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Abstracts and Brief Chronicles of the Time, Hardcover by Cixous, Helène; Brah...
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Ostatnia aktualizacja: 18-09-2024 06:36:50 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Abstracts and Brief Chronicles of the Time
- ISBN
- 9781509500543
- Subject Area
- Literary Criticism, Biography & Autobiography
- Publication Name
- Abstracts and Brief Chronicles of the Time : I. Los, a Chapter
- Publisher
- Polity Press
- Item Length
- 8.5 in
- Subject
- Women Authors, European / French, Literary, Semiotics & Theory
- Publication Year
- 2016
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.5 in
- Item Weight
- 8.3 Oz
- Item Width
- 5.7 in
- Number of Pages
- 104 Pages
O tym produkcie
Product Identifiers
Publisher
Polity Press
ISBN-10
1509500545
ISBN-13
9781509500543
eBay Product ID (ePID)
219193725
Product Key Features
Number of Pages
104 Pages
Language
English
Publication Name
Abstracts and Brief Chronicles of the Time : I. Los, a Chapter
Subject
Women Authors, European / French, Literary, Semiotics & Theory
Publication Year
2016
Type
Textbook
Subject Area
Literary Criticism, Biography & Autobiography
Format
Hardcover
Dimensions
Item Height
0.5 in
Item Weight
8.3 Oz
Item Length
8.5 in
Item Width
5.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-022299
Dewey Edition
23
Reviews
"Los, A Chapter is a lyrical meditation on the fragility of the human as well as on the palimpsestic way that our loves and lovers overlay each other in our psyche and repeatedly reappear without clear distinctions. Cixous leads the reader on by her literary Â- indeed semi-Joycean Â- verbal dexterity, while at the same time conveying a strong sense of the personal and emotional side of her experience of love and mourning." Christina Howells, University of Oxford, "Los, A Chapter is a lyrical meditation on the fragility of the human as well as on the palimpsestic way that our loves and lovers overlay each other in our psyche and repeatedly reappear without clear distinctions. Cixous leads the reader on by her literary - indeed semi-Joycean - verbal dexterity, while at the same time conveying a strong sense of the personal and emotional side of her experience of love and mourning." Christina Howells, University of Oxford
Dewey Decimal
848/.91409 B
Synopsis
H'l'ne Cixous has dreamed for years of "The Book-I-Don't-Write," but each time she approaches it, it withdraws. The-Book-I-Don't-Write is always just out of reach. When Jacques Derrida told her the Book would get written one day, but differently, Cixous tells us she would see it "shining behind a veil, its indecipherable back, upright on heaven's bookshelf, its elegant silhouette, utterly foreign, utterly familiar, of future revenant. I've always thought it would come, naturally. When? After all my deaths? Just before, or just after, the last of my deaths." One day, when she is no longer expecting it, the Book turns up: "Quickly, without taking my eyes off it, I copied it down, staying scrupulously close to its notations, its rhythms, its moments of silence. I found it. Just as you see it." She calls it Los , meaning "loose, detached" in German, her mother's tongue. Or Los like Carlos, the Latin American friend whose unexpected death in May 2014 takes her back to a life they shared and a time the Book will reconstitute in the present, abolishing time: "Suddenly, that morning, I saw the universe of The-Book-I-Don't-Write it is an infinity of presents." Los, A Chapter is a marvelous exploration of time and relationships. It reimagines scenes from Paris in the late sixties: its caf's, its debates, its political turmoil. Both playful and serious, it is a book in a long line of novels ? from Balzac to Proust ? that create worlds both philosophical and concrete. In Los a lost time is regained., H&Él&Ène Cixous has dreamed for years of "The BookIDon'tWrite," but each time she approaches it, it withdraws. TheBookIDon'tWrite is always just out of reach., Hélène Cixous has dreamed for years of "The Book-I-Don't-Write," but each time she approaches it, it withdraws. The-Book-I-Don't-Write is always just out of reach. When Jacques Derrida told her the Book would get written one day, but differently, Cixous tells us she would see it "shining behind a veil, its indecipherable back, upright on heaven's bookshelf, its elegant silhouette, utterly foreign, utterly familiar, of future revenant. I've always thought it would come, naturally. When? After all my deaths? Just before, or just after, the last of my deaths." One day, when she is no longer expecting it, the Book turns up: "Quickly, without taking my eyes off it, I copied it down, staying scrupulously close to its notations, its rhythms, its moments of silence. I found it. Just as you see it." She calls it Los , meaning "loose, detached" in German, her mother's tongue. Or Los like Carlos, the Latin American friend whose unexpected death in May 2014 takes her back to a life they shared and a time the Book will reconstitute in the present, abolishing time: "Suddenly, that morning, I saw the universe of The-Book-I-Don't-Write it is an infinity of presents." Los, A Chapter is a marvelous exploration of time and relationships. It reimagines scenes from Paris in the late sixties: its cafés, its debates, its political turmoil. Both playful and serious, it is a book in a long line of novels - from Balzac to Proust - that create worlds both philosophical and concrete. In Los a lost time is regained., Hélène Cixous has dreamed for years of "The Book-I-Don't-Write," but each time she approaches it, it withdraws. The-Book-I-Don't-Write is always just out of reach. When Jacques Derrida told her the Book would get written one day, but differently, Cixous tells us she would see it "shining behind a veil, its indecipherable back, upright on heaven's bookshelf, its elegant silhouette, utterly foreign, utterly familiar, of future revenant. I've always thought it would come, naturally. When? After all my deaths? Just before, or just after, the last of my deaths." One day, when she is no longer expecting it, the Book turns up: "Quickly, without taking my eyes off it, I copied it down, staying scrupulously close to its notations, its rhythms, its moments of silence. I found it. Just as you see it." She calls it Los , meaning "loose, detached" in German, her mother's tongue. Or Los like Carlos, the Latin American friend whose unexpected death in May 2014 takes her back to a life they shared and a time the Book will reconstitute in the present, abolishing time: "Suddenly, that morning, I saw the universe of The-Book-I-Don't-Write : it is an infinity of presents." Los, A Chapter is a marvelous exploration of time and relationships. It reimagines scenes from Paris in the late sixties: its cafés, its debates, its political turmoil. Both playful and serious, it is a book in a long line of novels - from Balzac to Proust - that create worlds both philosophical and concrete. In Los a lost time is regained.
LC Classification Number
PQ2663.I9Z4613 2016
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