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Jak oszaleć bez utraty umysłu: szaleństwo i czarna radykalna kreatywność –
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Znajduje się w: Calgary, Alberta, Kanada
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Szacowana między Śr, 5 cze a Cz, 13 cze do 43230
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Ostatnia aktualizacja: 29-04-2024 22:23:53 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- ISBN-13
- 9781478010876
- Book Title
- How to Go Mad without Losing Your Mind
- ISBN
- 9781478010876
- Publication Name
- How to Go Mad Without Losing Your Mind : Madness and Black Radical Creativity
- Item Length
- 9in
- Publisher
- Duke University Press
- Series
- Black Outdoors: Innovations in the Poetics of Study Ser.
- Publication Year
- 2021
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.8in
- Item Width
- 6in
- Item Weight
- 17.6 Oz
- Number of Pages
- 360 Pages
O tym produkcie
Product Information
"Hold tight. The way to go mad without losing your mind is sometimes unruly." So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as "rage," and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls "mad methodology." Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.
Product Identifiers
Publisher
Duke University Press
ISBN-10
1478010878
ISBN-13
9781478010876
eBay Product ID (ePID)
18038665570
Product Key Features
Publication Name
How to Go Mad Without Losing Your Mind : Madness and Black Radical Creativity
Format
Trade Paperback
Language
English
Series
Black Outdoors: Innovations in the Poetics of Study Ser.
Publication Year
2021
Type
Textbook
Number of Pages
360 Pages
Dimensions
Item Length
9in
Item Height
0.8in
Item Width
6in
Item Weight
17.6 Oz
Additional Product Features
Lc Classification Number
Nx512.3.A35b78 2020
Reviews
A paradigm-shaping book for future scholarship around mental difference. Bruce's book not only helps announce the emergence of [mad studies] but significantly advances the analytic, cultural, historical, and theoretical sophistication of mad scholarship...As a result, How to Go Mad is a must-read for those of us engaged in the intersectional politics and scholarship of difference., With a Walt Whitman-style expansiveness, Bruce wraps his arms around a multitude of creative genres and Black artists and then pulls us into his project of 'radical compassion' with mad subjects. Bruce's writing is both critical and compelling, analytical and yet intimate. . . . How to Go Mad without Losing Your Mind invites readers to sit with madness for a while, to explore its radical liberatory potential, and to become mad methodologists with radical compassion. Hold tight. Let go. And let this book take you there., This melodic volume explores relationships between the surreal, impossible conditions (and conditions of impossibility) experienced by Black people and our radical, imaginative 'mad Black creativity.' Showing us 'lessons [we can] learn from those who make homeland in wasteland' as blueprints for freedom dreaming, Bruce picks apart the self-obscuring cultural and political forces that shape understandings of madness to disempower, disenfranchise, and control Black life and Being...It is ratchet. It is unruly. It is gorgeous., The sheer range of academic discourses that Bruce engages--from disability studies and psychoanalysis to affect theory and black studies--is impressive enough. What Bruce does within their intersections, however, is create a kind of poetics of black madness--a way of looking that is itself a way a making; or maybe it's the converse--a way of making that is itself a way of looking. . . I can't predict the future, but it's so obvious to me that scholars will long be grateful for Bruce's expansive imagination and the careful attention paid to radical black creativity in this wildly astute and socially and emotionally conscious work., Bruce articulates understandings of madness that encompass the lived experiences of Black, queer, and disabled people, putting forth a 'mad methodology' that capsizes dominant notions of social, political, economic normalcy, and ethics, and invites, for me, a new possibility of Afrofuturistic imagining. . . . [A] dynamic critical analysis of madcrazyBlackness that spans genre, medium, and epoch., How to Go Mad Without Losing Your Mind is a tour de force. This lyrical and profound work explores the intersection of race and derailment, or 'madness as methodology.' We know that the traumatic discordance of slavery's enduring legacy manifests as both private sorrow and public health emergency. Yet that unyielding stress is sometimes also the forge of a radical black creativity vividly exceeding the shapeshifting states of un-Reason into which raced and nonnormative bodies are too relentlessly imagined and compressed. La Marr Jurelle Bruce has given a gift in this powerful recontextualization of black creative 'madness' as liberatory demand for expressive life--to wit, an aesthetic practice by which, ultimately, 'what is stolen is returned, and what is unwritten is at last inscribed.', How to Go Mad is a love story, a potent reflection on a few of the many Black creative minds who have innovated art forms and fashioned the trajectory of history, while having their 'sanity' called into question by normative, white, anti-Black, anti-Mad audiences and institutions., This lyrical and profound tour de force explores the intersection of race and derailment, or 'madness as methodology.' We know that the traumatic discordance of slavery's enduring legacy manifests as both private sorrow and public health emergency. Yet that unyielding stress is sometimes also the forge of a radical black creativity vividly exceeding the shapeshifting states of un-Reason into which raced and nonnormative bodies are too relentlessly imagined and compressed. La Marr Jurelle Bruce has given a gift in this powerful recontextualization of black creative 'madness' as liberatory demand for expressive life--to wit, an aesthetic practice by which, ultimately, 'what is stolen is returned, and what is unwritten is at last inscribed.', Bruce's deft and thoughtful touch invites readers to dream loudly among a compendium of radical Black artists that few others would think about collectively. With subjects that range from early-twentieth-century jazz cornet player Buddy Bolden to contemporary rapper and composer Lauryn Hill (and many in between), Bruce's archive reflects the mindful mayhem at the center of his methodology. . . . Bruce's work closes with [this] imperative direction: 'Now let go.' But letting go of a book that feels both so present and so prescient may prove impossible., How to Go Mad will undoubtedly influence conversations in black studies, science and technology studies, disability studies, and other fields. It is a lyrical, nuanced model of how radical care produces new approaches beyond the rehearsal of pathology., One cannot read this work without also assembling its madness with the mad blue notes of Buddy Bolden, the crazy blues of Bessie Smith, the 'good at' madness of Ntozake Shange's Hyacinthe , the maddening black genius of Ms. Lauryn Hill, the unruly madness of Kanye West, or the 'mad real world' of Dave Chappelle. Bruce is not simply using these creative artists as case studies of madness dipped in black, but is presenting a terrain where the expanse of madness and blackness can only be read together--in this push and push, the fracture of Reason is revealed., In La Marr Jurelle Bruce's How to Go Mad Without Losing Your Mind , we find ourselves in a dance with the mad. . . . [The] book is an analysis of praxis, a snap, a click, a break, an opening, a closing, the middle, the beyond, the here, the now, the then, and the there., If we imagine Black studies to be a space of creativity where Black scholars break from disciplinary strictures and form, then this text is an exemplary practice...The writing is evocative and accessible for any of us who have felt searing rage and those whose waking hours are haunted by madness., Scholars will long be grateful for Bruce's expansive imagination and the careful attention paid to radical black creativity in this wildly astute and socially and emotionally conscious work.
Table of Content
Acknowledgments ix 1. Mad Is a Place 1 2. "He Blew His Brains Out through the Trumpet": Buddy Bolden and the Impossible Sound of Madness 36 Interlude. "No Wiggles in the Dark of Her Soul": Black Madness, Metaphor, and "Murder!" 71 3. The Blood-Stained Bed 79 4. A Portrait of the Artist as a Mad Black Woman 110 5. "The People inside My Head, Too": Ms. Lauryn Hill Sings Truth to Power in the Key of Madness 139 6. The Joker's Wild but That Nigga's Crazy: Dave Chappelle Laughs until It Hurts 172 7. Songs in Madtime: Black Music, Madness, and Metaphysical Syncopation 201 Afterword. The Nutty Professor (A Confession) 231 Notes 239 Bibliography 303 Index 333
Copyright Date
2020
Topic
American / African American, General, Genres & Styles / Jazz, Ethnic Studies / African American Studies
Lccn
2019-051658
Dewey Decimal
709.2396073
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Art, Literary Criticism, Music, Social Science
Opis przedmiotu podany przez sprzedawcę
Informacje o firmie
Premier Books LLC
David Taylor
26C Trolley Sq
19806-3356 Wilmington, DE
United States
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Nr przedmiotu eBay: 364492951888
Ostatnia aktualizacja: 29-04-2024 22:23:53 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
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Calgary, Alberta, Kanada
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Not a beginners book for banjo, more like a history/ information book