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Cięte kawałki: celluloidowa obsceniczność i popularne kino w Bangladeszu autorstwa Lotte Hoek–
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- Kup terazCięte kawałki: celluloidowa obsceniczność i popularne kino w Bangladeszu autorstwa Lotte Hoek
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Znajduje się w: Sparks, Nevada, Stany Zjednoczone
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Ostatnia aktualizacja: 19-08-2024 10:16:39 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Book Title
- Cut-Pieces: Celluloid Obscenity and Popular Cinema in Bangladesh
- Publication Date
- 2013-11-19
- Pages
- 272
- ISBN
- 9780231162883
- Subject Area
- Performing Arts, Social Science
- Publication Name
- Cut-Pieces : Celluloid Obscenity and Popular Cinema in Bangladesh
- Publisher
- Columbia University Press
- Item Length
- 9.2 in
- Subject
- Film / General, Pornography, Anthropology / Cultural & Social, Customs & Traditions, Film / History & Criticism
- Publication Year
- 2013
- Series
- South Asia Across the Disciplines Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 16.8 Oz
- Item Width
- 6.2 in
- Number of Pages
- 272 Pages
O tym produkcie
Product Identifiers
Publisher
Columbia University Press
ISBN-10
023116288X
ISBN-13
9780231162883
eBay Product ID (ePID)
9038296378
Product Key Features
Number of Pages
272 Pages
Publication Name
Cut-Pieces : Celluloid Obscenity and Popular Cinema in Bangladesh
Language
English
Publication Year
2013
Subject
Film / General, Pornography, Anthropology / Cultural & Social, Customs & Traditions, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts, Social Science
Series
South Asia Across the Disciplines Ser.
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
16.8 Oz
Item Length
9.2 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2013-011066
Dewey Edition
23
Reviews
The theoretical and literary sophistication of this study of the oscillating visibility of obscenity in Bangladesh is remarkable. Taking one film as her "field site" and using effervescent prose, Hoek presents a superb study of the production-consumption continuum of "unstable celluloid" and richly conjures Dhaka's film studios, location shooting and the country's small town movie theatres. The artisanal inventiveness of Bangladeshi purveyors of "hot spice" provides a welcome counterweight to "gentrified" Bollywood. Hoek's exceptional ethnography of the abject, the dilapidated, the mofussil , demonstrates magnificently how cinema, like almost everything else, fails to live up to its own ideals., The theoretical and literary sophistication of this study of the oscillating visibility of obscenity in Bangladesh is remarkable. Taking one film as her 'field site' and using effervescent prose, Hoek presents a superb study of the production-consumption continuum of 'unstable celluloid' and richly conjures Dhaka's film studios, location shooting, and the country's small town movie theaters. The artisanal inventiveness of Bangladeshi purveyors of 'hot spice' provides a welcome counterweight to 'gentrified' Bollywood. Hoek's exceptional ethnography of the abject, the dilapidated, the mofussil, demonstrates magnificently how cinema, like almost everything else, fails to live up to its own ideals., Hoek's journeys to towns with considerable distance from Dhaka are a thrill to read; viewings of Mintu the Murderer are vivid in no small terms, and the local color of hanging out at tea stalls and backrooms were page-turners. This is an inspired book, showing the life of a film from its conception to exhibition, or in this case to its ban.
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
306.4095492
Table Of Content
Note on Transliteration, Translation, and Pseudonyms Acknowledgments Introduction: Before Mintu the Murderer 1. Writing Gaps : The Script of Mintu the Murderer 2. A Handheld Camera Twisted Rapidly: The Technology of Mintu the Murderer 3. Actress /Character: The Heroines of Mintu the Murderer 4. Cutting and Splicing: The Editor and Censor of Mintu the Murderer 5. Noise: The Public Sphere of Mintu the Murderer 6. Unstable Celluloid: The Exhibiti on of Mintu the Murderer Conclusion: After Mintu the Murderer Notes Bibliography Index
Synopsis
Imagine watching an action film in a small-town cinema hall in Bangladesh, and in between the gun battles and fistfights a short pornographic clip appears. This is known as a cut-piece, a strip of locally made celluloid pornography surreptitiously spliced into the reels of action films in Bangladesh. Exploring the shadowy world of these clips and their place in South Asian film culture, Lotte Hoek builds a rare, detailed portrait of the production, consumption, and cinematic pleasures of stray celluloid. Hoek's innovative ethnography plots the making and reception of Mintu the Murderer (2005, pseud .), a popular, Bangladeshi B-quality action movie and fascinating embodiment of the cut-piece phenomenon. She begins with the early scriptwriting phase and concludes with multiple screenings in remote Bangladeshi cinema halls, following the cut-pieces as they appear and disappear from the film, destabilizing its form, generating controversy, and titillating audiences. Hoek's work shines an unusual light on Bangladesh's state-owned film industry and popular practices of the obscene. She also reframes conceptual approaches to South Asian cinema and film culture, drawing on media anthropology to decode the cultural contradictions of Bangladesh since the 1990s.
LC Classification Number
GN635.B33H64 2013
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