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Słuchanie Bacha: Msza św. b-moll i oratorium bożonarodzeniowe–

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Znajduje się w: Belmont, Massachusetts, Stany Zjednoczone

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Szacowana między Pt, 31 maj a Pn, 3 cze do 43230

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Nr przedmiotu eBay: 395301960543

Ostatnia aktualizacja: 18-05-2024 23:07:23 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki

Parametry przedmiotu

Stan: Bardzo dobry

Uwagi sprzedawcy: “This book is in very good condition, with only minor signs of wear and use. The pages may contain ...

ISBN: 9780190881054

Book Title: Listening to Bach : the Mass in B Minor and the Christmas Oratorio

Item Length: 5.6in

Publisher: Oxford University Press, Incorporated

Publication Year: 2018

Format: Hardcover

Language: English

Item Height: 0.9in

Author: Daniel R. Melamed

Genre: Music

Topic: History & Criticism, Genres & Styles / Classical, Religious / Christian

Item Width: 8.3in

Item Weight: 8.8 Oz

Number of Pages: 176 Pages

O tym produkcie

Product Information

This book encourages eighteenth-century ways of listening to J. S. Bach's Mass in B Minor and Christmas Oratorio. It explores the concept of musical style, suggests ways to listen to works created by the re-use of music for new words, and shows how modern performances are stamped with audible consequences of our place in the twenty-first century.

Product Identifiers

Publisher

Oxford University Press, Incorporated

ISBN-10

0190881054

ISBN-13

9780190881054

eBay Product ID (ePID)

242671892

Product Key Features

Book Title

Listening to Bach : the Mass in B Minor and the Christmas Oratorio

Author

Daniel R. Melamed

Format

Hardcover

Language

English

Topic

History & Criticism, Genres & Styles / Classical, Religious / Christian

Publication Year

2018

Genre

Music

Number of Pages

176 Pages

Dimensions

Item Length

5.6in

Item Height

0.9in

Item Width

8.3in

Item Weight

8.8 Oz

Additional Product Features

Lc Classification Number

Ml410.B13m34 2018

Reviews

"A highly unified and informative book, one enhanced by sixty-five recorded examples... A rich examination of parody and its consequences in the Christmas Oratorio." --New York Review of Books "Melamed is sensible and tolerant in detailing the wide diversity of present-day Bach performance practice. The message is that there is no one way of listening to Bach, but awareness of musical style can help one learn both new and old ways of listening. This important book is must reading." --D.Arnold, CHOICE, "[T]his makes for a highly unified and informative book, one enhanced by sixty-five recorded examples (presented on the Oxford University Press website and performed mostly by John Butt and the Dunedin Consort) and an appendix of nine helpful tables... In the end, Melamed's book is about Bach the craftsman, the astonishingly inventive but pragmatic composer who compiled monumental choral works by blending styles-old and new, secular and sacred-and by appropriating, revising, and even abridging preexisting pieces. His approach reflects the tendency of today's scholars to present Bach as an enlightened, humanistic figure by stressing his musical and intellectual accomplishments and playing down his religiosity and observant Lutheran worldview." --New York Review of Books "A highly unified and informative book, one enhanced by sixty-five recorded examples... A rich examination of parody and its consequences in the Christmas Oratorio." --New York Review of Books "Melamed is sensible and tolerant in detailing the wide diversity of present-day Bach performance practice. The message is that there is no one way of listening to Bach, but awareness of musical style can help one learn both new and old ways of listening. This important book is must reading." --D.Arnold, CHOICE, "Melamed is sensible and tolerant in detailing the wide diversity of present-day Bach performance practice. The message is that there is no one way of listening to Bach, but awareness of musical style can help one learn both new and old ways of listening. This important book is must reading." --D.Arnold, CHOICE, "Melamed invites us into new ways of listening to and thinking about the Mass in B Minor and the Christmas Oratorio and also engages significant debates in relation to these works. [Listening to Bach] also serves as an excellent introduction for students not only to these two important works, but also to Bach scholarship and performance practice." -- Bach: Journal of the Riemenschneider Bach Institutep "[T]his makes for a highly unified and informative book, one enhanced by sixty-five recorded examples (presented on the Oxford University Press website and performed mostly by John Butt and the Dunedin Consort) and an appendix of nine helpful tables... In the end, Melamed's book is about Bach the craftsman, the astonishingly inventive but pragmatic composer who compiled monumental choral works by blending styles-old and new, secular and sacred-and by appropriating, revising, and even abridging preexisting pieces. His approach reflects the tendency of today's scholars to present Bach as an enlightened, humanistic figure by stressing his musical and intellectual accomplishments and playing down his religiosity and observant Lutheran worldview." --New York Review of Books "A highly unified and informative book, one enhanced by sixty-five recorded examples... A rich examination of parody and its consequences in the Christmas Oratorio." --New York Review of Books "Melamed is sensible and tolerant in detailing the wide diversity of present-day Bach performance practice. The message is that there is no one way of listening to Bach, but awareness of musical style can help one learn both new and old ways of listening. This important book is must reading." --D.Arnold, CHOICE, "Melamed invites us into new ways of listening to and thinking about the Mass in B Minor and the Christmas Oratorio and also engages significant debates in relation to these works. [Listening to Bach] also serves as an excellent introduction for students not only to these two important works, but also to Bach scholarship and performance practice." -- Bach: Journal of the Riemenschneider Bach Institutep"[T]his makes for a highly unified and informative book, one enhanced by sixty-five recorded examples (presented on the Oxford University Press website and performed mostly by John Butt and the Dunedin Consort) and an appendix of nine helpful tables... In the end, Melamed's book is about Bach the craftsman, the astonishingly inventive but pragmatic composer who compiled monumental choral works by blending styles-old and new, secular and sacred-and by appropriating, revising, and even abridging preexisting pieces. His approach reflects the tendency of today's scholars to present Bach as an enlightened, humanistic figure by stressing his musical and intellectual accomplishments and playing down his religiosity and observant Lutheran worldview." --New York Review of Books"A highly unified and informative book, one enhanced by sixty-five recorded examples... A rich examination of parody and its consequences in the Christmas Oratorio." --New York Review of Books"Melamed is sensible and tolerant in detailing the wide diversity of present-day Bach performance practice. The message is that there is no one way of listening to Bach, but awareness of musical style can help one learn both new and old ways of listening. This important book is must reading." --D.Arnold, CHOICE, "Melamed invites us into new ways of listening to and thinking about the Mass in B Minor and the Christmas Oratorio and also engages significant debates in relation to these works. [Listening to Bach] also serves as an excellent introduction for students not only to these two important works, but also to Bach scholarship and performance practice." -- Bach: Journal of the Riemenschneider Bach Institutep"[T]his makes for a highly unified and informative book, one enhanced by sixty-five recorded examples (presented on the Oxford University Press website and performed mostly by John Butt and the Dunedin Consort) and an appendix of nine helpful tables... In the end, Melamed's book is about Bach the craftsman, the astonishingly inventive but pragmatic composer who compiled monumental choral works by blending styles-old and new, secular and sacred-and byappropriating, revising, and even abridging preexisting pieces. His approach reflects the tendency of today's scholars to present Bach as an enlightened, humanistic figure by stressing his musical andintellectual accomplishments and playing down his religiosity and observant Lutheran worldview." --New York Review of Books"A highly unified and informative book, one enhanced by sixty-five recorded examples... A rich examination of parody and its consequences in the Christmas Oratorio." --New York Review of Books"Melamed is sensible and tolerant in detailing the wide diversity of present-day Bach performance practice. The message is that there is no one way of listening to Bach, but awareness of musical style can help one learn both new and old ways of listening. This important book is must reading." --D.Arnold, CHOICE

Table of Content

List of Tables List of Audio Examples Preface: Listening to Bach Part I: The Mass in B Minor BWV 232 1. Performing the Mass in B Minor in an Age of Choices 2. Listening to Parody in the Mass in B Minor 3. The Musical Topic of the Mass in B Minor Part II: The Christmas Oratorio BWV 248 4. Parody and its Consequences in the Christmas Oratorio 5. Listening to the Christmas Oratorio with a Calendar 6. The Christmas Oratorio in the Shadow of Bach's Passions Epilogue: How to Listen to Bach Appendix: Tables Suggestions for Further Reading and Listening Index

2018

Lccn

2017-046684

Dewey Decimal

782.3232

Intended Audience

Trade

Dewey Edition

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Nr przedmiotu eBay: 395301960543

Ostatnia aktualizacja: 18-05-2024 23:07:23 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki

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Belmont, Massachusetts, Stany Zjednoczone

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US $4,00 (około 15,68 zł)	Stany Zjednoczone	Standard Shipping	Szacowana między Pt, 31 maj a Pn, 3 cze do 43230
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