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Celluloid Chiny: Cinematic Encounters With Culture and Society, Oprawa miękka od...–
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Ostatnia aktualizacja: 20-08-2024 15:46:29 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Celluloid China : Cinematic Encounters With Culture and Society
- ISBN
- 9780809324569
- Subject Area
- Performing Arts, History
- Publication Name
- Celluloid China : Cinematic Encounters with Culture and Society
- Publisher
- Southern Illinois University Press
- Item Length
- 9.1 in
- Subject
- Asia / China, Film / History & Criticism
- Publication Year
- 2002
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.9 in
- Item Weight
- 18.1 Oz
- Item Width
- 6.1 in
- Number of Pages
- 416 Pages
O tym produkcie
Product Identifiers
Publisher
Southern Illinois University Press
ISBN-10
0809324563
ISBN-13
9780809324569
eBay Product ID (ePID)
2279176
Product Key Features
Number of Pages
416 Pages
Publication Name
Celluloid China : Cinematic Encounters with Culture and Society
Language
English
Publication Year
2002
Subject
Asia / China, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts, History
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
18.1 Oz
Item Length
9.1 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2002-018750
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
791.43/75/0951
Synopsis
Celluloid China: Cinematic Encounters with Culture and Society by Harry H. Kuoshu is a lucid introduc-tion to the cinema of mainland China from the early 1930s to the early 1990s. Emphasizing both film contexts and film texts, this study invites film scholars and students to a broad cinematic analysis that includes investigations of cultural, cross-cultural, intellectual, social, ethnic, and political issues. Such a holistic evaluation allows for a better understanding of both the genesis of a special kind of film art from the People's Republic of China and the culture exemplified in those films. The fifteen films include: Two Stage Sisters; Hibis-cus Town; Farewell My Concubine; Street Angel; Three Women; Human, Woman, Demon; Judou; Girl from Hunan ; Sacrificed Youth; Horse Thief; Yellow Earth; Old Well; Red Sorghum; Black Cannon Incident; and Good Morning, Beijing. Discussions of each film have an introduction, passages from the director's own notes whenever available, and a scholarly article. Discussion ques-tions are found in an appendix. Within its complete bibliography, the book also features a suggested read-ing list for Chinese film classes. Celluloid China: Cinematic Encounters with Cul-ture and Society is the first book to provide such an exhaustive study of the art and cultural context of Chinese cinema., This work is an introduction to the cinema of mainland China from the early 1930s to the early 1990s. Emphasizing both film contexts and film texts, this study covers a broad cinematic analysis that includes investigations of cultural, cross-cultural, social, ethnic and political issues., This work is an introduction to the cinema of mainland China from the early 1930s to the early 1990s. Emphasizing both film contexts and film texts, this study covers a broad cinematic analysis that includes investigations of cultural, cross-cultural, social, ethnic and political issues. The 15 films include: ""Two Stage Sisters""; ""Hibiscus Town""; ""Farewell My Concubine""; ""Street Angel""; ""Three Women""; ""Human, Woman, Demon""; ""Judou""; ""Girl from Hunan""; ""Sacrificed Youth""; ""Horse Thief""; ""Yellow Earth""; ""Old Well""; ""Red Sorghum""; ""Black Cannon Incident""; and ""Good Morning, Beijing"". Discussions of each film have an introduction, passages from the director's own notes whenever available and a scholarly article., Celluloid China: Cinematic Encounters with Culture and Society by Harry H. Kuoshu is a lucid introduction to the cinema of mainland China from the early 1930s to the early 1990s. Emphasizing both film contexts and film texts, this study invites film scholars and students to a broad cinematic analysis that includes investigations of cultural, cross-cultural, intellectual, social, ethnic, and political issues. Such a holistic evaluation allows for a better understanding of both the genesis of a special kind of film art from the People's Republic of China and the culture exemplified in those films. The fifteen films include: Two Stage Sisters; Hibiscus Town; Farewell My Concubine; Street Angel; Three Women; Human, Woman, Demon; Judou; Girl from Hunan ; Sacrificed Youth; Horse Thief; Yellow Earth; Old Well; Red Sorghum; Black Cannon Incident; and Good Morning, Beijing. Discussions of each film have an introduction, passages from the director's own notes whenever available, and a scholarly article. Discussion questions are found in an appendix. Within its complete bibliography, the book also features a suggested reading list for Chinese film classes. Celluloid China is the first book to provide such an exhaustive study of the art and cultural context of Chinese cinema.
LC Classification Number
PN1995.K86 2002
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