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Rysunek żelaznej kurtyny: Żydzi i złoty wiek sowieckiej animacji – Maya Ba

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Drawing the Iron Curtain: Jews and the Golden Age of Soviet Animation by Maya Ba
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Stan
Nowy: Nowa, nieczytana, nieużywana książka w idealnym stanie, wszystkie strony, bez uszkodzeń. Aby ...
ISBN-13
9780813576626
Book Title
Drawing the Iron Curtain
ISBN
9780813576626
Subject Area
Art, Performing Arts, Social Science, History
Publication Name
Drawing the Iron Curtain : Jews and the Golden Age of Soviet Animation
Publisher
Rutgers University Press
Item Length
10 in
Subject
Film / Genres / Animated, Animation (See Also Film / Genres / Animated), Film / History & Criticism, Film & Video, Jewish, Jewish Studies
Publication Year
2016
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.7 in
Author
Maya Balakirsky Katz
Item Weight
20.2 Oz
Item Width
7 in
Number of Pages
304 Pages

O tym produkcie

Product Identifiers

Publisher
Rutgers University Press
ISBN-10
0813576628
ISBN-13
9780813576626
eBay Product ID (ePID)
219215822

Product Key Features

Number of Pages
304 Pages
Publication Name
Drawing the Iron Curtain : Jews and the Golden Age of Soviet Animation
Language
English
Subject
Film / Genres / Animated, Animation (See Also Film / Genres / Animated), Film / History & Criticism, Film & Video, Jewish, Jewish Studies
Publication Year
2016
Type
Textbook
Subject Area
Art, Performing Arts, Social Science, History
Author
Maya Balakirsky Katz
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
20.2 Oz
Item Length
10 in
Item Width
7 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2015-024452
Reviews
"A Beast of Unknown Origins: May Day: The surprising Jewish origins of the animated character who taught a generation of Soviet children to be good communists" by Maya Balakirsky Katz, "Maya Balakirsky Katz's new book is a welcome addition to Soviet animation studies" "This book contains a significant amount of useful information, and I would ultimately recommend it... to all scholars of Soviet cinema and culture, and to all academic libraries with holdings in Russian and Soviet culture", Katz has written a very important book exploring an area of popular significance but little scholarly attention., "From Dishes to Spyware,Quirky Mementos of Soviet Dominion" - Eve M. Kahn on the recent surge of interest in East-Bloc mementos, including  Drawing the Iron Curtain , "A superbly researched treatise that will be of keen interest to readers of Soviet history, Jewish studies, and film history. Students of animation will take particular delight in the detailed explorations of Yuri Norstein's famous film Tale of Tales and of Cheburashka, the phenomenally popular character also known as the Soviet Mickey Mouse." - Library Journal, A superbly researched treatise that will be of keen interest to readers of Soviet history, Jewish studies, and film history. Students of animation will take particular delight in the detailed explorations of Yuri Norstein's famous film Tale of Tales and of Cheburashka, the phenomenally popular character also known as the Soviet Mickey Mouse., A superbly researched treatise that will be of keen interest to readers of Soviet history, Jewish studies, and film history. Students of animation will take particular delight in the detailed explorations of Yuri Norstein's famous film Tale of Tales and of Cheburashka, the phenomenally popular character also known as the Soviet Mickey Mouse., "A noteworthy contribution to such disparate fields as animation history, Soviet cultural history, and Jewish studies, the author's primary disciplinary affiliation"., Drawing the Iron Curtain is an important contribution to Jewish studies, animation studies, and Russian studies, "From Dishes to Spyware,Quirky Mementos of Soviet Dominion" - Eve M. Kahn on the recent surge of interest in East-Bloc mementos, including Drawing the Iron Curtain
Dewey Edition
23
Grade From
Eleventh Grade
Illustrated
Yes
Dewey Decimal
791.43/34
Table Of Content
List of Illustrations Acknowledgments Note on Transliteration and Translation Introduction: Puppeteering a Self in the Soviet Union 1 Behind the Scenes: Jews and the Studio System, 1919-1989 2 Black and White: Race in Soviet Animation 3 The Brumberg Sisters: The Fairy Grandmothers of Soviet Animation 4 Big City Jews: Setting and Censoring the Modern Fairytale 5 Tropical Russian Bears: Cheburashka's Jewish Roots 6 The Pioneer's Violin: Animating the Soviet Holocaust 7 Cartoon Cosmopolitans: Drawing Jews into Soviet Culture 8 Tale of Tales: The Rise of the Jewish Auteur Director Conclusion: Tell-Tale Signs and Soviet Jewish Animation Notes Glossary Filmography Index
Synopsis
In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including animation. Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Art historian Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm brought together Jewish creative personnel from every corner of the Soviet Union and served as an unlikely haven for dissidents who were banned from working in other industries. Surveying a wide range of Soviet animation produced between 1919 and 1989, from cutting-edge art films like Tale of Tales to cartoons featuring ?Soviet Mickey Mouse? Cheburashka, she finds that these works played a key role in articulating a cosmopolitan sensibility and a multicultural vision for the Soviet Union. Furthermore, she considers how Jewish filmmakers used animation to depict distinctive elements of their heritage and ethnic identity, whether producing films about the Holocaust or using fellow Jews as models for character drawings. Providing a copiously illustrated introduction to many of Soyuzmultfilm?s key artistic achievements, while revealing the tumultuous social and political conditions in which these films were produced, Drawing the Iron Curtain has something to offer animation fans and students of Cold War history alike., In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including animation. Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Art historian Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm brought together Jewish creative personnel from every corner of the Soviet Union and served as an unlikely haven for dissidents who were banned from working in other industries. Surveying a wide range of Soviet animation produced between 1919 and 1989, from cutting-edge art films like Tale of Tales to cartoons featuring "Soviet Mickey Mouse" Cheburashka, she finds that these works played a key role in articulating a cosmopolitan sensibility and a multicultural vision for the Soviet Union. Furthermore, she considers how Jewish filmmakers used animation to depict distinctive elements of their heritage and ethnic identity, whether producing films about the Holocaust or using fellow Jews as models for character drawings. Providing a copiously illustrated introduction to many of Soyuzmultfilm's key artistic achievements, while revealing the tumultuous social and political conditions in which these films were produced, Drawing the Iron Curtain has something to offer animation fans and students of Cold War history alike., Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm served as an unlikely haven for political dissidents and brought together Jewish creative personnel from across the land. These artists used the studio to depict distinctive elements of their heritage and ethnic identity, while articulating a cosmopolitan sensibility and a multicultural vision for the Soviet Union.
LC Classification Number
PN1993

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