takes it in new and original directions. It is illuminating, lucid, and persuasive. - Patrice Petro, author of Aftershocks of the New: Feminism and Film History, This book is an important, compelling, and timely contribution to trauma studies and film and media studies. It is an engaging read-a real page-turner-not only because of its conversational style and beautiful prose but also because it addresses some of the most complex psychological issues facing our culture today., Kaplan offers a rich yet concise discussion of trauma culture from objective and personal perspectives, without sacrificing scholarly rigor. Memory, mourning, testimony, and witnessing are key terms, but the book's special strength is Kaplan's expert discussion of film and the media and the ways in which they position spectators. A first-rate, sophisticated introduction to the field. Highly recommended.
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
791.43/6552
Table Of Content
Introduction : 9/11 and "disturbing remains" "Why trauma now?" : Freud and trauma studies Memory as testimony in World War II : Freud, Duras, and Kofman Melodrama and trauma : displacement in Hitchcock's Spellbound Vicarious trauma and "empty" empathy : media images of Rwanda and the Iraq War "Translating" trauma in postcolonial contexts : indigeneity on film The ethics of witnessing : Maya Deren and Tracey Moffatt Epilogue : "Wounded New York" : rebuilding and memorials to 9/11
Synopsis
In Trauma Culture , E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a compelling need to draw meaning from personal experience and to communicate what happens to others, she examines the artistic, literary, and cinematic forms that are often used to bridge the individual and collective experience. A number of case studies, including Sigmund Freud's Moses and Monotheism, Marguerite Duras' La Douleur, Sarah Kofman's Rue Ordener, Rue Labat, Alfred Hitchcock's Spellbound, and Tracey Moffatt's Night Cries, reveal how empathy can be fostered without the sensationalistic element that typifies the media., It may be said that every trauma is two traumas or ten thousand-depending on the number of people involved. How one experiences and reacts to an event is unique and depends largely on one's direct or indirect positioning, personal psychic history, and individual memories. But equally important to the experience of trauma are the broader political and cultural contexts within which a catastrophe takes place and how it is "managed" by institutional forces, including the media. In Trauma Culture , E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a compelling need to draw meaning from personal experience and to communicate what happens to others, she examines the artistic, literary, and cinematic forms that are often used to bridge the individual and collective experience. A number of case studies, including Sigmund Freud's Moses and Monotheism, Marguerite Duras' La Douleur, Sarah Kofman's Rue Ordener, Rue Labat, Alfred Hitchcock's Spellbound, and Tracey Moffatt's Night Cries, reveal how empathy can be fostered without the sensationalistic element that typifies the media. From World War II to 9/11, this passionate study eloquently navigates the contentious debates surrounding trauma theory and persuasively advocates the responsible sharing and translating of catastrophe.
LC Classification Number
PN1995
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