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Kompozytor jako intelektualista: muzyka i ideologia we Francji 1914-1940 Jane Ful

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The Composer as Intellectual: Music and Ideology in France 1914-1940 by Jane Ful
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Parametry przedmiotu

Stan
Nowy: Nowa, nieczytana, nieużywana książka w idealnym stanie, wszystkie strony, bez uszkodzeń. Aby ...
ISBN-13
9780195342963
Type
Does not apply
ISBN
9780195342963
Book Title
Composer As Intellectual : Music and Ideology in France 1914-1940
Item Length
9.2in
Publisher
Oxford University Press, Incorporated
Publication Year
2007
Format
Trade Paperback
Language
English
Item Height
1in
Author
Jane Fulcher
Genre
Biography & Autobiography, Music
Topic
History & Criticism, Philosophy & Social Aspects, Composers & Musicians, Ethnic
Item Width
6.1in
Item Weight
0.1 Oz
Number of Pages
488 Pages

O tym produkcie

Product Information

In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the world wars were not only aware of, but engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally rejected a narrow, exclusionary nationalism. It was also the case with the group called "Les Six," who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out other more compatible movements or returned to the Catholic Church. Like other French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time.

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0195342968
ISBN-13
9780195342963
eBay Product ID (ePID)
63822914

Product Key Features

Book Title
Composer As Intellectual : Music and Ideology in France 1914-1940
Author
Jane Fulcher
Format
Trade Paperback
Language
English
Topic
History & Criticism, Philosophy & Social Aspects, Composers & Musicians, Ethnic
Publication Year
2007
Genre
Biography & Autobiography, Music
Number of Pages
488 Pages

Dimensions

Item Length
9.2in
Item Height
1in
Item Width
6.1in
Item Weight
0.1 Oz

Additional Product Features

Reviews
"Fulcher succeeds brilliantly in her stated (but not too modest) aim--to show that 'all which we have largely relegated to the "background"...were significant forces in French musical evolution' (323). Beyond that project, her retrieval of music as 'representation' (in the discrusive sense) models an archeological method with which to unearth layers of significance. Fulcher's study in essential reading."--Stephen Schloesser,Journal of Interdisciplinary History, "Fulcher succeeds brilliantly in her stated (but not too modest) aim--to show that 'all which we have largely relegated to the "background"...were significant forces in French musical evolution' (323). Beyond that project, her retrieval of music as 'representation' (in the discrusive sense) models an archeological method with which to unearth layers of significance. Fulcher's study in essential reading."--Stephen Schloesser, Journal of Interdisciplinary History, "Fulcher succeeds brilliantly in her stated (but not too modest) aim--to show that 'all which we have largely relegated to the "background"...were significant forces in French musical evolution' (323). Beyond that project, her retrieval of music as 'representation' (in the discrusive sense)models an archeological method with which to unearth layers of significance. Fulcher's study in essential reading."--Stephen Schloesser, Journal of Interdisciplinary History, "Fulcher succeeds brilliantly in her stated (but not too modest) aim--to show that 'all which we have largely relegated to the "background"...were significant forces in French musical evolution' (323). Beyond that project, her retrieval of music as 'representation' (in the discrusive sense) models an archeological method with which to unearth layers of significance. Fulcher's study in essential reading."--Stephen Schloesser, Journal of InterdisciplinaryHistory"Fulcher succeeds brilliantly in her stated (but not too modest) aim--to show that 'all which we have largely relegated to the "background"...were significant forces in French musical evolution' (323). Beyond that project, her retrieval of music as 'representation' (in the discrusive sense) models an archeological method with which to unearth layers of significance. Fulcher's study in essential reading."--Stephen Schloesser, Journal of InterdisciplinaryHistory
Table of Content
Introduction1. State Hegemony and Musical Culture: Institutions and2. Intellectual and Creative ResponsesPart II: The National or Universal in the Twenties1. Conservative Hegemony and Political-Cultural Conflict2. French Composers as Intellectuals and the IssuesPart III: The "Defense of French Culture" in the Thirties1. The Popular Front: Culture as Politics2. Political and Symbolic Challenges to the governmentPart IV: The Return to Spirit1. Redefinition's of Symbolic Legitimacy2. French Youth and "Revolutionary Spiritualism"3. Seeds of the Vichy and Resistance AestheticsConclusionNotesBibliography
Copyright Date
2008
Dewey Decimal
780.94409041
Intended Audience
Trade
Dewey Edition
22
Illustrated
Yes

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Very poor reprint, images all in black and white and image quality very poor, but text is fine.