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Zbawienie w celuloidzie: teologia, wyobraźnia i film (T&t Clark), papież, Robert–
US $110,94
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“Good Condition. Reasonable wear. Still very usable. Clean, mark-free interior!”
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Książka, która była czytana, ale nadal jest w dobrym stanie. Na okładce widoczne są nieznaczne ślady używania, np. zadrapania, ale książka nie jest rozerwana i nie ma dziur. Przy książkach w twardej oprawie mogą brakować obwoluty. Większość stron jest nieuszkodzona tzn., że ewentualne zagięcia lub rozdarcia są sporadyczne, podkreślenia ołówkiem są minimalne i nie ma żadnych zaznaczeń markerem czy notatek na marginesach. Książka ma wszystkie strony. Aby poznać więcej szczegółów i opis uszkodzeń lub wad, zobacz aukcję sprzedającego.
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Znajduje się w: Alton, Illinois, Stany Zjednoczone
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Szacowana między Cz, 26 wrz a Pn, 30 wrz do 43230
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Parametry przedmiotu
- Stan
- Dobry
- Uwagi sprzedawcy
- “Good Condition. Reasonable wear. Still very usable. Clean, mark-free interior!”
- Book Title
- Salvation in Celluloid: Theology, Imagination and Film (T&t Clark
- ISBN
- 9780567032065
- Subject Area
- Religion, Performing Arts
- Publication Name
- Salvation in Celluloid : Theology, Imagination and Film
- Publisher
- Bloomsbury Academic & Professional
- Item Length
- 9.2 in
- Subject
- Theology, Christian Life / General, Film / General, Film / History & Criticism
- Publication Year
- 2007
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 17.3 Oz
- Item Width
- 6.1 in
- Number of Pages
- 224 Pages
O tym produkcie
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
056703206X
ISBN-13
9780567032065
eBay Product ID (ePID)
23038696255
Product Key Features
Number of Pages
224 Pages
Publication Name
Salvation in Celluloid : Theology, Imagination and Film
Language
English
Subject
Theology, Christian Life / General, Film / General, Film / History & Criticism
Publication Year
2007
Type
Textbook
Subject Area
Religion, Performing Arts
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
17.3 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2007-299091
Reviews
"Robert Pope, a lecturer in Practical Theology at the University of Bangor (Wales), offers a sober and intelligent account of the limits and potential of film as a theological medium...Pope's contribution is to be found in his ability to undermine overestimating the theological reach of any particular film, while pointing out theologically legitimate approaches. Could it be that religious educators/theologians have been reading too much into cinema? In what might be called a theology for the theological reading of cinematic texts, Pope has constructed a credible critique...For non-specialists, especially educators who use film frequently as a theological medium, it is a must read." -Richard Shields, Catholic Books Review, "He sets out to accomplish multiple aims ... Clearly written and presented, this text succeeds on all counts. Seeing theological dialogue on film as an aspect of practical theology, he concludes that in the act of viewing and reflecting upon film, whether "fiction, myth and fantasy," viewers can come to appreciate that "all of life can give glory to God." (p. 166)." - Catholic Library World, "The main argument of the book is that religious meaning does not occur within a film but is constructed in the viewer's imagination, a recognition which ought to be applauded." - Expository Times, "this is a stimulating work which takes the debate on a little, but promises more in its opening chapters than it delivers throughout" 1 July 2009, "As a doctoral candidate in theology and as a media professional, I am doubly interested in this book. It has not disappointed, for Robert Pope provides the reader with a very good survey of thinking about film, and about theology and film... Pope's book remains a very good survey of an area of theology that appears t be growing alongside film studies, and worth reading for other theological disciplines involved in culture, event, and communications." -James O'Regan, PhD candidate, Saint Paul University, Theoforum Vol. 39 No. 3 2008, "This important book is required reading for all concerned with theology and film. Dr. Pope provides a sophisticated and compelling account of the theological imagination as it bears upon, and is stimulated by, film; and careful analyses of such key terms as 'reality', 'fantasy', and 'escapism'. Religious insight, theological substance, cultural awareness and philosophical acumen are here blended to an unusual degree. I warmly congratulate Robert Pope on a fine piece of work."-Alan P. F. Sell. Milton Keynes
Dewey Edition
22
Dewey Decimal
791.4368232
Table Of Content
Introduction Chapter 1: Theology and Film: Emergence of a Subject Chapter 2: Reading Texts and Living Narratives Chapter 3: Fancy That: Theology and Imagination Chapter 4: Imaginative Journeys: Theology and Film Chapter 5: The Quest of the Cinematic Jesus Chapter 6: The Search for the Cinematic Christ Chapter 7: Praepatario Evangelica? Myth, Fantasty and Imagination Chapter 8: Theology in Wonderland: The Role of Animation Chapter 9: Salvation in Celluloid: Redemption at the Cinema Epilogue Bibliography
Synopsis
Much work in the field of theology and film lacks a really theological focus. This book suggests a methodology based on the recognition of the imagination as the fundamental category in producing and interpreting film. The argument is presented that the imagination holds theological significance when it is conceived of in certain ways. As a result, the book adopts the 'paradigmatic imagination' (an imagination which works within the paradigms of scripture) or 'theological imagination' (one grounded in theological forms), which is both noetic (it is the image-making faculty of the mind) and almost ontological (it is that which draws human beings into the future which they are able to construct or bring into being). Once the theological (paradigmatic) imagination has been identified and justified, its insights will be applied to 'Jesus films' and 'Christ figure films' asking whether or not they provide us with valid Christological understanding. Films with redemptive or salvific themes are discussed as is the popularity of mythical stories and animation. The final chapter will make the case that the engagement of the theological imagination with film is a method in practical theology., This fascinating book propounds a methodology based on the recognition of the imagination as the fundamental category in producing and interpreting film. The imagination holds theological significance when it is conceived of in certain ways. As a result, the book adopts the 'paradigmatic imagination' (an imagination which works within the paradigms of scripture) or 'theological imagination' (one grounded in theological forms). Once the theological (paradigmatic) imagination has been identified and justified, its insights will be applied to 'Jesus films' and 'Christ figure films' asking whether or not they provide us with valid Christological understanding. Films with redemptive or salvific themes are discussed as is the popularity of mythical stories and animation.
LC Classification Number
PN1995.9.J4
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