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Od gumowych owijarek do Richie Rich: materialność tanich komiksów Neale Barnh

Tekst oryginalny
From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics by Neale Barnh
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Znajduje się w: Fairfield, Ohio, Stany Zjednoczone
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Nr przedmiotu eBay: 364904012843
Ostatnia aktualizacja: 07-06-2024 23:50:25 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki

Parametry przedmiotu

Stan
Nowy: Nowa, nieczytana, nieużywana książka w idealnym stanie, wszystkie strony, bez uszkodzeń. Aby ...
ISBN-13
9781496851611
Type
Does not apply
ISBN
9781496851611
Publication Year
2024
Format
Hardcover
Language
English
Book Title
From Gum Wrappers to Richie Rich : the Materiality of Cheap Comics
Author
Neale Barnholden
Publisher
University Press of Mississippi
Genre
Literary Criticism, Social Science
Item Length
9 in
Topic
Modern / 20th Century, Popular Culture, Comics & Graphic Novels
Item Weight
0 Oz
Item Width
6 in
Number of Pages
184 Pages

O tym produkcie

Product Identifiers

Publisher
University Press of Mississippi
ISBN-10
1496851617
ISBN-13
9781496851611
eBay Product ID (ePID)
22064052200

Product Key Features

Book Title
From Gum Wrappers to Richie Rich : the Materiality of Cheap Comics
Number of Pages
184 Pages
Language
English
Publication Year
2024
Topic
Modern / 20th Century, Popular Culture, Comics & Graphic Novels
Genre
Literary Criticism, Social Science
Author
Neale Barnholden
Format
Hardcover

Dimensions

Item Weight
0 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2023-056026
Reviews
Through brilliant close readings of a diverse range of comics, Barnholden advances the discourse on comics and materiality and expands our understanding of what comics and book history can bring to each other.
Table Of Content
Acknowledgments Introduction: Comics and Books Chapter 1: Back to "Back to the Klondike": Book History and Cultural Salvage Chapter 2: "I Will Give You Bodies beyond Your Wildest Imaginings": Watchmen and the Editorial Construction of Value Chapter 3: Money, Money, Money: Reading Ri¢hie Ri¢h Chapter 4: Trash Culture: Dubble Bubble Funnies and the Theory of Premium Comics Epilogue: Comic Books and Their Readers Notes Works Cited
Synopsis
Between the 1930s and the invention of the internet, American comics reached readers in a few distinct physical forms: the familiar monthly stapled pamphlet, the newspaper comics section, bubblegum wrappers, and bound books. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics places the history of four representative comics- Watchmen , Uncle Scrooge , Richie Rich , and Fleer Funnies featuring Pud -in the larger contexts of book history, children's culture, and consumerism to understand the roles that comics have played as very specific kinds of books. While comics have received increasing amounts of scholarly attention over the past several decades, their material form is a neglected aspect of how creators, corporations, and readers have constructed meaning inside and around narratives. Neale Barnholden traces the unusual and surprising histories of comics ranging from the most acclaimed works to literal garbage, analyzing how the physical objects containing comics change the meaning of those comics. For example, Carl Barks's Uncle Scrooge comics were gradually salvaged by a fan-driven project, an evolution that is evident when considering their increasingly expensive forms. Similarly, Watchmen has been physically made into the epitome of ""prestigious graphic novel"" by the DC Comics corporation. On the other hand, Harvey Comics' Richie Rich is typically misunderstood as a result of its own branding, while Fleer Funnies uses its inextricable association with bubblegum to offer unexpectedly sophisticated meanings. Examining the bibliographical histories of each title, Barnholden demonstrates how the materiality of consumer culture suggests meanings to comics texts beyond the narratives., Between the 1930s and the invention of the internet, American comics reached readers in a few distinct physical forms: the familiar monthly stapled pamphlet, the newspaper comics section, bubblegum wrappers, and bound books. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics places the history of four representative comics-- Watchmen , Uncle Scrooge , Richie Rich , and Fleer Funnies --in the larger contexts of book history, children's culture, and consumerism to understand the roles that comics have played as very specific kinds of books. While comics have received increasing amounts of scholarly attention over the past several decades, their material form is a neglected aspect of how creators, corporations, and readers have constructed meaning inside and around narratives. Neale Barnholden traces the unusual and surprising histories of comics ranging from the most acclaimed works to literal garbage, analyzing how the physical objects containing comics change the meaning of those comics. For example, Carl Barks's Uncle Scrooge comics were gradually salvaged by a fan-driven project, an evolution that is evident when considering their increasingly expensive forms. Similarly, Watchmen has been physically made into the epitome of "prestigious graphic novel" by the DC Comics corporation. On the other hand, Harvey Comics' Richie Rich is typically misunderstood as a result of its own branding, while Fleer Funnies uses its inextricable association with bubblegum to offer unexpectedly sophisticated meanings. Examining the bibliographical histories of each title, Barnholden demonstrates how the materiality of consumer culture suggests meanings to comics texts beyond the narratives., Between the 1930s and the invention of the internet, American comics reached readers in a few distinct physical forms: the familiar monthly stapled pamphlet, the newspaper comics section, bubblegum wrappers, and bound books. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics places the history of four representative comics-- Watchmen , Uncle Scrooge , Richie Rich , and Fleer Funnies starring Pud--in the larger contexts of book history, children's culture, and consumerism to understand the roles that comics have played as very specific kinds of books. While comics have received increasing amounts of scholarly attention over the past several decades, their material form is a neglected aspect of how creators, corporations, and readers have constructed meaning inside and around narratives. Neale Barnholden traces the unusual and surprising histories of comics ranging from the most acclaimed works to literal garbage, analyzing how the physical objects containing comics change the meaning of those comics. For example, Carl Barks's Uncle Scrooge comics were gradually salvaged by a fan-driven project, an evolution that is evident when considering their increasingly expensive forms. Similarly, Watchmen has been physically made into the epitome of "prestigious graphic novel" by the DC Comics corporation. On the other hand, Harvey Comics' Richie Rich is typically misunderstood as a result of its own branding, while Fleer Funnies uses its inextricable association with bubblegum to offer unexpectedly sophisticated meanings. Examining the bibliographical histories of each title, Barnholden demonstrates how the materiality of consumer culture suggests meanings to comics texts beyond the narratives.
LC Classification Number
PN6725.B36 2024
ebay_catalog_id
4
Copyright Date
2024

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Beautiful book even better than described. Exactly what I wanted. Thanks