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Between Shanghai and Hong Kong: The Politics of Chinese Cinemas by Poshek Fu (En
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Nr przedmiotu eBay: 364880099241
Ostatnia aktualizacja: 08-09-2024 05:16:18 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- ISBN-13
- 9780804745178
- Book Title
- Between Shanghai and Hong Kong
- ISBN
- 9780804745178
- Subject Area
- Performing Arts
- Publication Name
- Between Shanghai and Hong Kong : the Politics of Chinese Cinemas
- Publisher
- Stanford University Press
- Item Length
- 9 in
- Subject
- Film / General
- Publication Year
- 2003
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 23.5 Oz
- Item Width
- 6 in
- Number of Pages
- 224 Pages
O tym produkcie
Product Identifiers
Publisher
Stanford University Press
ISBN-10
080474517X
ISBN-13
9780804745178
eBay Product ID (ePID)
16038802813
Product Key Features
Number of Pages
224 Pages
Publication Name
Between Shanghai and Hong Kong : the Politics of Chinese Cinemas
Language
English
Subject
Film / General
Publication Year
2003
Type
Textbook
Subject Area
Performing Arts
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2003-009921
Reviews
"Fu's steadfast refusal to resort to simplistic binarism in his characterizations of World War II popular culture will be a breath of fresh air for all professional historians interested in the Japanese occupation, cinema, and identity construction."-Laura A. McDaniel, National Committee on U.S.-China Relations, "Fu's steadfast refusal to resort to simplistic binarism in his characterizations of World War II popular culture will be a breath of fresh air for all professional historians interested in the Japanese occupation, cinema, and identity construction."--Laura A. McDaniel, National Committee on U.S.-China Relations, "Fu's steadfast refusal to resort to simplistic binarism in his characterizations of World War II popular culture will be a breath of fresh air for all professional historians interested in the Japanese occupation, cinema, and identity construction."—Laura A. McDaniel, National Committee on U.S.-China Relations
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
791.43/0951/132
Synopsis
A pioneering study of the Chinese cinemas in Shanghai and Hong Kong and the complex connections between them during the period of war, occupation, and civil war., Based on meticulous archival research and a repetorary of rare films, most of which were believed lost, this book is a pioneering critical study of the Chinese cinemas in Hong Kong and Shanghai and their complex interconnections. The years 1935-50 were a period of ceaseless violence in China, of war, occupation, civil war, and colonialism, leading to mass displacements of millions of people and extreme poverty. Both the cinema and the broader popular culture of this period have been little studied, partly because access to research materials is so difficult, partly because of the political problems involved (most films produced during the war have been considered pro-Japanese and their makers traitors). This study brings to light the humanity of the filmmakers, writers, and business people; the many facets of the historical situation in which they worked; and the complex politics of the films they made. This is also an original and important study of the regional networks, diasporic connections, and border-crossing movement of goods, capital, and people that drew Hong Kong and Shanghai together in an intercity nexus that sustained the survival and even flourishing of popular cinema during this tumultuous period.
LC Classification Number
PN1993.5.C4F8 2003
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