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Parametry przedmiotu
- Stan
- Book Title
- Writing the Black Revolutionary Diva : Women's Subjectivity and t
- ISBN
- 9780253222466
- Publication Name
- Writing the Black Revolutionary Diva : Women's Subjectivity and the Decolonizing Text
- Item Length
- 9in
- Publisher
- Indiana University Press
- Publication Year
- 2010
- Series
- Blacks in the Diaspora Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.8in
- Item Width
- 6in
- Item Weight
- 16 Oz
- Number of Pages
- 294 Pages
O tym produkcie
Product Information
Brown traces the emergence of this new consciousness from its roots in the Black Aesthetic Movement through important milestones such as the anthology The Black Woman and Essence magazine to the writings of Angela Davis, Toni Cade Bambara, and Jayne Cortez.
Product Identifiers
Publisher
Indiana University Press
ISBN-10
025322246x
ISBN-13
9780253222466
eBay Product ID (ePID)
21038268239
Product Key Features
Publication Name
Writing the Black Revolutionary Diva : Women's Subjectivity and the Decolonizing Text
Format
Trade Paperback
Language
English
Publication Year
2010
Series
Blacks in the Diaspora Ser.
Type
Textbook
Number of Pages
294 Pages
Dimensions
Item Length
9in
Item Height
0.8in
Item Width
6in
Item Weight
16 Oz
Additional Product Features
Lc Classification Number
Ps153.N5b674 2010
Grade from
College Graduate Student
Reviews
"Kimberly Brown's sweeping critical attention to the crucial, body-political texts of academically unappreciated marvels such as Jayne Cortez and Toni Cade Bambara could not be more welcome. This uncowed return to the thematics of decolonization is vital -- what Black Studies and Black worlds need now more than ever with the world at large." -- Greg Thomas, author of The Sexual Demon of Colonial Power and Hip-Hop Revolution in the Flesh, "Displays a richness and depth seldom seen in literary criticism these days." -Carolyn Calloway-Thomas, Indiana University Bloomington, "The revolutionary divas in these works represent a response to the 'black woman as victim' argument that informs so much discussion of black women's subjectivity. [These] women writers emerge from the black folk experience not just as its representatives, but as an embodiment of its potential." -Alice A. Deck, University of Illinois, "The revolutionary divas in these works represent a response to the 'black woman as victim' argument that informs so much discussion of black women's subjectivity. [These] women writers emerge from the black folk experience not just as its representatives, but as an embodiment of its potential." -- Alice A. Deck, University of Illinois, "The revolutionary divas in these works represent a response to the 'black woman as victim' argument that informs so much discussion of black women's subjectivity. [These] women writers emerge from the black folk experience not just as its representatives, but as an embodiment of its potential." Alice A. Deck, University of Illinois "Displays a richness and depth seldom seen in literary criticism these days." Carolyn Calloway-Thomas, Indiana University Bloomington, Brown (Texas A&M Univ.) reacts to the idea that 'African American writers have become increasingly more concerned about how they are received by blacks than whites.' She does so in the context of the backlash against African American women who have been accused of presenting only negative images of African American men. Citing literature that ranges from slave narratives to contemporary work, the author debates the presence of seemingly radical ideas such as double-consciousness, multiple-consciousness, decolonization, oppression, and sexism in African American women's works and the reactions to that literature. In defending her argument, she cites Alice Walker, bell hooks, Angela Davis, Toni Cade Bambara, and other noted African American women. Issues of female empowerment in the public sphere and audience are central to each of the book's five parts. This title appears in the 'Blacks in the Diaspora' series, which includes a number of titles that would work nicely with it, notable among them Jerry Bryant's 'Born in a Mighty Bad Land': The Violent Man in African American Folklore and Fiction (CH, Oct'03, 41-0770). Summing Up: Recommended. All readers. --ChoiceT. L. Stowell, Adrian College, July 2011, "Brown (Texas A&M Univ.) reacts to the idea that 'African American writers have become increasingly more concerned about how they are received by blacks than whites.' She does so in the context of the backlash against African American women who have been accused of presenting only negative images of African American men. Citing literature that ranges from slave narratives to contemporary work, the author debates the presence of seemingly radical ideas such as double-consciousness, multiple-consciousness, decolonization, oppression, and sexism in African American women's works and the reactions to that literature. In defending her argument, she cites Alice Walker, bell hooks, Angela Davis, Toni Cade Bambara, and other noted African American women. Issues of female empowerment in the public sphere and audience are central to each of the book's five parts. This title appears in the 'Blacks in the Diaspora' series, which includes a number of titles that would work nicely with it, notable among them Jerry Bryant's 'Born in a Mighty Bad Land': The Violent Man in African American Folklore and Fiction (CH, Oct'03, 41-0770). Summing Up: Recommended. All readers. --Choice"--T. L. Stowell, Adrian College, July 2011 "Writing the Black Revolutionary Diva is a lovely book. Brown manages to reinvigorate common notions like wellness, healing, recovery, and pain with the kind of critical rigor that makes them useful in cultural studies but refuses to burden them with unnecessary complexity. . . . Writing the Black Revolutionary Diva and its ideas will be instructive for a very long time to come."-- Tulsa Studies in Women's Literature "Brown's work is one of the most thorough studies and critiques of black women's writing to date. September, 2011"-- H-1960s "The revolutionary divas in these works represent a response to the 'black woman as victim' argument that informs so much discussion of black women's subjectivity. [These] women writers emerge from the black folk experience not just as its representatives, but as an embodiment of its potential."--Alice A. Deck, University of Illinois "Displays a richness and depth seldom seen in literary criticism these days."--Carolyn Calloway-Thomas, Indiana University Bloomington "Kimberly Brown's sweeping critical attention to the crucial, body-political texts of academically unappreciated marvels such as Jayne Cortez and Toni Cade Bambara could not be more welcome. This uncowed return to the thematics of decolonization is vital--what Black Studies and Black worlds need now more than ever with the world at large."--Greg Thomas, author of The Sexual Demon of Colonial Power and Hip-Hop Revolution in the Flesh, Writing the Black Revolutionary Diva is a lovely book. Brown manages to reinvigorate common notions like wellness, healing, recovery, and pain with the kind of critical rigor that makes them useful in cultural studies but refuses to burden them with unnecessary complexity. . . . Writing the Black Revolutionary Diva and its ideas will be instructive for a very long time to come., "Writing the Black Revolutionary Diva is a lovely book. Brown manages to reinvigorate common notions like wellness, healing, recovery, and pain with the kind of critical rigor that makes them useful in cultural studies but refuses to burden them with unnecessary complexity.... Writing the Black Revolutionary Diva and its ideas will be instructive for a very long time to come. " -Tulsa Studies in Women's Literature, Writing the Black Revolutionary Diva is a lovely book. Brown manages to reinvigorate common notions like wellness, healing, recovery, and pain with the kind of critical rigor that makes them useful in cultural studies but refuses to burden them with unnecessary complexity.... Writing the Black Revolutionary Diva and its ideas will be instructive for a very long time to come., The revolutionary divas in these works represent a response to the 'black woman as victim' argument that informs so much discussion of black women's subjectivity. [These] women writers emerge from the black folk experience not just as its representatives, but as an embodiment of its potential., Kimberly Brown's sweeping critical attention to the crucial, body-political texts of academically unappreciated marvels such as Jayne Cortez and Toni Cade Bambara could not be more welcome. This uncowed return to the thematics of decolonization is vital-what Black Studies and Black worlds need now more than ever with the world at large., Brown (Texas A&M Univ.) reacts to the idea that 'African American writers have become increasingly more concerned about how they are received by blacks than whites.' She does so in the context of the backlash against African American women who have been accused of presenting only negative images of African American men. Citing literature that ranges from slave narratives to contemporary work, the author debates the presence of seemingly radical ideas such as double-consciousness, multiple-consciousness, decolonization, oppression, and sexism in African American women's works and the reactions to that literature. In defending her argument, she cites Alice Walker, bell hooks, Angela Davis, Toni Cade Bambara, and other noted African American women. Issues of female empowerment in the public sphere and audience are central to each of the book's five parts. This title appears in the 'Blacks in the Diaspora' series, which includes a number of titles that would work nicely with it, notable among them Jerry Bryant's 'Born in a Mighty Bad Land': The Violent Man in African American Folklore and Fiction (CH, Oct'03, 41-0770). Summing Up: Recommended. All readers. --ChoiceT. L. Stowell, Adrian College, July 2011--T. L. Stowell, Adrian College (01/01/2011), "Displays a richness and depth seldom seen in literary criticism these days." -- Carolyn Calloway-Thomas, Indiana University Bloomington, "Brown's work is one of the most thorough studies and critiques of black women's writing to date." -H-1960s, September, 2011, "Brown's work is one of the most thorough studies and critiques of black women's writing to date." -- H-1960s, September, 2011, "Kimberly Brown's sweeping critical attention to the crucial, body-political texts of academically unappreciated marvels such as Jayne Cortez and Toni Cade Bambara could not be more welcome. This uncowed return to the thematics of decolonization is vital-what Black Studies and Black worlds need now more than ever with the world at large." -Greg Thomas, author of The Sexual Demon of Colonial Power and Hip-Hop Revolution in the Flesh, "The revolutionary divas in these works represent a response to the "black woman as victim" argument that informs so much discussion of black women's subjectivity. [These] women writers emerge from the black folk experience not just as its representative, but as an embodiment of its potential." -- Alice A. Deck, University of Illinois
Table of Content
Contents Acknowledgments Prelude 1. From Soul Cleavage to Soul Survival: Double-Consciousness and the Emergence of the Decolonized Text/Subject 2. "Who Is the Black Woman?": Repositioning the Gaze and Reconstructing Images in The Black Woman: An Anthology and Essence Magazine 3. Constructing Diva Citizenship: The Enigmatic Angela Davis as Case Study 4. Return to the Flesh: The Revolutionary Ideology behind the Poetry of Jayne Cortez 5. She Dreams a World: The Decolonized Text and the New World Order, Toni Cade Bambara's The Salt Eaters Coda: This Is Not Just about "Inward Navel-Gazing": Decolonizing My Own Mind as a Critical Stance Notes Bibliography Index
Copyright Date
2010
Topic
American / African American, Feminist, Semiotics & Theory, Ethnic Studies / African American Studies
Lccn
2010-008466
Dewey Decimal
810.9/928708996073
Intended Audience
Scholarly & Professional
Dewey Edition
22
Genre
Literary Criticism, Social Science
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