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We Tell Ourselves Stories in Order to Live: Collected Nonfiction (Everyman's ...
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Parametry przedmiotu

Stan
Bardzo dobry: Książka była czytana i nie wygląda jak nowa, ale jest nadal w doskonałym stanie. ...
ISBN
0307264874
ISBN10
0307264874
ISBN13
9780307264879
EAN
9780307264879
MPN
does not apply
Brand
Everyman's Library
GTIN
09780307264879
Book Title
We Tell Ourselves Stories in Order to Live : Collected Nonfiction; Introduction by John Leonard
Item Length
8.3in
Publisher
Knopf Doubleday Publishing Group
Publication Year
2006
Format
Hardcover
Language
English
Item Height
2in
Author
Joan Didion
Genre
Literary Criticism, Language Arts & Disciplines, Literary Collections
Topic
Women Authors, General, Journalism, Essays
Item Width
5.4in
Item Weight
34.9 Oz
Number of Pages
1160 Pages

O tym produkcie

Product Information

From the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean, this collection includes seven books in one volume: the full texts of Slouching Towards Bethlehem; The White Album; Salvador; Miami; After Henry; Political Fictions; and Where I Was From. As featured in the Netflix documentary Joan Didion: The Center Will Not Hold. Joan Didion's incomparable and distinctive essays and journalism are admired for their acute, incisive observations and their spare, elegant style. Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection. Slouching Towards Bethlehem captures the counterculture of the sixties, its mood and lifestyle, as symbolized by California, Joan Baez, Haight-Ashbury. The White Album covers the revolutionary politics and the "contemporary wasteland" of the late sixties and early seventies, in pieces on the Manson family, the Black Panthers, and Hollywood. Salvador is a riveting look at the social and political landscape of civil war. Miami exposes the secret role this largely Latin city played in the Cold War, from the Bay of Pigs through Watergate. In After Henry Didion reports on the Reagans, Patty Hearst, and the Central Park jogger case. The eight essays in Political Fictions -on censorship in the media, Gingrich, Clinton, Starr, and "compassionate conservatism," among others-show us how we got to the political scene of today. And in Where I Was From Didion shows that California was never the land of the golden dream.

Product Identifiers

Publisher
Knopf Doubleday Publishing Group
ISBN-10
0307264874
ISBN-13
9780307264879
eBay Product ID (ePID)
52318221

Product Key Features

Book Title
We Tell Ourselves Stories in Order to Live : Collected Nonfiction; Introduction by John Leonard
Author
Joan Didion
Format
Hardcover
Language
English
Topic
Women Authors, General, Journalism, Essays
Publication Year
2006
Genre
Literary Criticism, Language Arts & Disciplines, Literary Collections
Number of Pages
1160 Pages

Dimensions

Item Length
8.3in
Item Height
2in
Item Width
5.4in
Item Weight
34.9 Oz

Additional Product Features

Lc Classification Number
Ps3554.I33w3 2006
Reviews
"[Didion's is] one of the most recognizable-and brilliant-literary styles to emerge in America during the past four decades . . . [She is] a great American writer." -New York Times Book Review "One beautiful sentence follows another . . . Didion has remained a clearheaded and original writer all her long life." -Newsweek "Her intelligence is as honed as ever . . . Her vision is ice-water clear . . . Didion has captured the mood of America." -New York Times "Many of us have tried, and failed, to master [Didion's] gift for the single ordinary deflating word, the word that spins an otherwise flat sentence through five degrees of irony. But her sentences could only be hers." -Chicago Tribune "I have been trying forever to figure out why [Didion's] sentences are better than mine or yours . . . Something about [their] cadence. They come at you, if not from ambush, then in gnomic haikus, ice pick laser beams, or waves. Even the space on the page around these sentences is more interesting than it ought to be, as if to square a sandbox for a Sphinx." -from the Introduction by John Leonard, "[Didion's is] one of the most recognizable-and brilliant-literary styles to emerge in America during the past four decades . . . [She is] a great American writer." - New York Times Book Review "One beautiful sentence follows another . . . Didion has remained a clearheaded and original writer all her long life." - Newsweek "Her intelligence is as honed as ever . . . Her vision is ice-water clear . . . Didion has captured the mood of America." - New York Times "Many of us have tried, and failed, to master [Didion's] gift for the single ordinary deflating word, the word that spins an otherwise flat sentence through five degrees of irony. But her sentences could only be hers." - Chicago Tribune "I have been trying forever to figure out why [Didion's] sentences are better than mine or yours . . . Something about [their] cadence. They come at you, if not from ambush, then in gnomic haikus, ice pick laser beams, or waves. Even the space on the page around these sentences is more interesting than it ought to be, as if to square a sandbox for a Sphinx." -from the Introduction by John Leonard
Table of Content
Introduction by John Leonard Select Bibliography Chronology Slouching Towards Bethlehem The White Album Salvador Miami After Henry Political Fictions Where I Was From Notes to Miami Acknowledgments
Copyright Date
2006
Target Audience
Trade
Lccn
2006-041043
Dewey Decimal
814/.54
Series
Everyman's Library Contemporary Classics Ser.
Dewey Edition
22

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