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Edna Lim Celluloid Singapore (Hardback) Traditions in World Cinema (UK IMPORT)
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Ostatnia aktualizacja: 17-09-2024 22:21:33 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Celluloid Singapore
- Publication Name
- Celluloid Singapore : Cinema, Performance and the National
- Title
- Celluloid Singapore
- EAN
- 9781474402880
- ISBN
- 9781474402880
- Publisher
- Edinburgh Tea & Coffee Company University Press
- Format
- Hardcover
- Release Year
- 2018
- Release Date
- 31/03/2018
- Item Height
- 0.7 in
- Item Length
- 6.4 in
- Language
- English
- Subtitle
- Cinema, Performance and the National
- Country/Region of Manufacture
- GB
- Series
- Traditions in World Cinema Ser.
- Genre
- Films & TV
- Subject Area
- Performing Arts, Business & Economics
- Subject
- Film / Référence, Film / Direction & Production, Film / History & Criticism, Industries / Entertainment
- Publication Year
- 2018
- Type
- Textbook
- Item Weight
- 16.7 Oz
- Item Width
- 9.2 in
- Number of Pages
- 216 Pages
O tym produkcie
Product Identifiers
Publisher
Edinburgh Tea & Coffee Company University Press
ISBN-10
1474402887
ISBN-13
9781474402880
eBay Product ID (ePID)
239572039
Product Key Features
Number of Pages
216 Pages
Language
English
Publication Name
Celluloid Singapore : Cinema, Performance and the National
Publication Year
2018
Subject
Film / Référence, Film / Direction & Production, Film / History & Criticism, Industries / Entertainment
Type
Textbook
Subject Area
Performing Arts, Business & Economics
Series
Traditions in World Cinema Ser.
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
16.7 Oz
Item Length
6.4 in
Item Width
9.2 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2017-277643
Dewey Edition
23
Reviews
Edna Lim's Celluloid Singapore: Cinema, Performance and the National explores Singapore's preoccupation with nationhood, historicity and the performance of both in and through cinema, taking the nation-state up to its screen culture present. The book, as such, provides a great deal more than overview or a history of Singaporean cinema. Instead it offers a theoretically informed exploration of cinema as a site for conflicting representations of and by Singapore on the local, regional and global stage, thus revealing this most astonishing phenomena in the historical complexity it so richly deserves. As such, Lim's book speaks to those interested in Southeast Asian studies, postcolonial studies and aesthetics as well as cinema studies. It is a rare and welcome addition.
Illustrated
Yes
Dewey Decimal
791.43095957
Table Of Content
Acknowledgments Figures 1. Introduction 2. Merdeka!: Merger, separation and a transnational golden age 3. Influence, hybridity and how the past is a foreign country 4. Nation-building, a nun and a bionic boy 5. Not so foreign: the case of Saint Jack 6. One People, One Nation, One Singapore 7. Revival cinema: 'other' Singaporeans in (an)other Singapore 8. Singapore cinema in Singapore
Synopsis
Celluloid Singapore is a ground-breaking study of the three major periods in Singapore's fragmented cinema history, namely the golden age of the 1950s and 60s, the post-studio 1970s, and the revival from the 1990s onwards., Celluloid Singapore is a ground-breaking study of the three major periods in Singapore's fragmented cinema history, namely the golden age of the 1950s and 60s, the post-studio 1970s, and the revival from the 1990s onwards. Set against the context of Singapore's own trajectory of development, the book poses two central questions: how can the films of each period be considered 'Singapore' films, and how is this cinema specifically national? The book argues that the films of these three periods collectively constitute a national cinema through different performances of Singapore, offering a critical framework for understanding this cinema and its history in relation to the development of the country and the national.
LC Classification Number
PN1993.5.S45
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