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Jasmina Tumbas „Jestem Jugoslovenka!” (Oprawa miękka) Przemyślenie historii sztuki–
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- Kup terazJasmina Tumbas „Jestem Jugoslovenka!” (Oprawa miękka) Przemyślenie historii sztuki
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Znajduje się w: 60502, Stany Zjednoczone
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Szacowana między Pt, 17 maj a Śr, 29 maj do 43230
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Nr przedmiotu eBay: 395094642831
Ostatnia aktualizacja: 25-04-2024 18:32:47 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Publication Name
- “I am Jugoslovenka!”
- Title
- “I am Jugoslovenka!”
- Subtitle
- Feminist Performance Politics During and After Yugoslav Socialism
- ISBN-10
- 1526169045
- EAN
- 9781526169044
- ISBN
- 9781526169044
- Release Date
- 01/03/2023
- Release Year
- 2023
- Country/Region of Manufacture
- GB
- Series
- Rethinking Art's Histories
- Book Title
- I am Jugoslovenka! : Feminist Performance Politics During and after Yugoslav Socialism
- Item Length
- 9.2in
- Publisher
- Manchester University Press
- Publication Year
- 2023
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.9in
- Genre
- Art
- Topic
- History / Contemporary (1945-), Performance, European
- Item Width
- 6.1in
- Item Weight
- 23.1 Oz
- Number of Pages
- 344 Pages
O tym produkcie
Product Information
Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works.
Product Identifiers
Publisher
Manchester University Press
ISBN-10
1526169045
ISBN-13
9781526169044
eBay Product ID (ePID)
2328327435
Product Key Features
Book Title
I am Jugoslovenka! : Feminist Performance Politics During and after Yugoslav Socialism
Format
Trade Paperback
Language
English
Topic
History / Contemporary (1945-), Performance, European
Publication Year
2023
Genre
Art
Number of Pages
344 Pages
Dimensions
Item Length
9.2in
Item Height
0.9in
Item Width
6.1in
Item Weight
23.1 Oz
Additional Product Features
Lc Classification Number
Hq1715.5
Reviews
'Examining both well-known and heretofore neglected artists, this book provides a nuanced discussion of gender, feminism and identity politics in the region. It also serves to widen the discussion about feminist performance practices and strategies beyond the canonical west.' Amy Bryzgel, Professor of Film and Visual Culture, University of Aberdeen '"I am Jugoslovenka!" is an essential, nuanced feminist intervention into Yugoslav studies. In discussing Yugoslav feminist performance politics, the book places artists and performers as divergent as Marina Abramovic, Lepa Brena and Esma Redzepova side by side. Tumbas effectively dismantles elitist hierarchies about "high" and "low" cultural production and feminist praxis during and after Yugoslavia.' Dijana Jelaca, Brooklyn College 'Jasmina Tumbas'e(tm)s book surveys the cultural landscape of late socialist Yugoslavia to reveal the figure of 'eoeJugoslovenka'e as an innovative theoretical construct that captures the simultaneity of emancipatory opportunities and entrenched patriarchy. Imaginative and original, it provides a much-needed extension of the ongoing feminist reassessment of state socialism to the field of art history.' Vladimir Kulic, Associate Professor of Architectural History, Iowa State University 'Tumbas's sensitive awareness of historical context is made in the deft interweaving of visual cultural analysis with the author's story as a refugee from Vojvodina in Germany in the early 1990s...' Art Monthly, 'Examining both well-known and heretofore neglected artists, this book provides a nuanced discussion of gender, feminism and identity politics in the region. It also serves to widen the discussion about feminist performance practices and strategies beyond the canonical west.' Amy Bryzgel, Professor of Film and Visual Culture, University of Aberdeen '"I am Jugoslovenka!" is an essential, nuanced feminist intervention into Yugoslav studies. In discussing Yugoslav feminist performance politics, the book places artists and performers as divergent as Marina Abramovic, Lepa Brena and Esma Redzepova side by side. Tumbas effectively dismantles elitist hierarchies about "high" and "low" cultural production and feminist praxis during and after Yugoslavia.' Dijana Jelaca, Brooklyn College 'Jasmina Tumbas'e(tm)s book surveys the cultural landscape of late socialist Yugoslavia to reveal the figure of 'eoeJugoslovenka'e as an innovative theoretical construct that captures the simultaneity of emancipatory opportunities and entrenched patriarchy. Imaginative and original, it provides a much-needed extension of the ongoing feminist reassessment of state socialism to the field of art history.' Vladimir Kulic, Associate Professor of Architectural History, Iowa State University 'Tumbas's sensitive awareness of historical context is made in the deft interweaving of visual cultural analysis with the author's story as a refugee from Vojvodina in Germany in the early 1990s...' Art Monthly 'I am Jugoslovenka!" presents a supremely compact overview of performance politics during and after Yugoslav socialism, providing elaborated examples and visual analysis of numerous performances, events or figures that were seen as agents of female emancipation and empowerment. As Jasmina Tumbas not only expertly chooses and compiles the existing research material, but also engages in producing novel approaches and theoretical concepts that will, hopefully, initiate future interest and interpretations.' Dr. Jana Dolecki, 'Examining both well-known and heretofore neglected artists, this book provides a nuanced discussion of gender, feminism and identity politics in the region. It also serves to widen the discussion about feminist performance practices and strategies beyond the canonical west.'Amy Bryzgel, Professor of Film and Visual Culture, University of Aberdeen'"I am Jugoslovenka!" is an essential, nuanced feminist intervention into Yugoslav studies. In discussing Yugoslav feminist performance politics, the book places artists and performers as divergent as Marina Abramovic, Lepa Brena and Esma Redzepova side by side. Tumbas effectively dismantles elitist hierarchies about "high" and "low" cultural production and feminist praxis during and after Yugoslavia.'Dijana Jelaca, Brooklyn College'Jasmina Tumbas's book surveys the cultural landscape of late socialist Yugoslavia to reveal the figure of "Jugoslovenka" as an innovative theoretical construct that captures the simultaneity of emancipatory opportunities and entrenched patriarchy. Imaginative and original, it provides a much-needed extension of the ongoing feminist reassessment of state socialism to the field of art history.'Vladimir Kulic, Associate Professor of Architectural History, Iowa State University'Tumbas's sensitive awareness of historical context is made in the deft interweaving of visual cultural analysis with the author's story as a refugee from Vojvodina in Germany in the early 1990s...'Art Monthly, 'Examining both well-known and heretofore neglected artists, this book provides a nuanced discussion of gender, feminism and identity politics in the region. It also serves to widen the discussion about feminist performance practices and strategies beyond the canonical west.' Amy Bryzgel, Professor of Film and Visual Culture, University of Aberdeen '"I am Jugoslovenka!" is an essential, nuanced feminist intervention into Yugoslav studies. In discussing Yugoslav feminist performance politics, the book places artists and performers as divergent as Marina Abramovic, Lepa Brena and Esma Redzepova side by side. Tumbas effectively dismantles elitist hierarchies about "high" and "low" cultural production and feminist praxis during and after Yugoslavia.' Dijana Jelaca, Brooklyn College 'Jasmina Tumbas's book surveys the cultural landscape of late socialist Yugoslavia to reveal the figure of "Jugoslovenka" as an innovative theoretical construct that captures the simultaneity of emancipatory opportunities and entrenched patriarchy. Imaginative and original, it provides a much-needed extension of the ongoing feminist reassessment of state socialism to the field of art history.' Vladimir Kulic, Associate Professor of Architectural History, Iowa State University 'Tumbas's sensitive awareness of historical context is made in the deft interweaving of visual cultural analysis with the author's story as a refugee from Vojvodina in Germany in the early 1990s...' Art Monthly 'I am Jugoslovenka!" presents a supremely compact overview of performance politics during and after Yugoslav socialism, providing elaborated examples and visual analysis of numerous performances, events or figures that were seen as agents of female emancipation and empowerment. As Jasmina Tumbas not only expertly chooses and compiles the existing research material, but also engages in producing novel approaches and theoretical concepts that will, hopefully, initiate future interest and interpretations.' Dr. Jana Dolecki, 'Examining both well-known and heretofore neglected artists, this book provides a nuanced discussion of gender, feminism and identity politics in the region. It also serves to widen the discussion about feminist performance practices and strategies beyond the canonical west.' Amy Bryzgel, Professor of Film and Visual Culture, University of Aberdeen '"I am Jugoslovenka!" is an essential, nuanced feminist intervention into Yugoslav studies. In discussing Yugoslav feminist performance politics, the book places artists and performers as divergent as Marina Abramovic, Lepa Brena and Esma Redzepova side by side. Tumbas effectively dismantles elitist hierarchies about "high" and "low" cultural production and feminist praxis during and after Yugoslavia.' Dijana Jelaca, Brooklyn College 'Jasmina Tumbas's book surveys the cultural landscape of late socialist Yugoslavia to reveal the figure of "Jugoslovenka" as an innovative theoretical construct that captures the simultaneity of emancipatory opportunities and entrenched patriarchy. Imaginative and original, it provides a much-needed extension of the ongoing feminist reassessment of state socialism to the field of art history.' Vladimir Kulic, Associate Professor of Architectural History, Iowa State University 'Tumbas's sensitive awareness of historical context is made in the deft interweaving of visual cultural analysis with the author's story as a refugee from Vojvodina in Germany in the early 1990s...' Art Monthly
Table of Content
Introduction: Jugoslovenka: the unique position of Yugoslav women during and after socialism 1 Jugoslovenka's body under patriarchal socialism: art and feminist performance politics in Yugoslavia 2 Marina Abramovic, Lepa Brena and Esma Redzepova: socialist nation, Orientalism, and Yugoslav legacy 3 Queer Jugoslovenka 4 Jugoslovenka in a sea of avant-garde machismo: a feminist reading of NSK 5 The last generation of Jugoslovenkas: diverse forms of emancipatory resistance and performance strategies Conclusion: Jugoslovenka: a wide-ranging model for feminist performance politics in art and culture Index
Copyright Date
2022
Dewey Decimal
305.4209497
Intended Audience
Trade
Series
Rethinking Art's Histories Ser.
Dewey Edition
23
Illustrated
Yes
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Nr przedmiotu eBay: 395094642831
Ostatnia aktualizacja: 25-04-2024 18:32:47 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
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Good seller. Prompt shipping. Packaging could be a little better but fortunately there was no damage.
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Perfect. Thanks.
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Item received as described overall good transaction shipping a little slow I don't know if that's fault of seller but nevertheless. Good transaction thank you