Zdjęcie 1 z 1
Liz Phair's Exile in Guyville autorstwa Gina Arnold (angielska) książka w formacie kieszonkowym–
Stan:
Dostępne: 3
Cena:
US $16,68
Około67,04 zł
- Kup terazLiz Phair's Exile in Guyville autorstwa Gina Arnold (angielska) książka w formacie kieszonkowym
Wysyłka:
Znajduje się w: Fairfield, Ohio, Stany Zjednoczone
Dostawa:
Szacowana między Cz, 9 maj a Pn, 20 maj do 43230
Zwroty:
Zwrot w ciągu 30 dni. Za wysyłkę zwrotną płaci kupujący. Zobacz szczegóły- aby uzyskać więcej informacji dotyczących zwrotów
Płatności:
Kupuj bez obaw
Informacje o sprzedawcy
- 98,2% opinii pozytywnych
Zarejestrowany jako sprzedawca-firma
Sprzedawca ponosi pełną odpowiedzialność za wystawienie tej oferty sprzedaży.
Nr przedmiotu eBay: 395179816443
Ostatnia aktualizacja: 08-04-2024 05:22:37 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- ISBN-13
- 9781441162571
- Type
- Does not apply
- ISBN
- 9781441162571
- Book Title
- Liz Phair's Exile in Guyville
- Item Length
- 6.5in
- Publisher
- Bloomsbury Academic & Professional
- Publication Year
- 2014
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4in
- Genre
- Music
- Topic
- History & Criticism, Genres & Styles / Rock
- Item Width
- 4.7in
- Item Weight
- 4.2 Oz
- Number of Pages
- 136 Pages
O tym produkcie
Product Information
Although Exile in Guyville was celebrated as one of the year's top records by Spin and the New York Times , it was also, to some, an abomination: a mockery of the Rolling Stones' most revered record and a rare glimpse into the psyche of a shrewd, independent, strong young woman. For these crimes, Liz Phair was run out of her hometown of Chicago, enduring a flame war perpetrated by writers who accused her of being boring, inauthentic, and even a poor musician. With Exile in Guyville , Phair spoke for all the girls who loved the world of indie rock but felt deeply unwelcome there. Like all great works of art, Exile was a harbinger of the shape of things to come: Phair may have undermined the male ego, but she also unleashed a new female one. For the sake of all the female artists who have benefited from her work--from Sleater-Kinney to Lana Del Rey and back again--it's high time we go back to Guyville.
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
1441162577
ISBN-13
9781441162571
eBay Product ID (ePID)
92882102
Product Key Features
Book Title
Liz Phair's Exile in Guyville
Format
Trade Paperback
Language
English
Topic
History & Criticism, Genres & Styles / Rock
Publication Year
2014
Genre
Music
Number of Pages
136 Pages
Dimensions
Item Length
6.5in
Item Height
0.4in
Item Width
4.7in
Item Weight
4.2 Oz
Additional Product Features
Lc Classification Number
Ml420
Reviews
The series is probably the most remarkable regular event in rock journalism today. Each thin volume -- there are nearly 100 of them now, enough almost to stretch across the back seat of a Mini Cooper -- presents one critic on one album. A lot of these writers are capable of shredding." - The New York Times "Provocative in all the right places, persuasively argued and certainly among the most professional of the series. It reminds me how much my thinking about gender and sexuality has benefitted from reading women's testimonials to the emotional power of Guyville. It also reminds me how, to this day, I would drink Liz Phair's bathwater, Arnold is a wonderful writer: fearless, precise, full of doubt, never taking anything for granted. She's one of the few people left on the planet who uses presently correctly, which can create its own thrill. Going back to Liz Phair's once notorious, now often forgotten, absurdly in-your-face ambitious first album--"a story about a girl and a time and a place," the indie-rock world of Wicker Park, in Chicago, in the early 1990s, but in Phair's hands a story told with such heart that you need no such details to catch every shade of meaning and emotion--Arnold has written a book about the past ("when dinosaurs, as personified by Dinosaur Jr., ruled the earth"), its follies and crimes ("Every past is worth condemning," Arnold quotes Nietzsche, and then puts the words to work), and the idea of an imagined community that the past leaves behind ("Often I think I am a better informed citizen of Middlemarch, Bartsetshire," Arnold says, "than I am of San Francisco"). And it's about what it means for a young woman to simultaneously take on both everyone in her town and take down the album that sums up everything that everyone in her town would like to sound like, look like, act like, be--to take down a whole way of being in the world. "At one point we had felt like misfits or we had felt like 'others,'" Carrie Brownstein recently said of the time she shared with Phair--in her case, in her own indie-rock community, in Olympia, Washington. "It was supposed to be come one, come all, you know? Freaks gather round and we'll provide you with shelter. And you get in these scenes and you realize, no, I've gone from one set of rules and regulations and codifications of how you should dress and what you should know to another... What should have been inclusive felt very exclusive... there were times when I felt very flummoxed by the rules, very alienated, and I was trying way too hard to figure out not just what band to like, but am I liking the right album from that band. And then, am I liking the right band member in that band? Am I liking the right song on the right record? Have I picked the right year to stop liking the band?, Provocative in all the right places, persuasively argued and certainly among the most professional of the series. It reminds me how much my thinking about gender and sexuality has benefitted from reading women's testimonials to the emotional power of Guyville. It also reminds me how, to this day, I would drink Liz Phair's bathwater, The series is probably the most remarkable regular event in rock journalism today. Each thin volume - there are nearly 100 of them now, enough almost to stretch across the back seat of a Mini Cooper - presents one critic on one album. A lot of these writers are capable of shredding., Writing at length about two themes - 'third-wave feminism' and the changing nature of indie music over the past twenty years - requires laborious research, cogent arguments, and logical grounding from start to finish. Doing so in the context of one record makes the task even more difficult. I can say, having reviewed many scholarly articles in my time, that Arnold passes the test with flying colors. The book is well cited, filled (but not overwrought) with pertinent facts, and her points are structured in a way that just make sense. In a word, the book is smart., "Writing at length about two themes 'third-wave feminism' and the changing nature of indie music over the past twenty years - requires laborious research, cogent arguments, and logical grounding from start to finish. Doing so in the context of one record makes the task even more difficult. I can say, having reviewed many scholarly articles in my time, that Arnold passes the test with flying colors. The book is well cited, filled (but not overwrought) with pertinent facts, and her points are structured in a way that just make sense. In a word, the book is smart." 2bit Monkey"Gina Arnold's book on Liz Phair's 1993 double LP, Exile in Guyville , is the kind of book that weighs in, pulls no punches, and shines a light on the entire enterprise of popular music." Paul Gleason, Caught in the Carousel, Gina Arnold's book on Liz Phair's 1993 double LP, Exile in Guyville , is the kind of book that weighs in, pulls no punches, and shines a light on the entire enterprise of popular music., "Writing at length about two themes 'third-wave feminism' and the changing nature of indie music over the past twenty years - requires laborious research, cogent arguments, and logical grounding from start to finish. Doing so in the context of one record makes the task even more difficult. I can say, having reviewed many scholarly articles in my time, that Arnold passes the test with flying colors. The book is well cited, filled (but not overwrought) with pertinent facts, and her points are structured in a way that just make sense. In a word, the book is smart." 2bit Monkey"Gina Arnold's book on Liz Phair's 1993 double LP, Exile in Guyville , is the kind of book that weighs in, pulls no punches, and shines a light on the entire enterprise of popular music." Paul Gleason, Caught in the Carousel "I found this book to be, like Ms. Phair's album, charming and brave and unexpectedly moving. The author is excellent on so many things, including how the power of Ms. Phair's songs grows from their grainy details, quotidian observations that other rockers so rarely give us, about things like housework and roommates and 'what is was like to feel voiceless and powerless in a nightclub, on a road trip, or during sexual intercourse.'" -Dwight Garner, The New York Times Mentioned in Harper's Bazaar by Hannah Morrill, I found this book to be, like Ms. Phair's album, charming and brave and unexpectedly moving. The author is excellent on so many things, including how the power of Ms. Phair's songs grows from their grainy details, quotidian observations that other rockers so rarely give us, about things like housework and roommates and 'what is was like to feel voiceless and powerless in a nightclub, on a road trip, or during sexual intercourse.', "Writing at length about two themes 'third-wave feminism' and the changing nature of indie music over the past twenty years - requires laborious research, cogent arguments, and logical grounding from start to finish. Doing so in the context of one record makes the task even more difficult. I can say, having reviewed many scholarly articles in my time, that Arnold passes the test with flying colors. The book is well cited, filled (but not overwrought) with pertinent facts, and her points are structured in a way that just make sense. In a word, the book is smart." 2bit Monkey"Gina Arnold's book on Liz Phair's 1993 double LP, Exile in Guyville , is the kind of book that weighs in, pulls no punches, and shines a light on the entire enterprise of popular music." Paul Gleason, Caught in the Carousel "I found this book to be, like Ms. Phair's album, charming and brave and unexpectedly moving. The author is excellent on so many things, including how the power of Ms. Phair's songs grows from their grainy details, quotidian observations that other rockers so rarely give us, about things like housework and roommates and ''what is was like to feel voiceless and powerless in a nightclub, on a road trip, or during sexual intercourse.''" -Dwight Garner, The New York Times Mentioned in Harper's Bazaar by Hannah Morrill "Arnold is a wonderful writer: fearless, precise, full of doubt, never taking anything for granted. She's one of the few people left on the planet who uses presently correctly, which can create its own thrill. Going back to Liz Phair's once notorious, now often forgotten, absurdly in-your-face ambitious first album-"a story about a girl and a time and a place," the indie-rock world of Wicker Park, in Chicago, in the early 1990s, but in Phair's hands a story told with such heart that you need no such details to catch every shade of meaning and emotion-Arnold has written a book about the past ("when dinosaurs, as personified by Dinosaur Jr., ruled the earth"), its follies and crimes ("Every past is worth condemning," Arnold quotes Nietzsche, and then puts the words to work), and the idea of an imagined community that the past leaves behind ("Often I think I am a better informed citizen of Middlemarch, Bartsetshire," Arnold says, "than I am of San Francisco"). And it's about what it means for a young woman to simultaneously take on both everyone in her town and take down the album that sums up everything that everyone in her town would like to sound like, look like, act like, be-to take down a whole way of being in the world. "At one point we had felt like misfits or we had felt like 'others,'" Carrie Brownstein recently said of the time she shared with Phair-in her case, in her own indie-rock community, in Olympia, Washington. "It was supposed to be come one, come all, you know? Freaks gather round and we'll provide you with shelter. And you get in these scenes and you realize, no, I've gone from one set of rules and regulations and codifications of how you should dress and what you should know to another… What should have been inclusive felt very exclusive… there were times when I felt very flummoxed by the rules, very alienated, and I was trying way too hard to figure out not just what band to like, but am I liking the right album from that band. And then, am I liking the right band member in that band? Am I liking the right song on the right record? Have I picked the right year to stop liking the band?"-Greil Marcus, The Believer "The series is probably the most remarkable regular event in rock journalism today. Each thin volume - there are nearly 100 of them now, enough almost to stretch across the back seat of a Mini Cooper - presents one critic on one album. A lot of these writers are capable of shredding." The New York Times
Table of Content
Introduction: Written in my Seoul Chapter 1: Guvyille as Ghostworld Chapter 2: Sonic Pleasure and Narrative rock criticism Chapter 3: My Mixed Feelings Chapter 4: Exile State of Mind Works Cited
Copyright Date
2013
Target Audience
Trade
Dewey Decimal
781.42166092
Series
33 1/3 Ser.
Dewey Edition
23
Opis przedmiotu podany przez sprzedawcę
Informacje o firmie
Premier Books LLC
David Taylor
26C Trolley Sq
19806-3356 Wilmington, DE
United States
Oświadczam, że wszystkie moje działania związane ze sprzedażą będą zgodne z wszystkimi przepisami i regulacjami UE.
Sprzedawca ponosi pełną odpowiedzialność za wystawienie tej oferty sprzedaży.
Nr przedmiotu eBay: 395179816443
Ostatnia aktualizacja: 08-04-2024 05:22:37 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Wysyłka i obsługa
Lokalizacja przedmiotu:
Fairfield, Ohio, Stany Zjednoczone
Wysyłka do:
Afganistan, Albania, Algieria, Andora, Angola, Anguilla, Antigua i Barbuda, Antyle Holenderskie, Arabia Saudyjska, Argentyna, Armenia, Aruba, Australia, Austria, Azerbejdżan, Bahamy, Bahrajn, Bangladesz, Belgia, Belize, Benin, Bermudy, Bhutan, Boliwia, Botswana, Bośnia i Hercegowina, Brazylia, Brunei, Brytyjskie Wyspy Dziewicze, Burkina Faso, Burundi, Bułgaria, Cały świat, Chile, Chiny, Chorwacja, Cypr, Czad, Czarnogóra, Czechy, Dania, Demokratyczna Republika Konga, Dominika, Dominikana, Dżibuti, Egipt, Ekwador, Erytrea, Estonia, Eswatini, Etiopia, Falklandy (Malwiny), Fidżi, Filipiny, Finlandia, Francja, Gabon, Gambia, Ghana, Gibraltar, Grecja, Grenada, Grenlandia, Gruzja, Guernsey, Gujana, Gwatemala, Gwinea, Gwinea Bissau, Gwinea Równikowa, Haiti, Hiszpania, Holandia, Honduras, Hongkong, Indie, Indonezja, Irak, Irlandia, Islandia, Izrael, Jamajka, Japonia, Jemen, Jersey, Jordania, Kajmany, Kambodża, Kamerun, Kanada, Katar, Kazachstan, Kenia, Kirgistan, Kiribati, Kolumbia, Komory, Kongo, Korea Południowa, Kostaryka, Kuwejt, Laos, Lesotho, Liban, Liberia, Liechtenstein, Litwa, Luksemburg, Macedonia Północna, Madagaskar, Majotta, Makau, Malawi, Malediwy, Malezja, Mali, Malta, Maroko, Mauretania, Mauritius, Meksyk, Monako, Mongolia, Montserrat, Mozambik, Mołdawia, Namibia, Nauru, Nepal, Niemcy, Niger, Nigeria, Nikaragua, Niue, Norwegia, Nowa Zelandia, Oman, Pakistan, Paragwaj, Peru, Polska, Portugalia, Południowa Afryka, Republika Zielonego Przylądka, Republika Środkowoafrykańska, Rumunia, Rwanda, Sahara Zachodnia, Saint Kitts i Nevis, Saint Lucia, Saint Pierre i Miquelon, Saint Vincent i Grenadyny, Salwador, San Marino, Senegal, Serbia, Seszele, Sierra Leone, Singapur, Somalia, Sri Lanka, Surinam, Svalbard i Jan Mayen, Szwajcaria, Szwecja, Słowacja, Słowenia, Tadżykistan, Tajlandia, Tajwan, Tanzania, Togo, Tonga, Trynidad i Tobago, Tunezja, Turcja, Turkmenistan, Turks i Caicos, Tuvalu, Uganda, Urugwaj, Uzbekistan, Vanuatu, Wallis i Futuna, Watykan, Wielka Brytania, Wietnam, Wybrzeże Kości Słoniowej, Wyspy Cooka, Wyspy Salomona, Węgry, Włochy, Zambia, Zimbabwe, Zjednoczone Emiraty Arabskie, Łotwa, Święta Helena
Wykluczenia:
APO/FPO, Alaska/Hawaje, Barbados, Białoruś, Gujana Francuska, Gwadelupa, Libia, Martynika, Nowa Kaledonia, Panama, Papua-Nowa Gwinea, Polinezja Francuska, Protektoraty USA, Reunion, Rosja, Samoa Zachodnie, Ukraina, Wenezuela
| Wysyłka i obsługa | Każdy dodatkowy przedmiot | Do | Usługa | Dostawa*Zobacz uwagi o dostawie |
|---|---|---|---|---|
| Bezpłatna wysyłka | Bezpłatnie | Stany Zjednoczone | Economy Shipping | Szacowana między Cz, 9 maj a Pn, 20 maj do 43230 |
| Czas na wysłanie |
|---|
| Zwykle wysyłam przesyłkę w ciągu 3 dni roboczych po otrzymaniu rozliczonej płatności. |
| Podatki |
|---|
| Podczas realizacji transakcji mogą zostać naliczone podatki. Dowiedz się więcejDowiedz się więcej o płaceniu podatku za zakupy na eBay. |
Podatek od sprzedaży dla przedmiotu nr 395179816443
Podatek od sprzedaży dla przedmiotu nr 395179816443
Sprzedawca nalicza podatek od sprzedaży dla przedmiotów wysyłanych do następujących stanów:
| Stan | Stawka podatku od sprzedaży |
|---|
Warunki zwrotów
| Po otrzymaniu przedmiotu skontaktuj się ze sprzedawcą w ciągu | Zwrot pieniędzy zostanie dokonany jako | Wysyłka zwrotna |
|---|---|---|
| 30 dni | Zwrot gotówki | Za wysyłkę zwrotną płaci kupujący |
Kupujący jest odpowiedzialny za opłacenie kosztów wysyłki zwrotnej.
| Szczegóły warunków zwrotów |
|---|
| Zwroty są przyjmowane |
Szczegóły dotyczące płatności
Formy płatności
Popularne kategorie z tego Sklepu
Zarejestrowany jako sprzedawca-firma
Opinie sprzedawców (1 022 017)
s***i (1429)- Opinie wystawione przez kupującego.
Ostatni miesiąc
Zakup potwierdzony
Mom loves to read. She'll love this. Thank you. A+++++++
i***a (195)- Opinie wystawione przez kupującego.
Ostatni miesiąc
Zakup potwierdzony
👍🙂👍
l***p (709)- Opinie wystawione przez kupującego.
Ostatni miesiąc
Zakup potwierdzony
Great