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Hiplife w Ghanie : Zachodnioafrykańskie indygenizacja hip-hopu, twarda okładka Osuma...–
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Parametry przedmiotu
- Stan
- Book Title
- Hiplife in Ghana : West African Indigenization of Hip-Hop
- ISBN
- 9781137021649
- Subject Area
- Music, Art
- Publication Name
- Hiplife in Ghana : the West African Indigenization of Hip-Hop
- Publisher
- Palgrave Macmillan
- Item Length
- 8.5 in
- Subject
- Genres & Styles / Rap & Hip Hop, History & Criticism, General, Ethnic
- Publication Year
- 2012
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 14.8 Oz
- Item Width
- 5.5 in
- Number of Pages
- Xii, 219 Pages
O tym produkcie
Product Identifiers
Publisher
Palgrave Macmillan
ISBN-10
1137021640
ISBN-13
9781137021649
eBay Product ID (ePID)
114200229
Product Key Features
Number of Pages
Xii, 219 Pages
Publication Name
Hiplife in Ghana : the West African Indigenization of Hip-Hop
Language
English
Subject
Genres & Styles / Rap & Hip Hop, History & Criticism, General, Ethnic
Publication Year
2012
Type
Textbook
Subject Area
Music, Art
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
14.8 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
TitleLeading
The
Dewey Edition
23
Reviews
"An eye-opening and paradigm-shifting look into cross cultural music creation within a diaspora." - Black Grooves "This book is an excellent and painstaking review of the circumstances that led to the adoption of this musical genre and its subsequent transformations . . . I have no doubt that readers will find Osumare's theoretical observations, thoughts and critical comments on her field materials and those related to the operation of multinationals, etc. equally interesting and thought-provoking." - J. H. Kwabena Nketia, Emeritus Professor and founding director of School of Performing Arts, University of Ghana "Halifu Osumare has written a rich account of hiplife music in Ghana through a prism of what she has termed the 'arc of mutual inspiration,' and beautifully provides the reader with a picture of the intricate connections between highlife, US hip-hop, late capitalism, youth agency, and local cultural practices. In this regard hiplife is not only a window into a local music style mobilized by youth in Ghana but a medium through which dominant ideologies and global structural forces are simultaneously complied with and resisted by those mostly affected by the challenges and opportunities of economic and political processes of the twenty-first century." - Mwenda Ntarangwi, author of East African Hip Hop: Youth Culture and Globalization "This book is very in-depth filla! I really missed my Pops talking 'bout him and my life! History in print . . . again. But, this book is probably the best summary explaining this Ghana phenom called hiplife and the only biographical account of my relationship with family, country, and hip hop." - Reggie Rockstone, founder and "godfather" of hiplife music
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
306.484249
Table Of Content
Every Hood Has It's Own Style' 'Making an African out of the Computer': Globalization and Indigenization in Hiplife 'Empowering the Young': Hiplife's Youth Agency 'Society of the Spectacle': Hiplife and Corporate Recolonialization 'The Game': Hiplife's Counter-Hegemonic Discourse
Synopsis
The Hiplife in Ghana explores one international site, Ghana, West Africa, where hip-hop music and culture has morphed over two decades into a whole new form of world music called hiplife. It investigates hiplife music not merely as an imitation and adaptation of hip-hop, but as a revision of Ghana's own century-old popular music called highlife. Local hiplife artists have evolved a five-phased indigenization process that has facilitated a dynamic youth agency transforming Ghanaian society. However these social shifts, facilitated by hiplife, have occurred within Ghana's corporate recolonization, serving as another example of neoliberalism's global free market agenda that has become a new form of colonialism. The text examines hiplife artists' complicity with these socio-economic forces, while also creating counter-hegemonic projects that challenge this socio-economic context and push aesthetics limits at the same time., The Hiplife in Ghana explores one international site - Ghana, West Africa - where hip-hop music and culture have morphed over two decades into the hiplife genre of world music. It investigates hiplife music not merely as an imitation and adaptation of hip-hop, but as a reinvention of Ghana's century-old highlife popular music tradition. Author Halifu Osumare traces the process by which local hiplife artists have evolved a five-phased indigenization process that has facilitated a youth-driven transformation of Ghanaian society. She also reveals how Ghana's social shifts, facilitated by hiplife, have occurred within the country's 'corporate recolonization, ' serving as another example of the neoliberal free market agenda as a new form of colonialism. Hiplife artists, we discover, are complicit with these global socio-economic forces even as they create counter-narratives that push aesthetic limits and challenge the neoliberal order, The Hiplife in Ghana explores one international site - Ghana, West Africa - where hip-hop music and culture have morphed over two decades into the hiplife genre of world music. It investigates hiplife music not merely as an imitation and adaptation of hip-hop, but as a reinvention of Ghana's century-old highlife popular music tradition. Author Halifu Osumare traces the process by which local hiplife artists have evolved a five-phased indigenization process that has facilitated a youth-driven transformation of Ghanaian society. She also reveals how Ghana's social shifts, facilitated by hiplife, have occurred within the country's 'corporate recolonization,' serving as another example of the neoliberal free market agenda as a new form of colonialism. Hiplife artists, we discover, are complicit with these global socio-economic forces even as they create counter-narratives that push aesthetic limits and challenge the neoliberal order.
LC Classification Number
GN643-661
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Informacje o firmie
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Opinie sprzedawców (353 429)
- n***g (1039)- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyfast shipping...thanks!
- e***n (88)- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyGreat book. Thank you. Arrived earlier than expected.
- d***h (755)- Opinie wystawione przez kupującego.Ostatni miesiącZakup potwierdzonyGreat transaction & fast shipping!