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Powieść gotycka w Irlandii, ok. 1760-1829 autorstwa Christiny Morin: Używana–
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Znajduje się w: Sparks, Nevada, Stany Zjednoczone
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Parametry przedmiotu
- Stan
- Book Title
- The Gothic Novel in Ireland, c. 1760-1829
- Publication Date
- 2018-05-11
- ISBN
- 9780719099175
- Publication Year
- 2018
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Gothic Novel in Ireland, C. 1760-1829
- Item Height
- 0.6in
- Item Length
- 8.5in
- Publisher
- Manchester University Press
- Item Width
- 5.4in
- Item Weight
- 15.3 Oz
- Number of Pages
- 248 Pages
O tym produkcie
Product Information
A compelling account of the development of gothic literature in late-eighteenth and early-nineteenth century Ireland.
Product Identifiers
Publisher
Manchester University Press
ISBN-10
071909917x
ISBN-13
9780719099175
eBay Product ID (ePID)
19038717913
Product Key Features
Publication Name
Gothic Novel in Ireland, C. 1760-1829
Format
Hardcover
Language
English
Publication Year
2018
Type
Textbook
Number of Pages
248 Pages
Dimensions
Item Length
8.5in
Item Height
0.6in
Item Width
5.4in
Item Weight
15.3 Oz
Additional Product Features
Lc Classification Number
Pr8807
Reviews
'Christina Morin's The gothic novel in Ireland c. 1760-1829 is a significant intervention in the study of Anglo-Irish literature and the gothic tradition. Combining a masterful overview of Romantic era print culture with close readings of hitherto under examined novels, this book suggestively explores the generic interconnectedness between gothic fiction, the national tale and the historical novel. In doing so, it brings to light a much earlier tradition of fiction that emerged from Ireland in the mid-eighteenth century and had a clear impact on the British novelists who followed. As such, The gothic novel in Ireland confidently dispatches long-held views of Irish gothic as a belated phenomenon that emerged in the later nineteenth century. At the same time, Morin delineates acutely the specific conventions and tropes that characterised a distinctively Irish variant of the gothic. Marshalling an impressive range of literary sources, bibliographical evidence and statistical data, Morin provocatively disrupts long-held assumptions about the formative role played by Irish writers at a crucial moment in the history of the novel, making a compelling case for a more nuanced and accurate understanding of the literary relationship between Britain and Ireland during the Romantic century.' Anthony Mandal, Professor of Print and Digital Cultures, Cardiff University 'In its strikingly original overall approach as well as its illuminating discussions of forgotten or neglected early Irish gothic fictions, The Gothic Novel in Ireland, c. 1760-1829 greatly broadens and deepens our knowledge of an important but little-known corpus of literature.' European Romantic Review 'When does the gothic novel begin and end? What are its characteristics? And where does Ireland fit in the literary terrain marked out by modern critics? In this valuable exploration, Christina Morin remaps time, place, and content. She argues that by giving sustained attention to Irish gothic literature we can (and should) widen, deepen, and redefine a field whose formal and generic properties have been at once slippery and overly restrictive... Morin carefully dismantles stereotypes and brings fresh eyes to established conventions. She asks probing questions about why some writers fall into neglect--what Franco Moretti dubbed the slaughterhouse of literature--and looks anew at those judged worthy of the attentions of posterity. For students of the period, this will be an essential text: meticulously researched and attractively written.' Eighteenth-Century Fiction, "Christina Morin's The gothic novel in Ireland c. 1760-1829 is a significant intervention in the study of Anglo-Irish literature and the gothic tradition." - Anthony Mandal, Professor of Print and Digital Cultures, Cardiff University, 'Christina Morin's The gothic novel in Ireland c. 1760-1829 is a significant intervention in the study of Anglo-Irish literature and the gothic tradition. Combining a masterful overview of Romantic era print culture with close readings of hitherto under examined novels, this book suggestively explores the generic interconnectedness between gothic fiction, the national tale and the historical novel. In doing so, it brings to light a much earlier tradition of fiction that emerged from Ireland in the mid-eighteenth century and had a clear impact on the British novelists who followed. As such, The gothic novel in Ireland confidently dispatches long-held views of Irish gothic as a belated phenomenon that emerged in the later nineteenth century. At the same time, Morin delineates acutely the specific conventions and tropes that characterised a distinctively Irish variant of the gothic. Marshalling an impressive range of literary sources, bibliographical evidence and statistical data, Morin provocatively disrupts long-held assumptions about the formative role played by Irish writers at a crucial moment in the history of the novel, making a compelling case for a more nuanced and accurate understanding of the literary relationship between Britain and Ireland during the Romantic century.'Anthony Mandal, Professor of Print and Digital Cultures, Cardiff University'In its strikingly original overall approach as well as its illuminating discussions of forgotten or neglected early Irish gothic fictions, The Gothic Novel in Ireland, c. 1760-1829 greatly broadens and deepens our knowledge of an important but little-known corpus of literature.'European Romantic Review'When does the gothic novel begin and end? What are its characteristics? And where does Ireland fit in the literary terrain marked out by modern critics? In this valuable exploration, Christina Morin remaps time, place, and content. She argues that by giving sustained attention to Irish gothic literature we can (and should) widen, deepen, and redefine a field whose formal and generic properties have been at once slippery and overly restrictive. Morin carefully dismantles stereotypes and brings fresh eyes to established conventions. She asks probing questions about why some writers fall into neglect-what Franco Moretti dubbed the slaughterhouse of literature-and looks anew at those judged worthy of the attentions of posterity. For students of the period, this will be an essential text: meticulously researched and attractively written.'Eighteenth-Century Fiction, 'Christina Morin's The gothic novel in Ireland c. 1760-1829 is a significant intervention in the study of Anglo-Irish literature and the gothic tradition. Combining a masterful overview of Romantic era print culture with close readings of hitherto under examined novels, this book suggestively explores the generic interconnectedness between gothic fiction, the national tale and the historical novel. In doing so, it brings to light a much earlier tradition of fiction that emerged from Ireland in the mid-eighteenth century and had a clear impact on the British novelists who followed. As such, The gothic novel in Ireland confidently dispatches long-held views of Irish gothic as a belated phenomenon that emerged in the later nineteenth century. At the same time, Morin delineates acutely the specific conventions and tropes that characterised a distinctively Irish variant of the gothic. Marshalling an impressive range of literary sources, bibliographical evidence and statistical data, Morin provocatively disrupts long-held assumptions about the formative role played by Irish writers at a crucial moment in the history of the novel, making a compelling case for a more nuanced and accurate understanding of the literary relationship between Britain and Ireland during the Romantic century.'Anthony Mandal, Professor of Print and Digital Cultures, Cardiff University
Table of Content
Introduction: locating the Irish gothic novel 1. Gothic temporalities: 'Gothicism', 'historicism', and the overlap of fictional modes from Thomas Leland to Walter Scott 2. Gothic genres: romances, novels, and the classifications of Irish Romantic fiction 3. Gothic geographies: the cartographic consciousness of Irish gothic fiction 4. Gothic materialities: Regina Maria Roche, the Minerva Press, and the bibliographic spread of Irish gothic fiction Conclusion Appendix 1: A working bibliography of Irish gothic fiction, c. 1760-1829 Select bibliography Index
Copyright Date
2018
Topic
Gothic & Romance, Europe / Ireland, European / English, Irish, Scottish, Welsh
Dewey Decimal
823.08729099415
Intended Audience
College Audience
Dewey Edition
23
Illustrated
Yes
Genre
Literary Criticism, History
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