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Ann Pedone Katherine Soniat D M Spitzer Fates (oprawa miękka)–
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Nr przedmiotu eBay: 404705125397
Ostatnia aktualizacja: 15-04-2024 16:55:53 CEST Wyświetl wszystkie poprawkiWyświetl wszystkie poprawki
Parametry przedmiotu
- Stan
- Publication Name
- Fates
- Title
- Fates
- Subtitle
- The Medea Notebooks; Starfish Wash-Up; And Overflow of an Unknown
- ISBN-10
- 1736494686
- EAN
- 9781736494684
- ISBN
- 9781736494684
- Release Year
- 2023
- Release Date
- 05/23/2023
- Book Title
- Fates : the Medea Notebooks; Starfish Wash-Up; and Overflow of an Unknown Self
- Item Length
- 10in
- Publisher
- Etruscan Press
- Publication Year
- 2023
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Genre
- Poetry
- Topic
- Anthologies (Multiple Authors)
- Item Width
- 7in
- Item Weight
- 15.2 Oz
- Number of Pages
- 226 Pages
O tym produkcie
Product Information
For our fourth Tribus, we present Fates, in which three poets--Ann Pedone, Katherine Soniat, and D.M. Spitzer--weave destinies by reimagining stories from the past. The books of Fates resist retellings. Instead, they reopen stories we have been carrying with us. They explore the limits and possibilities of form, testing the poetic line. And they invite new voices to disturb the universe.Ann Pedone's The Medea Notebooks reimagines and reworks the ancient Greek story as three "Medeas": the character from the Euripides play, the 20th century opera singer Maria Callas (who played Medea on stage and in film), and the poet herself. In these lyric portrayals of marriage and murder, sex and infidelity, the book explores and complicates our understanding of love, female sexual desire, and betrayal. Katherine Soniat's ekphrastic collection Starfish Wash-up also claims a myth as its starting point--here in the form of a painting of Telemachus kneeling by the Aegean seashore--and along with that archetypal Lost Son and so many modern-day children, we search the horizon for our missing parent, a search that expands to include the wreckage of, and loss of, the very planet that offered us our first home. In its queering translation of an Old Testament text from the Septuagint, D. M. Spitzer's overflow of an unknown self: a song of songs performs an act of interpretive violence, shattering the heteronormative version of the Song and arraying its shards into eight cantos of trans-moments that ask us whose love, which lovers, the Song celebrates, while transfiguring the Song's full-throated praise of embodied, human love.
Product Identifiers
Publisher
Etruscan Press
ISBN-10
1736494686
ISBN-13
9781736494684
eBay Product ID (ePID)
15057264219
Product Key Features
Book Title
Fates : the Medea Notebooks; Starfish Wash-Up; and Overflow of an Unknown Self
Format
Trade Paperback
Language
English
Topic
Anthologies (Multiple Authors)
Publication Year
2023
Genre
Poetry
Number of Pages
226 Pages
Dimensions
Item Length
10in
Item Height
0.6in
Item Width
7in
Item Weight
15.2 Oz
Additional Product Features
Lc Classification Number
Ps617.F38 2023
Reviews
These three poetic sequences render the experience of overpowering human emotion--rage, longing, sexual desire--in combat or in consonance with forces beyond reason. Each work shatters the vessel of a classical story and rearranges its shards into forms suited to our age. Ann Pedone's The Medea Notebooks alternates confession, reportage and text messages. Katherine Soniat's Starfish Wash-Up traces the search for the lost parent in language shimmering between the lyric and the mystical. D.M. Spitzer's overflow of an unknown self: a song of songs, wields overlapping syntactical constructions and ambiguities of gender and identity to articulate desire breaching all boundaries. --Gyorgyi Voros, Notations of the Wild: Ecology in the Poetry of Wallace Stevens, Like any three foils -- Hamlet, Laertes, and Fortinbras; Sethe, Denver, and Beloved -- Ann Pedone's The Medea Notebooks, Katherine Soniat's Starfish Wash-Up, and D. M. Spitzer's overflow of an unknown self: a song of songs each appears more clearly as itself in the dramatic tension created by its connection with the other two. Not only because they share such features as telling the poet's own story in and as a shared story, but also because they share the quality that, characterizing genius, Marina Tsvetaeva called "the highest degree of subjection to the visitation": The Medea Notebooks, Starfish Wash-Up, and overflow of an unknown self are visitations, subjection to which any reader will experience as gift and illumination. --H. L. Hix, Demonstrategy, Like any three foils -- Hamlet, Laertes, and Fortinbras; Sethe, Denver, and Beloved -- Ann Pedone's The Medea Notebooks , Katherine Soniat's Starfish Wash-Up , and D. M. Spitzer's overflow of an unknown self: a song of songs each appears more clearly as itself in the dramatic tension created by its connection with the other two. Each tenders its own wisdom, each ventures its own way, each savors its own wanting, yet the three harmonize not only because they share such features as telling the poet's own story in and as a shared story, but also because they share the quality that, characterizing genius, Marina Tsvetaeva called "the highest degree of subjection to the visitation": for Pedone "There are experiences / that break us open"; for Soniat "Entanglements drag us through time"; for Spitzer "an unknown source blooms & overflows us." Because Ann Pedone, Katherine Soniat, and D. M. Spitzer have subjected themselves to the visitation, The Medea Notebooks , Starfish Wash-Up , and overflow of an unknown self are visitations, subjection to which any reader will experience as gift and illumination. --H. L. Hix, Demonstrategy, Like any three foils -- Hamlet, Laertes, and Fortinbras; Sethe, Denver, and Beloved -- Ann Pedone's The Medea Notebooks, Katherine Soniat's Starfish Wash-Up, and D. M. Spitzer's overflow of an unknown self: a song of songs each appears more clearly as itself in the dramatic tension created by its connection with the other two. Not only because they share such features as telling the poet's own story in and as a shared story, but also because they share the quality that, characterizing genius, Marina Tsvetaeva called "the highest degree of subjection to the visitation": The Medea Notebooks, Starfish Wash-Up, and overflow of an unknown self are visitations, subjection to which any reader will experience as gift and illumination. --H. L. Hix, Demonstrategy These three poetic sequences render the experience of overpowering human emotion--rage, longing, sexual desire--in combat or in consonance with forces beyond reason. Each work shatters the vessel of a classical story and rearranges its shards into forms suited to our age. Ann Pedone's The Medea Notebooks alternates confession, reportage and text messages. Katherine Soniat's Starfish Wash-Up traces the search for the lost parent in language shimmering between the lyric and the mystical. D.M. Spitzer's overflow of an unknown self: a song of songs, wields overlapping syntactical constructions and ambiguities of gender and identity to articulate desire breaching all boundaries. --Gyorgyi Voros, Notations of the Wild: Ecology in the Poetry of Wallace Stevens, What, in a human's life, is beyond human control? Fate is. These three poetic sequences render the experience of overpowering human emotion--rage, longing, sexual desire--in combat or in consonance with forces beyond reason. Each work shatters the vessel of a classical story and rearranges its shards into forms suited to our age. Ann Pedone's The Medea Notebooks alternates confession, reportage and text messages. Katherine Soniat's Starfish Wash-Up traces the search for the lost parent in language shimmering between the lyric and the mystical, sweeping with centripetal force elements of history, ecology, and the fate of the earth into its whirlwind. D.M. Spitzer's overflow of an unknown self: a song of songs , wields overlapping syntactical constructions and ambiguities of gender and identity to articulate desire breaching all boundaries. To read these transmutations of ancient texts epitomizing our most anarchic appetites is to feel intimately how beholden the human remains to its fate. --Gyorgyi Voros, Notations of the Wild: Ecology in the Poetry of Wallace Stevens
Table of Content
Table of ContentsThe Medea Notebooks Ann Pedone 3Starfish Wash-Up Katherine Soniat 63i. after birth Telemachus Seeking 72 Penelope's Womb 74 Losing Touch 75 Island 79 Afterthought 80 Telemachus Pondering the Bottomlands 81 The Magical Age of Quitting 82 That Morning I Saw Telemachus 83 Floating Encampments 84 After Birth 85 ii. first nature Half Life 89 At Large 90 Missing Parts 91 Greed 92 Agua 93 Violet 94 Orphan Joy 95 Comfort Food 96 Scream 97 First Nature, Once Removed 98 The Sea 99 iii. reliquary Mentor Thinks Along With Telemachus 103 Addiction 104 Embryonic Sons and Daughters 105Tiny Gills 107 Strange that Penelope 108 Mother I Could Be 109 Reliquary 110 My Good Man 111 Refusal 112 Oh My Gods, and Those With Salt Haloes 113 Of Space 114 The Interstate Chimera 116 iv. finding time The Right Frequency 121 Jewel 122 Of Water Made 123 Street of the Three Sad Marias 124 Kingdom 125 Argus 126 Clocks 128 Sewn to the Skin 129 Starfish Wash-up 130 Finding Time 131 overflow of an unknown self: a song of songs D. M. Spitzer 133Canto 1 137 Canto 2 143 Canto 3 150 Canto 4 156 Canto 5 162 Canto 6 171 Canto 7 179 Canto 8 188 notes 201 Acknowledgments 209 About the authors 211
Copyright Date
2021
Lccn
2022-013589
Intended Audience
Trade
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Nr przedmiotu eBay: 404705125397
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