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Sheila Hicks: 50 Years by Joan Simon: Used

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Parametry przedmiotu

Stan
Dobry: Książka, która była czytana, ale nadal jest w dobrym stanie. Na okładce widoczne są ...
Publication Date
2010-11-30
Pages
256
ISBN
9780300121643
Book Title
Sheila Hicks : 50 Years
Publisher
Yale University Press
Item Length
11.8 in
Publication Year
2010
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
2.7 in
Author
Susan C. Faxon, Whitney Chadwick, Joan Simon
Genre
Design, Art
Topic
Textile & Costume, History / Contemporary (1945-), Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General, American / General, Subjects & Themes / General
Item Weight
60.9 Oz
Item Width
9.5 in
Number of Pages
256 Pages

O tym produkcie

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300121644
ISBN-13
9780300121643
eBay Product ID (ePID)
84479182

Product Key Features

Book Title
Sheila Hicks : 50 Years
Number of Pages
256 Pages
Language
English
Publication Year
2010
Topic
Textile & Costume, History / Contemporary (1945-), Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General, American / General, Subjects & Themes / General
Illustrator
Yes
Genre
Design, Art
Author
Susan C. Faxon, Whitney Chadwick, Joan Simon
Format
Hardcover

Dimensions

Item Height
2.7 in
Item Weight
60.9 Oz
Item Length
11.8 in
Item Width
9.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2010-020483
Dewey Edition
22
Dewey Decimal
746.092
Synopsis
Sheila Hicks (born 1934) is a pioneering artist noted for objects and public commissions whose structures are built of color and fiber. This volume accompanies the first major retrospective of Hicks's work; it documents the remarkable versatility and dramatically divergent scale of her textiles as well as her distinctive use, and surprising range, of materials. Hicks deliberately and provocatively engages what are often considered mutually exclusive domains, rethinking and pushing the limits of generally accepted contexts, conditions, and frameworks. These include distinct objects and temporal, performative actions; studio works and commissions for public buildings; and textiles made in artisanal workshops as well as for industrial production in places as different as Chile, France, Germany, India, Japan, Mexico, Morocco, Sweden, and the United States.Three essays analyze the progression of Hicks's art and technique and her many modes of working. Among other topics, they examine the artist's relationship to the "expanded fields" of the "new sculpture" and the "new tapestry" beginning in the 1960s, the reclamation of craft as subject and technique for artists in many media, the integrated influences of international cultures, and the aesthetic, pedagogical, conceptual, and historical framework from which Hicks's work has developed. This publication reveals the full extent of Hicks's work, from exquisite miniature weavings to major sculptural pieces to such large-scale commissions as The Four Seasons of Fuji. Exquisitely designed and lavishly illustrated, this book demonstrates that Hicks's pioneering work with textiles has embraced yet reinvented tradition, successfully navigating the terrain between art, design, and architecture., Sheila Hicks (born 1934) is a pioneering artist noted for objects and public commissions whose structures are built of color and fiber. This volume accompanies the first major retrospective of Hicks's work; it documents the remarkable versatility and dramatically divergent scale of her textiles as well as her distinctive use, and surprising range, of materials. Hicks deliberately and provocatively engages what are often considered mutually exclusive domains, rethinking and pushing the limits of generally accepted contexts, conditions, and frameworks. These include distinct objects and temporal, performative actions; studio works and commissions for public buildings; and textiles made in artisanal workshops as well as for industrial production in places as different as Chile, France, Germany, India, Japan, Mexico, Morocco, Sweden, and the United States. Three essays analyze the progression of Hicks's art and technique and her many modes of working. Among other topics, they examine the artist's relationship to the "expanded fields" of the "new sculpture" and the "new tapestry" beginning in the 1960s, the reclamation of craft as subject and technique for artists in many media, the integrated influences of international cultures, and the aesthetic, pedagogical, conceptual, and historical framework from which Hicks's work has developed. This publication reveals the full extent of Hicks's work, from exquisite miniature weavings to major sculptural pieces to such large-scale commissions as The Four Seasons of Fuji. Exquisitely designed and lavishly illustrated, this book demonstrates that Hicks's pioneering work with textiles has embraced yet reinvented tradition, successfully navigating the terrain between art, design, and architecture.
LC Classification Number
NK3012.A3H52 2010

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