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Koncert Rozmowy: Z 68-minutową płytą CD (Charles Eliot Norto–
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Znajduje się w: NY, Stany Zjednoczone
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Szacowana między Śr, 5 cze a Pn, 10 cze do 43230
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Nr przedmiotu eBay: 394758259910
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Parametry przedmiotu
- Stan
- Title
- Concerto Conversations: With a 68-minute CD (Charles Eliot Norto
- ISBN
- 9780674158917
- EAN
- 9780674158917
- Publication Year
- 1999
- Format
- Compact Disc / Hardcover
- Language
- English
- Book Title
- Concerto Conversations
- Publisher
- Harvard University Press
- Genre
- Music
- Topic
- History & Criticism, Genres & Styles / Classical, Instruction & Study / Appreciation
O tym produkcie
Product Information
The concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and wide-ranging Norton Lectures fill the gap in a way that will delight all music listeners. Kerman addresses the full range of the concerto repertory, treating both the general and particular. His perceptive commentary on individual works - with illustrative performances on the accompanying CD - is alive with enthusiasm, intimations, and insights into the spirit of concerto.
Product Identifiers
Publisher
Harvard University Press
ISBN-10
0674158911
ISBN-13
9780674158917
eBay Product ID (ePID)
866555
Product Key Features
Book Title
Concerto Conversations
Format
Compact Disc / Hardcover
Language
English
Topic
History & Criticism, Genres & Styles / Classical, Instruction & Study / Appreciation
Publication Year
1999
Genre
Music
Dimensions
Item Length
9.6in
Item Height
0.3in
Item Width
7.3in
Item Weight
21.9 Oz
Additional Product Features
Series Volume Number
Vol. 1997
Lc Classification Number
Ml1263.K47 1999
Reviews
The set of Norton Lectures given by Joseph Kerman at Harvard University in 1997-98 has been reshaped into Concerto Conversations...This sophisticated yet accessible study expands the lectures' contents but, stemming from talks that were in part extempore, it maintains an air of informality, of improvisation, that should please every reader., Splendid, entertaining, original, and often profound...Kerman speaks directly and informally to a literate and educated public deeply interested in music...His affable manner sometimes makes his approach to the subject seem obvious, the result of common sense, even when it is most innovative., Where many classical music 'self-help' books are faintly condescending in tone, this one tends towards the inspirational as Kerman swoops joyously in the concerto and exposes the drama of its shimmering textures, pounding rhythms and high-tension dialogues between soloist and orchestra., Concerto Conversations is a satisfying exploration of how the wide range of composers have handled the balance and contrast between soloist and orchestra in a classical concerto. Based on his series of Charles Eliot Norton lectures at Harvard, these are not for the musical novice, but they are surprisingly accessible for probably any regular symphony-goer., Six scintillating lectures on the most conversational form of classical music translate superbly to the page, and to make up for the musical exemplification Kerman provided in person, a CD full of recorded examples is part of the package., Kerman cites many warhorses and a few seldom heard fillies in the concertante repertoire to show how resourceful composers have met the challenges of the grand musical dialogue that is a concerto. Including 46 printed musical examples and a CD of others, this is a marvelous book for music lovers, especially because Kerman is such a good conversationalist., Kerman brings to the discussion of concertos his distinctive vision of American musicology, taking account of its adventures, its limitations and its excesses. He combines varied styles of criticism without losing his enchantment with the music...Kerman is relaxed, learned and deliberately unsystematic, probing here, redefining there, supplementing the music--some of which is available on an attached CD--with vivid analytic description that at its best can change how we hear., Joseph Kerman's series of Norton Lectures on [concertos] could not be more timely. The first beneficial effect is to encourage reflection on the music itself, freed from the flashy trappings the 'music industry' may have forced on it...Kerman's theme, so simple and obvious, is the drama and narrative of the concerto. He aims to describe the situation and events of the concerto in human terms...Kerman's descriptions are cheekily up to the minute, and the assignation of roles to soloist and orchestra becomes something of a party game...The author plays this light-hearted game with considerable perspicacity...Present-day composers should pay particular heed to Kerman's illuminating ideas. Audiences still listen to concertos, and there are major soloists willing to be involved in the developments of something new...Snobbery still surrounds the idea of the concerto, particularly its liveliest, most human aspects. This persuasive little book argues very successively for an end to such self-denial, and suggests that the concerto could have an ebullient creative future., Concerto Conversations is valuable, even crucial, for its unprepossessing manner, its casual movement from one example to the next, its elegance and literateness and lucidity. No Schenker graphs here, no narratology or gender studies. The concerto is revealed not as a construction of bourgeois identity, nor as a zone of suppressed homoeroticism, but instead as a human, emotional realm in which solo and orchestral characters are engaged in various forms of conversation and conflict. Kerman manages to be both intelligent and intelligible. He writes for the bright layman, as academicians did once upon a time. His evocations of particular musical moments are immediate and magical. His gift is so uncommon as to make one sad.
Table of Content
Getting Started Particularity and Polarity Reciprocity, Roles, and Relationships Virtuosity / VirtÙ Diffusion: Concerto Textures The Sense of an Ending Conversation-stopper (After-words) Notes Music Examples Credits Index Music on the CD Music on the CD Beethoven, Piano Concerto No. 3 in C minor, 1st movement: Allegro con brio_16:03 Robert Levin, fortepiano; Orchestre RÉvolutionaire et Romantique, dir. John Eliot Gardiner. (P) 1998 Deutsche Grammophon GmbH, Hamburg. Courtesy of Deutsche Grammophon GmbH, Hamburg, a Universal Music Company. Beethoven, Piano Concerto No. 5 in E-flat, "Emperor," from 1st mvt.: Allegro_1:15 Robert Levin, fortepiano; Orchestre RÉvolutionaire et Romantique, dir. John Eliot Gardiner. (P) 1998 Deutsche Grammophon GmbH, Hamburg. Courtesy of Deutsche Grammophon GmbH, Hamburg, a Universal Music Company. Stravinsky, Concerto for Piano and Wind Instruments, 3rd mvt.: Allegro_4:35 Olli Mustonen, piano; Deutsches Symphonie-Orchester Berlin, dir. Vladimir Ashkenazy. (P) 1993 The Decca Record Company Ltd., London. Courtesy of the Decca Record Company Ltd., London. BartÓk, Piano Concerto No. 2, 3rd mvt.: Allegro molto_6:00 ZoltÁn Kocsis, piano; Budapest Festival Orchestra, dir. IvÁn Fischer. (P) 1985 Philips Classics Productions. Courtesy of Philips Classics Productions. Schumann, Piano Concerto in A minor, from 2nd mvt.: Intermezzo: Andantino grazioso_2:00 Radu Lupu, piano; London Symphony Orchestra, dir. AndrÉ Previn. (P) 1973 The Decca Records Co. Ltd. London. Courtesy of The Decca Records Co. Ltd. London. Chaikovsky, Violin Concerto, 2nd mvt.: Canzonetta (Andante)_6:10 Arthur Grumiaux, violin; New Philharmonia Orchestra, dir. Jan Krenz. (P) 1960, 1972, 1974, 1976 Philips Classics Productions. Courtesy of Philips Classics Productions. Chaikovsky, Violin Concerto, from 3rd mvt.: Allegro vivacissimo_2:40 Arthur Grumiaux, violin; New Philharmonia Orchestra, dir. Jan Krenz. (P) 1960, 1972, 1974, 1976 Philips Classics Productions. Courtesy of Philips Classics Productions. Liszt, Piano Concerto No. 1 in E-flat, from first mvt.: Allegro maestoso_3:00 Martha Argerich, piano; London Symphony Orchestra, dir. Claudio Abbado. (P) 1967, 1968, 1975, 1980 Deutsche Grammophon Gesellschaft. Courtesy of Philips Classics, a division of the Philips Music Group. Prokofiev, Violin Concerto No. 1 in D, first mvt.: Andantino_9:48 Kyung Wha Chung, violin; London Symphony Orchestra, dir. AndrÉ Previn. (P) 1973, 1977 The Decca Records Co. Ltd., London. Courtesy of The Decca Records Co. Ltd., London. Prokofiev, Violin Concerto No. 1, from 3rd mvt.: Moderato-PiÙ tranquillo_2:40 Kyung Wha Chung, violin; London Symphony Orchestra, dir. AndrÉ Previn. (P) 1973, 1977 The Decca Records Co. Ltd., London. Courtesy of The Decca Records Co. Ltd., London. Bach, Brandenburg Concerto No. 3 in G, 1st mvt.: Allegro_6:24 Musica Antiqua KÖln, dir. Reinhard Goebel. (P) 1986 (BWV 1066)/1987 Polydor International GmbH, Hamburg. Courtesy of Polydor International GmbH, Hamburg. Mozart, Piano Concerto No. 20 in D minor, K. 466, 3rd mvt.: Allegro assai_7:35 Malcolm Bilson, fortepiano; English Baroque Soloists, dir. John Eliot Gardiner.<br
Copyright Date
1999
Target Audience
Trade
Lccn
99-030919
Dewey Decimal
784.2/3
Series
The Charles Eliot Norton Lectures
Dewey Edition
21
Illustrated
Yes
Number of Pages
180 Pages
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WRAP Ltd
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Nr przedmiotu eBay: 394758259910
Ostatnia aktualizacja: 06-03-2024 15:45:36 CET Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
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Item was listed as in Very Good condition. Either the dust jacket was already damaged or due to the poor packaging, it was damaged in transit. There was spice of sticky putty on the bottom portion of the book and the bookmark ribbon is in not great condition. Definitely won't be buying anything else that doesn't have pictures of the actual item, or from this shop.
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Book just as described, sent in secure plastic mailer, and done so in good time. Thanks very much.
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Item as described, in very good condition. But unfortunately it was very poorly packaged, only in thin plastic foil, not good for a shipping especially international.