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Celluloidowe przedmioty dyrektorom cyfrowym: zmieniające się rdzenności i australijskie–
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Ostatnia aktualizacja: 08-09-2024 15:59:15 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Celluloid Subjects to Digital Directors: Changing Aboriginalities
- Publication Date
- 2020-04-28
- Pages
- 232
- ISBN
- 9781789974782
- Subject Area
- History
- Publication Name
- Celluloid Subjects to Digital Directors : Changing Aboriginalities and Australian Documentary Film, 1901-2017
- Publisher
- Lang A&G International Academic Publishers, Peter
- Item Length
- 9 in
- Subject
- Australia & New Zealand
- Publication Year
- 2020
- Series
- Documentary Film Cultures Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Features
- New Edition
- Item Weight
- 15.6 Oz
- Item Width
- 6 in
- Number of Pages
- 232 Pages
O tym produkcie
Product Identifiers
Publisher
Lang A&G International Academic Publishers, Peter
ISBN-10
178997478X
ISBN-13
9781789974782
eBay Product ID (ePID)
2321457079
Product Key Features
Number of Pages
232 Pages
Publication Name
Celluloid Subjects to Digital Directors : Changing Aboriginalities and Australian Documentary Film, 1901-2017
Language
English
Subject
Australia & New Zealand
Publication Year
2020
Features
New Edition
Type
Textbook
Subject Area
History
Series
Documentary Film Cultures Ser.
Format
Hardcover
Dimensions
Item Weight
15.6 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2019-039882
Reviews
«This book provides a welcome overview of an intensely important area of Australian cinema history, tracing developments which have affected real lives among our Indigenous peoples. Debenham's work is rich with information and insights, and is admirably accessible for both educational and general publics.» (Andrew Pike, Managing Director, Pike Films)
Dewey Edition
23
Series Volume Number
2
Illustrated
Yes
Dewey Decimal
791.436529915
Edition Description
New Edition
Table Of Content
CONTENTS: The Last of Their Kind: Aboriginal Life in Central Australia (1901) - Physical Traits: Life in Central Australia (1931) - Benign and Iconic: Aborigines of the Sea Coast (1950) - The «Last» of Their Kind, Again: Desert People (1967) - Not Dying Out Quietly: Warburton Aborigines (1957) - A Discomforting Assimilation: The Change At Groote (1968) - Challenging White Indifference: Ningla-A-Na (Hungry for Our Land) (1972) - Telling My Story My Way: My Survival As An Aboriginal (1978) - On Being Stolen: Lousy Little Sixpence (1983) - Picking Up the Broken Pieces: Link-Up Diary (1987) - Setting the Records Straight: Whispering in Our Hearts: The Mowla Bluff Massacre (2002) - The Sounds of Spaces Between: Willaberta Jack (2007) - Breaking the Drought at the Sydney Film Festival: We Don't Need a Map (2017), Occupation Native (2017), In My Own Words (2017) and Connecting to Country (2017).
Synopsis
How did Australia's Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age? What prompted these changes and how and when did this decolonisation of documentary film production occur? Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia. Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation., This book is based on a study of Australian documentary films produced by and about Aboriginal and Torres Strait Islanders since the early twentieth century. The book aims to expose the course of race relations in Australia in documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation.
LC Classification Number
PN1995.9.A835D43
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Opinie sprzedawców (473 552)
- o***e (3024)- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyfast, reliable service; book in better condition than expected (it seems the seller leans toward erring in favor of the buyer)
- 7***r (173)- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyGreat book of prayers in perfect condition. Thank you!
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