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Krajobraz i podmiotowość w twórczości Patricka Keillera, W.G. Sebald, and Iain–

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Stan: Nowy: Nowa, nieczytana, nieużywana książka w idealnym stanie, wszystkie strony, bez uszkodzeń. Aby ...

ISBN-13: 9780198847199

Book Title: Landscape and Subjectivity in the Work of Patrick Keiller, W.G. S

ISBN: 9780198847199

Publication Year: 2020

Type: Textbook

Format: Hardcover

Language: English

Publication Name: Landscape and Subjectivity in the Work of Patrick Keiller, W. G. Sebald, and Iain Sinclair

Item Height: 0.9in

Author: David Anderson

Item Length: 9.5in

Publisher: Oxford University Press, Incorporated

Item Width: 6.5in

Item Weight: 23.6 Oz

Number of Pages: 320 Pages

O tym produkcie

Product Information

This book situates the film-maker Patrick Keiller alongside the writers W.G. Sebald and Iain Sinclair as the three leading voices in 'English psychogeography', offering new insights to key works including London, The Rings of Saturn, and Lights Out for the Territory. Excavating social and political contexts while also providing plentiful close analysis, it examines the cultivation of a distinctive 'affective' mode or sensibility especially attuned to the cultural anxieties of the twentieth century's closing decades. Landscape and Subjectivity explores motifs including essayism, the reconciliation of creativity with market forces, and the foregrounding of an often agonised or melancholic. It asks whether the work can, collectively, be seen to constitute a 'critical theory of contemporary space' and suggests that Keiller, Sebald, and Sinclair's contributions represent a highly significant moment in English culture's engagement with landscape, environment, and itself. The book's analyses are fuelled by archival and topographical research and are responsive to various interdisciplinary contexts, including the tradition of the 'English Journey', the set of ideas associated with the 'spatial turn', critical theory, the so-called 'heritage debate', and more recent theorisation of the 'anthropocene'.

Product Identifiers

Publisher

Oxford University Press, Incorporated

ISBN-10

019884719x

ISBN-13

9780198847199

eBay Product ID (ePID)

26050035371

Product Key Features

Author

David Anderson

Publication Name

Landscape and Subjectivity in the Work of Patrick Keiller, W. G. Sebald, and Iain Sinclair

Format

Hardcover

Language

English

Publication Year

2020

Type

Textbook

Number of Pages

320 Pages

Dimensions

Item Length

9.5in

Item Height

0.9in

Item Width

6.5in

Item Weight

23.6 Oz

Additional Product Features

Lc Classification Number

Pn56.L26

Reviews

"my few paragraphs can never do justice to the 275 pages of David Anderson's remarkable book. I urge you to read it yourself." -- Terry Pitt, Vertigo"To add something new in what seems like a firmly established discourse of millennial writer-walkers is no mean feat. That David Anderson manages to do so while discussing three artists with such differences of style and medium is hugely impressive." -- Jamie Harris, Aberystwyth University, Modern Language Review"It has opened my eyes to how [Sebald's] books, though originally written in German and maintaining a decidedly European outlook, participate in a very English tradition of engagement with landscape. Most enjoyable, however, were not only the many insights I gained, but also the fact that it is written without the jargon that mars so many studies of Sebald." -- Uwe Schütte, Aston University, What are you reading?"Anderson's study captures in great detail a powerful sense of the 1990s as a decade caught up in examining the ways that globalisation had problematised landscape both as an aesthetic category and as a space of imaginative renewal." -- Niall Martin, University of Amsterdam, Review 31"...one will profit greatly from this carefully researched and impressively crafted study." -- Richard Sheppard , Journal of European Studies"This is a convincing thesis...This breadth of reference is one of the strengths of Anderson's work on Keiller (and, for that matter, on Sebald and Sinclair too). Since all three are richly allusive and have densely elaborate frames of reference, writing about them presents its challenges, but this book rises to them well, and makes a particularly valuable addition to the literature on Keiller." -- Julian Petley, Journal of British Cinema and Television, "To add something new in what seems like a firmly established discourse of millennial writer-walkers is no mean feat. That David Anderson manages to do so while discussing three artists with such differences of style and medium is hugely impressive." -- Jamie Harris, Aberystwyth University, Modern Language Review "It has opened my eyes to how [Sebald's] books, though originally written in German and maintaining a decidedly European outlook, participate in a very English tradition of engagement with landscape. Most enjoyable, however, were not only the many insights I gained, but also the fact that it is written without the jargon that mars so many studies of Sebald." -- Uwe Schütte, Aston University, What are you reading? "Anderson's study captures in great detail a powerful sense of the 1990s as a decade caught up in examining the ways that globalisation had problematised landscape both as an aesthetic category and as a space of imaginative renewal." -- Niall Martin, University of Amsterdam, Review 31 "...one will profit greatly from this carefully researched and impressively crafted study." -- Richard Sheppard , Journal of European Studies, "...one will profit greatly from this carefully researched and impressively crafted study." -- Richard Sheppard , Journal of European Studies, "my few paragraphs can never do justice to the 275 pages of David Anderson's remarkable book. I urge you to read it yourself." -- Terry Pitt, Vertigo "To add something new in what seems like a firmly established discourse of millennial writer-walkers is no mean feat. That David Anderson manages to do so while discussing three artists with such differences of style and medium is hugely impressive." -- Jamie Harris, Aberystwyth University, Modern Language Review "It has opened my eyes to how [Sebald's] books, though originally written in German and maintaining a decidedly European outlook, participate in a very English tradition of engagement with landscape. Most enjoyable, however, were not only the many insights I gained, but also the fact that it is written without the jargon that mars so many studies of Sebald." -- Uwe Schütte, Aston University, What are you reading? "Anderson's study captures in great detail a powerful sense of the 1990s as a decade caught up in examining the ways that globalisation had problematised landscape both as an aesthetic category and as a space of imaginative renewal." -- Niall Martin, University of Amsterdam, Review 31 "...one will profit greatly from this carefully researched and impressively crafted study." -- Richard Sheppard , Journal of European Studies, "my few paragraphs can never do justice to the 275 pages of David Anderson's remarkable book. I urge you to read it yourself." -- Terry Pitt, Vertigo"To add something new in what seems like a firmly established discourse of millennial writer-walkers is no mean feat. That David Anderson manages to do so while discussing three artists with such differences of style and medium is hugely impressive." -- Jamie Harris, Aberystwyth University, Modern Language Review"It has opened my eyes to how [Sebald's] books, though originally written in German and maintaining a decidedly European outlook, participate in a very English tradition of engagement with landscape. Most enjoyable, however, were not only the many insights I gained, but also the fact that it is written without the jargon that mars so many studies of Sebald." -- Uwe Sch"utte, Aston University, What are you reading?"Anderson's study captures in great detail a powerful sense of the 1990s as a decade caught up in examining the ways that globalisation had problematised landscape both as an aesthetic category and as a space of imaginative renewal." -- Niall Martin, University of Amsterdam, Review 31"...one will profit greatly from this carefully researched and impressively crafted study." -- Richard Sheppard , Journal of European Studies"This is a convincing thesis...This breadth of reference is one of the strengths of Anderson's work on Keiller (and, for that matter, on Sebald and Sinclair too). Since all three are richly allusive and have densely elaborate frames of reference, writing about them presents its challenges, but this book rises to them well, and makes a particularly valuable addition to the literature on Keiller." -- Julian Petley, Journal of British Cinema and Television, "It has opened my eyes to how [Sebald's] books, though originally written in German and maintaining a decidedly European outlook, participate in a very English tradition of engagement with landscape. Most enjoyable, however, were not only the many insights I gained, but also the fact that it is written without the jargon that mars so many studies of Sebald." -- Uwe Schütte, Aston University, What are you reading? "Anderson's study captures in great detail a powerful sense of the 1990s as a decade caught up in examining the ways that globalisation had problematised landscape both as an aesthetic category and as a space of imaginative renewal." -- Niall Martin, University of Amsterdam, Review 31 "...one will profit greatly from this carefully researched and impressively crafted study." -- Richard Sheppard , Journal of European Studies, "my few paragraphs can never do justice to the 275 pages of David Anderson's remarkable book. I urge you to read it yourself." -- Terry Pitt, Vertigo "To add something new in what seems like a firmly established discourse of millennial writer-walkers is no mean feat. That David Anderson manages to do so while discussing three artists with such differences of style and medium is hugely impressive." -- Jamie Harris, Aberystwyth University, Modern Language Review "It has opened my eyes to how [Sebald's] books, though originally written in German and maintaining a decidedly European outlook, participate in a very English tradition of engagement with landscape. Most enjoyable, however, were not only the many insights I gained, but also the fact that it is written without the jargon that mars so many studies of Sebald." -- Uwe Schütte, Aston University, What are you reading? "Anderson's study captures in great detail a powerful sense of the 1990s as a decade caught up in examining the ways that globalisation had problematised landscape both as an aesthetic category and as a space of imaginative renewal." -- Niall Martin, University of Amsterdam, Review 31 "...one will profit greatly from this carefully researched and impressively crafted study." -- Richard Sheppard , Journal of European Studies "This is a convincing thesis...This breadth of reference is one of the strengths of Anderson's work on Keiller (and, for that matter, on Sebald and Sinclair too). Since all three are richly allusive and have densely elaborate frames of reference, writing about them presents its challenges, but this book rises to them well, and makes a particularly valuable addition to the literature on Keiller." -- Julian Petley, Journal of British Cinema and Television

Table of Content

Introduction1: The Camera-I: Patrick Keiller's Early Short Films and Essays2: A Vagrant Sensibility: Patrick Keiller's Robinson Films3: W.G. Sebald's Early Writing: 'A European At The End of European Civilization'4: An English Pilgrim: Sebald's The Rings of Saturn and Austerlitz5: Iain Sinclair's Early Writing: The Arcane Scholarship of Place6: Crosses, Circles, and Madness: Iain Sinclair's Lights Out for the Territory, London Orbital, and Edge of the OrisonConclusion, Introduction1. The Camera-I: Patrick Keiller's Early Short Films and Essays2. A Vagrant Sensibility: Patrick Keiller's Robinson Films3. W.G. Sebald's Early Writing: 'A European At The End of European Civilization'4. An English Pilgrim: Sebald's The Rings of Saturn and Austerlitz5. Iain Sinclair's Early Writing: The Arcane Scholarship of Place6. Crosses, Circles, and Madness: Iain Sinclair's Lights Out for the Territory, London Orbital, and Edge of the OrisonConclusion

Topic

Modern / 20th Century, Subjects & Themes / Nature, General, European / English, Irish, Scottish, Welsh

Lccn

2020-933789

Dewey Decimal

820.900912

Intended Audience

Scholarly & Professional

Dewey Edition

Illustrated

Yes

Genre

Literary Criticism

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Informacje o firmie

Premier Books LLC

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19806-3356 Wilmington, DE

United States

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